The Rolling Stones - Rolled Gold (1975) UK Pressing - 2 LP/FLAC In 24bit/96kHz
The Rolling Stones - Rolled Gold / The Very Best Of The Rolling Stones
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 2000mb
Label: Decca/ROST 1/2 | Released: 1975 | Genre: Classic-Rock
A1 Come On
A2 I Wanna Be Your Man
A3 Not Fade Away
A4 Carol
A5 It’s All Over Now
A6 Little Red Rooster
A7 Time Is On My Side
A8 The Last Time
A9 (I Can’t Get No) Satisfaction
-
B1 Get Off Of My Cloud
B2 19th Nervous Breakdown
B3 As Tears Go By
B4 Under My Thumb
B5 Lady Jane
B6 Out Of Time
B7 Paint It Black
-
C1 Have You Seen Your Mother Baby, Standing In The Shadow?
C2 Let’s Spend The Night Together
C3 Ruby Tuesday
C4 Yesterday’s Papers
C5 We Love You
C6 She’s A Rainbow
C7 Jumpin’ Jack Flash
-
D1 Honky Tonk Woman
D2 Sympathy For The Devil
D3 Street Fighting Man
D4 Midnight Rambler
D5 Gimme Shelter
Copyright © – The Decca Record Company Limited
Printed By – Robert Stace
Credits
Compiled By, Coordinator – Alan Fitter
Design – Bill Picknell
Liner Notes – Roy Carr
Written-By – Jagger, Richard* (tracks: A8 to D5)
Notes
A1 to A4, A6 to B3 and C1 are mono, all other tracks are stereo.
The first disc has the cat. # ROST 1, the second disc has the cat. # ROST 2
Barcode and Other Identifiers
Rights Society: BRITICO., GEMA., NCB.
Matrix / Runout (A-side label): Z/ARL 14077
Matrix / Runout (B-side label): Z/ARL 14078
Matrix / Runout (C-side label): Z/ARL 14079
Matrix / Runout (D-side label): Z/ARL 14080
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 2000mb
Label: Decca/ROST 1/2 | Released: 1975 | Genre: Classic-Rock
A1 Come On
A2 I Wanna Be Your Man
A3 Not Fade Away
A4 Carol
A5 It’s All Over Now
A6 Little Red Rooster
A7 Time Is On My Side
A8 The Last Time
A9 (I Can’t Get No) Satisfaction
-
B1 Get Off Of My Cloud
B2 19th Nervous Breakdown
B3 As Tears Go By
B4 Under My Thumb
B5 Lady Jane
B6 Out Of Time
B7 Paint It Black
-
C1 Have You Seen Your Mother Baby, Standing In The Shadow?
C2 Let’s Spend The Night Together
C3 Ruby Tuesday
C4 Yesterday’s Papers
C5 We Love You
C6 She’s A Rainbow
C7 Jumpin’ Jack Flash
-
D1 Honky Tonk Woman
D2 Sympathy For The Devil
D3 Street Fighting Man
D4 Midnight Rambler
D5 Gimme Shelter
Copyright © – The Decca Record Company Limited
Printed By – Robert Stace
Credits
Compiled By, Coordinator – Alan Fitter
Design – Bill Picknell
Liner Notes – Roy Carr
Written-By – Jagger, Richard* (tracks: A8 to D5)
Notes
A1 to A4, A6 to B3 and C1 are mono, all other tracks are stereo.
The first disc has the cat. # ROST 1, the second disc has the cat. # ROST 2
Barcode and Other Identifiers
Rights Society: BRITICO., GEMA., NCB.
Matrix / Runout (A-side label): Z/ARL 14077
Matrix / Runout (B-side label): Z/ARL 14078
Matrix / Runout (C-side label): Z/ARL 14079
Matrix / Runout (D-side label): Z/ARL 14080
The Rolling Stones - Rolled Gold (1975) UK Pressing - 2 LP/FLAC In 24bit/96kHz
The Rolling Stones - Rolled Gold (1975) UK Pressing - 2 LP/FLAC In 24bit/96kHz
The Rolling Stones - Rolled Gold (1975) UK Pressing - 2 LP/FLAC In 24bit/96kHz
This Rip: 2017
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: EX++
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
When Rolled Gold was initially released in 1975, there was no shortage of Rolling Stone compilations — hell, there were two others released that year, the useful Decca/London-era rarities compilation Metamorphosis and the slapped-together Rolling Stones Records singles comp Made in the Shade, containing the American singles released on Rolling Stones Records in the early ’70s, along with assorted album tracks. Designed for the U.K. market and never released in America, Rolled Gold split the difference between the two, rounding up all the big hits they had on Decca/London. At 28 tracks and two LPs, the collection offered a lot of bang for the buck and it was an enormous hit in the U.K.Review by Stephen Thomas Erlewine, allmusic.com
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