The box set captures the band’s output from 1978 through 1984 and includes the first vinyl re-pressings of their first three studio albums in over thirty years (Send Me A Lullaby, Before Hollywood & Spring Hill Fair), all re-mastered from the original analog tapes. G Stands For Go-Betweens also brings together their early classic and collectible singles together on a fourth vinyl LP entitled The First Five Singles, featuring new artwork from its creators. Additionally, the set comes with four compact discs of rare, hard-to-find and unreleased demos, recordings, radio sessions and a complete live concert radio broadcast from 1982. If that’s not enough, the set comes with a silkscreen of their first promotional poster for their debut single, “Lee Remick”, as well as a reproduction of their very first press release from their own Able Label.

The third and final instalment of the anthology series documenting The Go-Betweens, one of the most beloved and influential Australian groups of all-time. G Stands For Go-Betweens Volume Three extensively documents the band’s twenty-first century output in an ambitious box containing four vinyl albums, seven compact discs and an extensive 112-page book, featuring a trove of archival photos and extensive historical liner notes from founding member Robert Forster, along with additional pieces from guest essayists, fans and contemporaries.

Kogun (Japanese: 孤軍) is the first album recorded by the Los Angeles-based Toshiko Akiyoshi – Lew Tabackin Big Band. It was released in Japan by Victor in 1974 and received the Swing Journal Silver Disk prize for that year. It was later released on RCA Victor in the USA and elsewhere and received a 1979 Grammy nomination for Best Jazz Instrumental Performance by a Big Band.

Tales of a Courtesan (Oirantan) is the third recording of the Toshiko Akiyoshi – Lew Tabackin Big Band. It is also sometimes referred to by the title HANA KAI TAN (花魁譚) in rōmaji listings of the Japanese album title.

Insights is the fourth studio recording of the Toshiko Akiyoshi – Lew Tabackin Big Band and was voted "Jazz Album of the Year" in the 1978 Down Beat magazine critic's poll. It received the Swing Journal magazine 1976 Gold Disk prize in Japan and was nominated for a 1978 Grammy award in the USA for Best Jazz Instrumental Performance by a Big Band.

March of the Tadpoles was the fifth studio recording of the Toshiko Akiyoshi – Lew Tabackin Big Band. The album was released in Japan in 1977 by Baystate. The album received two 1985 Grammy award nominations – for "Best Jazz Instrumental Performance - Big Band" and for "Best Arrangement on an Instrumental" (for the song, "March of the Tadpoles").

Tomás Jerez Munera received the Honor Prize in Saxophone in 1997, granted by the Conservatorio Superior de Música de Madrid (Manuel Miján’s Class).

Hermann Scherchen (German: Hermann Scherchen, June 21, 1891, Berlin - June 12, 1966, Florence) was a German conductor and music teacher, violist.

At the beginning of the twentieth century, San Giovanni Rotondo was a tiny village, virtually in the middle of nowhere, in Southern Italy.

Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer, sometimes referred to as the First Lady of Song, Queen of Jazz, and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing.

Roberto Prosseda (born 1975) is an Italian classical pianist.

Artiste atypique au parcours singulier, le pianiste Nicolas Horvath commence ses études musicales à l’Académie de Musique Prince Rainier III de Monaco.

One of the legendary moments in Callas’ career came in 1950 in Mexico City, when she interpolated a stupendous top E flat at the end of the Triumphal Scene in Act II of Aida.

Devotion is the second album by the English jazz fusion guitarist John McLaughlin, released in 1970.

Arthur Edward Pepper Jr. (September 1, 1925 – June 15, 1982) was an American jazz musician, most known as an alto saxophonist. He occasionally performed and recorded on tenor saxophone, clarinet (his first instrument) and bass clarinet.