The duo reviews the vast American repertoire of jazz and soul and Brazilian music.

homas Enhco's "Mozart Paradox" is an album where the French pianist interprets Mozart's compositions on solo piano, exploring both classical and jazz elements.

The McGuire Sisters were a vocal trio consisting of three sisters, Kristin, Dorothy, and Phyllis McGuire, one of the most popular vocal groups of the 1950s.

BLOW GLOBE is a 10-person band that melds the sonorities of instrumental jazz and classical with the ethos of contemporary electronic and songwriter musics.

Acclaimed jazz bassist and composer Andrew Schiller announces his first solo bass album, Rumble Rubble Ripple, set for release on June 6, 2025, via Endectomorph Music.

Stradivarius is pleased to present the new album by Aurora Avveduto, a young pianist who has enrichedher training by participating, among other things, in various masterclasses and seminars withcomposers and performers of today's music.

Allow Cynthia Erivo to reintroduce herself. The multifaceted Grammy®, Emmy®, and Tony® Award-winner and 3x Academy Award® nominated actress, singer, author, and producer bares her soul on her sophomore album I Forgive You.

The Rock N’ Roll You Won’t Save Me Tour in the Winter of 2024 was an incredible and surreal heart opening tour for us.

Introducing Josh’s latest new project, in collaboration with Kevin Van Den Elzen — a vibrant new album celebrating the spirit of West Coast jazz. Featuring original compositions, fresh arrangements, and timeless works by jazz masters. Album is out June 6.

Jade Aurora MacRae is an Australian soul singer and the daughter of professional musicians Joy Yates and Dave MacRae. MacRae is best known for her top 40 singles "So Hot Right Now" and "Superstar", both released in 2005. In 2012, following her marriage to Australian hip hop artist Phrase, MacRae continued her musical career under the new moniker of Dune.

Following the success of volumes 1-3, Simon Gaudenz conducts the Jenaer Philharmonie in the fourth of a series of recordings of the complete Mahler Symphonies, interspersed with world-premiere recordings of pieces by Andrea Lorenzo Scartazzini that reflect each symphony and pay homage to Mahler's soundworld. This fourth volume features Mahler's gargantuan Symphony No. 8 bookended by Scartazzini'sAnima and Enigma, both composed in 2024, before concluding with Mahler's deeply moving and valedictory Symphony No. 9.

If you thought the Grateful Dead’s whirlwind psychedelia didn’t belong on solo piano, you’d be dead wrong. With THE BUS CAME BY AND I GOT ON, classically-trained pianist Kristina Marinova captures the sonic tapestry of the Grateful Dead’s music with a devotee-pleasing setlist designed to replicate a Dead concert spanning their inception in 1966 to their award-winning and critically-acclaimed three-album Live European Tour in 1972.

At this point, you probably know what you're getting when you click play on a Katatonia album and that's not necessarily a bad thing.

Mastering and production by Intervention Records. Mastered Direct-to-DSD FROM THE ORIGINAL ANALOG MASTER TAPES. Mastered by Kevin Gray At CoHEARent Audio. Hybrid CD/SACD Plays On All CD and SACD Players. Super Jewel Box Packaging.

in 1974, the Eagles released their third studio album, an LP that earned them their first - but certainly not their last - hit single. Produced by Glynn Johns ("You Never Cry Like a Lover" and "Best of My Love") and Bill Szymczyk (everything else) during sessions at Record Plant Studios in Los Angeles and Olympic Studios in London, ON THE BORDER was the first Eagles album with guitarist Don Felder in the lineup, but it could have been a very different album if the guys in the band hadn't tired of Johns' efforts to play country in their rock. Johns' argument was, "The Who is a rock and roll band, and you're not," and you can imagine how well that went over. After working with Johns in London for six weeks, the Eagles returned to L.A., where they teamed up with Szymczyk, and it was during those sessions that Felder joined the band. Admittedly, he joined rather late, so he can only be heard on two tracks - "Good Day in Hell" and "Already Gone" - but it was enough to make a name for himself and be officially accepted into the band.