Matt Wilson - Honey and Salt: Music Inspired by the Poetry of Carl Sandburg (2017)
FLAC (tracks) 24-bit/44,1 kHz | Time - 64:11 minutes | 656 MB
Studio Master, Official Digital Download | Artwork: Front cover
New York-based drummer and Grammy nominee Matt Wilson is one of today's most celebrated jazz artists. He is universally recognized for his musical and melodic drumming style as well as being a gifted composer, bandleader, producer, and teaching artist. His last album "Honey and Salt" is a session that includes both beautifully performed musical settings and readings of Carl Sandburg poems, the latter mostly by musicians such as Christian McBride, Bill Frisell, and Joe Lovano. (One poem is also read by actor Jack Black, an honorary jazz musician given that he is married to one of the daughters of the great bassist Charlie Haden.) Among the unexpected joys of this session is that one hears musicians — who are not members of Wilson’s band — interpret poetry according to the dictates of their spirits and the spirit of the poem he or she chose — or that chose them. Honey and Salt, among other things, is a salute to the power of the voice.
New York-based drummer and Grammy nominee Matt Wilson is one of today's most celebrated jazz artists. He is universally recognized for his musical and melodic drumming style as well as being a gifted composer, bandleader, producer, and teaching artist. "Honey and Salt" is loosely divided into three chapters and an epilogue: the first, urban-leaning poems; the second, more rural themes and ideas; the third examining the collision and overlap of the two; and the epilogue serving as a meditative leave-taking. Lee Morgan-esque horn lines over a gut-rumbling blues bassline open "Soup," Sandburg's more-timely-than-ever musing about a celebrity caught in the ordinary act of slurping soup from a spoon. Christian McBride's gregarious baritone intones "Anywhere and Everywhere People," with a series of horn motifs for the poem's key repeated words. Wilson himself recites the contemplative "As Wave Follows Wave," ultimately joined by a host of collaborators, friends and family members. "Night Stuff" unfolds against a slow, twilit landscape, while John Scofield recites "We Must Be Polite" in a hilarious deadpan against Wilson's New Orleans shuffle. Sandburg's own voice can be heard in duet with Wilson's drums on his most revered poem, "Fog." Chapter one closes with the raucous march of "Choose".
If fellow Illinois natives poet Carl Sandburg and drummer Matt Wilson were to share one quality, it would be the element of surprise. A deeply important, Pulitzer Prize-winning figure in 20th century American verse, Sandburg (who died in 1967 at age 89) wrote about everyday life in an non-rhyming fashion with a wry, whimsical tone. He was also famously a fan of jazz and folk music, and his poems evince a musical, lyrical quality that's at once intellectually inventive and soulfully plainspoken. Much of the same could be said about Wilson, whose Sandburg tribute, 2017's Honey and Salt, showcases his playful, inventive jazz that straddles the borders between avant-garde improvisation, ruminative folk, and swinging, bluesy post-bop. Here, Wilson pays homage to Sandburg with a thoughtfully rendered set of songs inspired by and composed around Sandburg's poems. Joining Wilson is a group of like-minded associates including singer/guitarist Dawn Thomson, cornetist Ron Miles, reedman Jeff Lederer, and bassist Martin Wind. Together, they play with an organic exuberance, turning Sandburg's poems into songs, many of which feature Thomson's measured croon. They turn Sandburg's "Soup" into an earthy blues, "Night Stuff" into a languid, moonlit chamber piece, and "We Must Be Polite" into a roiling New Orleans second-line jam. Other tracks are equally engaging as Wilson highlights the distinctly American quality of both Sandburg's writing and the sound of jazz and folk music, as on the marching band-esque "Stars, Songs, Faces" and the ambient country twang of "Prairie Barn." Adding to the album's playful air of surprise is a handful of well-known guest performers, brought in not to play, but to recite Sandburg's poems, including bassist Christian McBride, guitarist Bill Frisell, pianist Carla Bley, and actor Jack Black, among others. Sandburg himself is even featured on "Fog," his voice culled from a 1968 recording and set against a moody solo drum improvisation by Wilson; a magical duet. Perhaps the most surprising, and enjoyable, aspect of Honey and Salt is just how deftly Wilson has combined his music and Sandburg's writing, never sacrificing either or limiting the listener's ability to imbibe both at the same time.
