Jethro Tull - Aqualung
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Chrysalis/FV 41044 | Released: 1971 | This Issue: 1983 | Genre: Progressive-Folk
A1 Aqualung 6:34
A2 Cross Eyed Mary 4:06
A3 Cheap Day Return 1:21
A4 Mother Goose 3:51
A5 Wond’ring Aloud 1:53
A6 Up To Me 3:14
–
B1 My God 7:08
B2 Hymn 43 3:15
B3 Slipstream 1:12
B4 Locomotive Breath 4:23
B5 Wind-Up 6:01
Companies, etc.
Recorded At – Island Studios
Pressed By – Columbia Records Pressing Plant, Carrollton, GA
Copyright © – Chrysalis
Published By – Chrysalis Music Inc.
Credits
Arranged By [Orchestra], Conductor [Orchestra] – David Palmer (2)
Bass, Vocals [Odd Voices], Recorder [Alto Recorder] – Jeffrey Hammond-Hammond
Drums, Percussion – Clive Bunker
Electric Guitar, Recorder [Descant Recorder] – Martin Barre
Engineer – John Burns
Layout – CCS (2)
Painting – Burton Silverman
Piano, Organ, Mellotron – John Evan
Producer – Terry Ellis
Producer, Written-By, Flute, Acoustic Guitar, Vocals – Ian Anderson
Notes
Columbia, Carrrollton repress issued in gatefold sleeve.
Recorded at Island Studios, London
© Chrysalis Records
Barcode and Other Identifiers
Barcode (Text): 0 4411-41044-1
Matrix / Runout (Side A Etched): FV 41044A-1A F1 GI
Matrix / Runout (Side B Etched): FV 41044-B GIB GI <JxAD>
Rights Society: BMI
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Chrysalis/FV 41044 | Released: 1971 | This Issue: 1983 | Genre: Progressive-Folk
A1 Aqualung 6:34
A2 Cross Eyed Mary 4:06
A3 Cheap Day Return 1:21
A4 Mother Goose 3:51
A5 Wond’ring Aloud 1:53
A6 Up To Me 3:14
–
B1 My God 7:08
B2 Hymn 43 3:15
B3 Slipstream 1:12
B4 Locomotive Breath 4:23
B5 Wind-Up 6:01
Companies, etc.
Recorded At – Island Studios
Pressed By – Columbia Records Pressing Plant, Carrollton, GA
Copyright © – Chrysalis
Published By – Chrysalis Music Inc.
Credits
Arranged By [Orchestra], Conductor [Orchestra] – David Palmer (2)
Bass, Vocals [Odd Voices], Recorder [Alto Recorder] – Jeffrey Hammond-Hammond
Drums, Percussion – Clive Bunker
Electric Guitar, Recorder [Descant Recorder] – Martin Barre
Engineer – John Burns
Layout – CCS (2)
Painting – Burton Silverman
Piano, Organ, Mellotron – John Evan
Producer – Terry Ellis
Producer, Written-By, Flute, Acoustic Guitar, Vocals – Ian Anderson
Notes
Columbia, Carrrollton repress issued in gatefold sleeve.
Recorded at Island Studios, London
© Chrysalis Records
Barcode and Other Identifiers
Barcode (Text): 0 4411-41044-1
Matrix / Runout (Side A Etched): FV 41044A-1A F1 GI
Matrix / Runout (Side B Etched): FV 41044-B GIB GI <JxAD>
Rights Society: BMI
This Rip: 2018
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: NM+
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
Essential: a masterpiece of progressive rock music
“Aqualung” isn’t only a great album, it’s somehow a feel of live from the early 70’s. Maybe not as ambitious and essential in progressive rock terms as “Thick As A Brick”, but in terms of folk prog an absolute masterpiece concept record, too. I always feel like I am travelling back in the 70’s when I listen to classic tracks like “Locomotive Breath”, “Cross-Eyed Mary”, “Mother Gose” or the title track. Still the heavily blues influences are involved on this album, but sound more throughout perfected in combination with their fokish attitude and delivered a masterpiece for a bigger audience. “Thick As A Brick” was only for a smaller circle of listeners, because of the far more prog-ish attitude and more edged compositions, but in look on quality there isn’t quite a difference, all is just more accesible on here, and also interestening for listeners of hard rock and other styles. Thank you Jethro Tull for your classic albums!Review by Marc Baum, progarchives.com
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