The Americana Album That Started It All. Newly Remastered With 8 Bonus Tracks. 2 Tracks Never Before On CD. "It Is Generally Agreed That "So Rebellious A Lover" Was The First Americana Album. Before SRAL albums and artists were referred to as country rock, or acoustic or folk." All Music Guide "A sinewy and exquisitely polished jewel of folk/country that is driven by an abiding sense of care. A record for all times." New York Times. An exquisite pairing of talent, the duo of Carla Olson and Gene Clark apparently came out of casual living room sessions while Clark was preparing for another project. The feeling of spontaneity and closeness of spirit engulfs all of the cuts here. Olson's strident and powerful vocals mesh beautifully with Clark's slightly world-weary, soulful performances. As for the material, both songwriters obviously put their best foot forward here. Olson's "The Drifter" and "Are We Still Making Love" are excellent country-folk outings. Clark contributes one of his finest later compositions, "Gypsy Rider," a multi-leveled song that can easily be viewed as autobiographical. Excellent support is provided by an array of backing musicians, especially Stephen McCarthy (lap steel and dobro) and guest Chris Hillman (mandolin). The only sad thing is that So Rebellious a Lover was to be the only studio effort by the duo before Clark passed away in 1991. This record is important not only for what it is, but for what it could have become.

An album of new works written during the pandemic by celebrated composer Jonathan Dove, the Sacconi Quartet are joined by pianists Charles Owen, Katya Apekisheva and baritone Phillipe Sly.

Beethoven first conceived the idea of setting Schiller’s Ode to Joy to music when he was in his twenties; an early iteration of the theme in the song, Returned Love, comes from before 1795.

There is an oddly satisfying feeling while floating.

"Forever Home” deals with the fundamental questions of our time: Will it be possible to establish human life on Mars?

Souled American formed in 1987 with four musicians from Illinois—vocalist/rhythm guitarist Chris Grigoroff, vocalist/bassist Joe Adducci, electric guitarist Scott Tuma, and drummer Jamey Barnard.

“Life itself is a thunderstorm,” says Trevor Powers, the Idaho-based songwriter and producer behind the Youth Lagoon moniker. “Life itself is brothers on walkie-talkies…

There's something beautiful about a band's unbridled live energy mixed with an audience's excitement that breathes new life into songs.

Follow up-to SAINt JHN’s first long-awaited album “Collection One”.

Strata-East: The Legacy Begins celebrates the revolutionary spirit of one of the most influential artist-owned independent jazz labels in history.

The Limiñanas - "Faded" / Following the albums Shadow People (2018) and de Pelicula (2021) - done with Laurent Garnier - The Limiñanas are back with their new album, Faded, which includes "Prisoner of Beauty," featuring Bobby Gillespie.

The album unveils a universe reminiscent of David Lynch—a sonic vision of American music, straddling rock and jazz, utterly indescribable. Above all, it is the inner world of John De Leo that prevails throughout this record, defying boundaries.

After two pandemically conditioned ‘reaction’ albums - Yay! (2023) and Neigh!! (2024) - a few non-album singles and a compilation album, a downsized and sleek Motorpsycho is back where we all know and love them, with an epic, sprawling double album, filled to the brim with inventive, organic and ecstatic rock-based music. Rejoyce Psychonaut!

Following the recent archival release of Primitive Art Group’s studio albums “1981-1986”, we are pleased to announce the release of this 65-minute album of live PAG performances recorded between 1981 and 1983. These recordings document the beginnings of the PAG in all its raw beauty and chronicle its development into a unique improvising unit. Made from original cassettes tapes, this fills a missing part in the story of free music and in the story of underground music from New Zealand. “Live Cuts 1981-1983” contains three tracks featuring early member Pam Grey on cello and vocals, a snapshot of a remarkable and largely unrecorded musician. Wellington legend Gerard Crewdson joins for one improvisation on wordless vocals. The band work out on covers of Albert Ayler’s “Ghosts” and “Bells,” a few group improvisations, some originals and a homage reworking of Cecil Taylor’s “Unit Structures”. “Live Cuts 1981-1983” presents the band live and spontaneous, anticipating their later recorded output. Another crucial piece of the Primitive Art Group and New Zealand free music story.

David Warren Brubeck (/ˈbruːbɛk/; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck's work is characterized by unusual time signatures and superimposing contrasting rhythms, meters, tonalities, and combining different styles and genres, like classic, jazz, and blues.