Tracklist:
01 - Soup
02 - Anywhere and Everywhere People (Christian McBride, reader)
03 - As Wave Follows Wave (Matt Wilson, reader)
04 - Night Stuff
05 - We Must Be Polite (John Scofield, reader)
06 - Fog (Carl Sandburg, reader)
07 - Choose
08 - Prairie Barn (Jeff Lederer, reader)
09 - Offering and Rebuff
10 - Stars, Songs, Face
11 - Bringers
12 - Snatch of Sliphorn Jazz(Jack Black, Reader)
13 - Paper 2 (Bill Frisell, reader)
14 - Trafficker (Rufus Reid, reader)
15 - Paper 1 (Joe Lovano, reader)
16 - I Sang
17 - To Know Silence Perfectly (Carla Bley, reader)
18 - Daybreak
Musicians:
Matt Wilson - drums, voice
Dawn Thomson - vocals, guitar
Ron Miles - cornet
Jeff Lederer - reeds, harmonium, voice
Martin Wind - acoustic bass, voice
Analyzed: Matt Wilson / Honey and Salt
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -1.30 dB -14.73 dB 4:52 01-Soup
DR12 -0.96 dB -14.95 dB 3:57 02-Anywhere and Everywhere People
DR12 -8.09 dB -24.82 dB 3:48 03-As Wave Follows Wave
DR12 -2.74 dB -17.56 dB 6:29 04-Night Stuff
DR11 -2.36 dB -14.31 dB 3:48 05-We Must Be Polite
DR15 -2.23 dB -21.53 dB 2:55 06-Fog
DR12 -2.47 dB -16.25 dB 3:13 07-Choose
DR12 -8.10 dB -25.09 dB 2:16 08-Prairie Barn
DR13 -2.50 dB -19.01 dB 3:24 09-Offering and Rebuff
DR11 -5.30 dB -20.22 dB 2:58 10-Stars, Songs, Face
DR12 -5.61 dB -19.61 dB 4:25 11-Bringers
DR12 -2.44 dB -17.22 dB 3:31 12-Snatch of Sliphorn Jazz
DR12 -1.97 dB -17.67 dB 5:25 13-Paper 2
DR12 -3.90 dB -19.84 dB 1:51 14-Trafficker
DR12 -5.59 dB -23.98 dB 0:45 15-Paper 1
DR12 -2.79 dB -18.63 dB 4:08 16-I Sang
DR8 -9.07 dB -21.46 dB 2:38 17-To Know Silence Perfectly
DR10 -2.10 dB -14.85 dB 3:49 18-Daybreak
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 18
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1528 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -1.30 dB -14.73 dB 4:52 01-Soup
DR12 -0.96 dB -14.95 dB 3:57 02-Anywhere and Everywhere People
DR12 -8.09 dB -24.82 dB 3:48 03-As Wave Follows Wave
DR12 -2.74 dB -17.56 dB 6:29 04-Night Stuff
DR11 -2.36 dB -14.31 dB 3:48 05-We Must Be Polite
DR15 -2.23 dB -21.53 dB 2:55 06-Fog
DR12 -2.47 dB -16.25 dB 3:13 07-Choose
DR12 -8.10 dB -25.09 dB 2:16 08-Prairie Barn
DR13 -2.50 dB -19.01 dB 3:24 09-Offering and Rebuff
DR11 -5.30 dB -20.22 dB 2:58 10-Stars, Songs, Face
DR12 -5.61 dB -19.61 dB 4:25 11-Bringers
DR12 -2.44 dB -17.22 dB 3:31 12-Snatch of Sliphorn Jazz
DR12 -1.97 dB -17.67 dB 5:25 13-Paper 2
DR12 -3.90 dB -19.84 dB 1:51 14-Trafficker
DR12 -5.59 dB -23.98 dB 0:45 15-Paper 1
DR12 -2.79 dB -18.63 dB 4:08 16-I Sang
DR8 -9.07 dB -21.46 dB 2:38 17-To Know Silence Perfectly
DR10 -2.10 dB -14.85 dB 3:49 18-Daybreak
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 18
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1528 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer!