Sabine Devieilhe, Ensemble Pygmalion, Raphaël Pichon - Mozart: The Weber Sisters (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 72:23 minutes | 1,28 GB
Studio Master, Official Digital Download | Artwork: Digital booklet
Launched by a fizzing account of the overture to the Paris ballet Les petits riens, the programme centres around three magnificent showpiece arias for Aloysia, famed both for her expressive cantabile and her coloratura prowess. Among her specialities were sustained pianissimo high notes; and I can’t imagine they were more delicately floated than they are by Sabine Devieilhe, a lyric coloratura who combines a pure, sweet timbre and dazzling virtuosity…In one of her signature roles, Devieilhe despatches the Queen’s ‘Der Hölle Rache’ with terrific pizzazz, her poise in alt even enabling her to shade the high-wire coloratura at will.
The Weber Sisters is rooted in Mozart’s life story and includes music inspired by Aloysia, Konstanze and Josepha Weber, three soprano sisters whom Mozart first met in the German city of Mannheim in 1777, when he was 21. Though he initially fell in love with Aloysia, who went on to become a celebrated diva, it was Konstanze who became his wife; she outlived him by nearly 50 years and did much to sustain and build his reputation after his death. The programme comprises songs, operatic and concert arias and orchestral numbers, and Sabine Devieilhe’s interpretations are typified by beauty of tone, a penetrating sense of drama and a scrupulous respect for the score and the text. Three of the highlights are: the concert aria ‘Popoli di Tessaglia’ – written for Aloysia – which rises to spectacular heights (specifically, the G two-and-a-half octaves above middle C); the sublime ‘Et incarnatus est’ from the C minor Mass – premiered in Salzburg by Konstanze, and ‘Der Hölle Rache’, written for Josepha as the second fireworks-filled aria of the Queen of the Night in Die Zauberflöte, a role that has brought triumphs for Sabine Devieilhe at the opera houses of Lyon and Paris. Her colleagues on this album are the Ensemble Pygmalion, the keyboard player Arnaud de Pasquale and the conductor Raphaël Pichon.
Tracklist:
01 - Les petits riens, K. 299b: Overture
02 - Ah, vous dirai-je maman, K. 265
03 - Dans un bois solitaire et sombre, K. 308: Dans un bois solitaire, K. 308
04 - Music for the Pantomime Pantalon and Columbine, K. 446: Adagio
05 - Alcandro, lo confesso… Non so d'onde viene, K. 294
06 - Vorrei spiegarvi, oh Dio, K. 418
07 - Popoli di Tessaglia… Io non chiedo, eterni dei, K. 316
08 - Nehmt meinen Dank, K. 383
09 - Kanonisches Adagio, K. 410
10 - Schon lacht der holde Frühling, K. 580
11 - Die Zauberflöte, Act 2, K. 620: Der Hölle Rache (Königin der Nacht)
12 - Thamos, König in Ägypten, K. 345: No. 5 Entr'acte
13 - Die Zauberflöte, Act 2, K. 620: March of the Priests
14 - Solfeggio, K. 393: No. 2 in F Major
15 - Mass in C Minor, K. 427: Et incarnatus est
Musicians:
Sabine Devieilhe - soprano
Ensemble Pygmalion - Conducted by Raphaël Pichon
Analyzed: Sabine Devieilhe / Mozart: The Weber Sisters
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.09 dB -18.97 dB 3:20 01-Les petits riens, K. 299b: Overture
DR16 -0.66 dB -23.51 dB 2:54 02-Ah, vous dirai-je maman, K. 265
DR15 -2.04 dB -22.42 dB 3:21 03-Dans un bois solitaire et sombre, K. 308: Dans un bois solitaire, K. 308
DR11 -9.51 dB -27.59 dB 1:17 04-Music for the Pantomime Pantalon and Columbine, K. 446: Adagio
DR14 -0.13 dB -20.08 dB 9:03 05-Alcandro, lo confesso… Non so d'onde viene, K. 294
DR15 -0.05 dB -20.23 dB 6:44 06-Vorrei spiegarvi, oh Dio, K. 418
DR14 -0.14 dB -19.11 dB 10:10 07-Popoli di Tessaglia… Io non chiedo, eterni dei, K. 316
DR13 -2.49 dB -21.29 dB 3:26 08-Nehmt meinen Dank, K. 383
DR9 -12.79 dB -26.45 dB 1:37 09-Kanonisches Adagio, K. 410
DR14 -0.13 dB -18.75 dB 7:35 10-Schon lacht der holde Frühling, K. 580
DR11 -0.03 dB -14.78 dB 2:42 11-Die Zauberflöte, Act 2, K. 620: Der Hölle Rache (Königin der Nacht)
DR14 -0.32 dB -19.22 dB 3:23 12-Thamos, König in Ägypten, K. 345: No. 5 Entr'acte
DR10 -8.77 dB -23.16 dB 2:57 13-Die Zauberflöte, Act 2, K. 620: March of the Priests
DR12 -1.73 dB -22.10 dB 2:54 14-Solfeggio, K. 393: No. 2 in F Major
DR15 0.00 dB -20.47 dB 11:00 15-Mass in C Minor, K. 427: Et incarnatus est
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2408 kbps
Codec: FLAC
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––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.09 dB -18.97 dB 3:20 01-Les petits riens, K. 299b: Overture
DR16 -0.66 dB -23.51 dB 2:54 02-Ah, vous dirai-je maman, K. 265
DR15 -2.04 dB -22.42 dB 3:21 03-Dans un bois solitaire et sombre, K. 308: Dans un bois solitaire, K. 308
DR11 -9.51 dB -27.59 dB 1:17 04-Music for the Pantomime Pantalon and Columbine, K. 446: Adagio
DR14 -0.13 dB -20.08 dB 9:03 05-Alcandro, lo confesso… Non so d'onde viene, K. 294
DR15 -0.05 dB -20.23 dB 6:44 06-Vorrei spiegarvi, oh Dio, K. 418
DR14 -0.14 dB -19.11 dB 10:10 07-Popoli di Tessaglia… Io non chiedo, eterni dei, K. 316
DR13 -2.49 dB -21.29 dB 3:26 08-Nehmt meinen Dank, K. 383
DR9 -12.79 dB -26.45 dB 1:37 09-Kanonisches Adagio, K. 410
DR14 -0.13 dB -18.75 dB 7:35 10-Schon lacht der holde Frühling, K. 580
DR11 -0.03 dB -14.78 dB 2:42 11-Die Zauberflöte, Act 2, K. 620: Der Hölle Rache (Königin der Nacht)
DR14 -0.32 dB -19.22 dB 3:23 12-Thamos, König in Ägypten, K. 345: No. 5 Entr'acte
DR10 -8.77 dB -23.16 dB 2:57 13-Die Zauberflöte, Act 2, K. 620: March of the Priests
DR12 -1.73 dB -22.10 dB 2:54 14-Solfeggio, K. 393: No. 2 in F Major
DR15 0.00 dB -20.47 dB 11:00 15-Mass in C Minor, K. 427: Et incarnatus est
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2408 kbps
Codec: FLAC
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