Eagles - Their Greatest Hits 1971-1975
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Pressed By PRC Recording Company
Label: Atlantic/SD 19118 | Released: 1976 | Genre: Country-Rock
A1 Take It Easy 3:29
A2 Witchy Woman 4:10
A3 Lyin’ Eyes 6:21
A4 Already Gone 4:13
A5 Desperado 3:33
–
B1 One Of These Nights 4:51
B2 Tequila Sunrise 2:52
B3 Take It To The Limit 4:48
B4 Peaceful, Easy Feeling 4:16
B5 Best Of My Love 4:35
Companies, etc.
Produced For – Interglobal Records
Produced For – Pandora Productions Ltd.
Pressed By – PRC Recording Company, Richmond, IN
Manufactured By – Elektra/Asylum/Nonesuch Records
Published By – WB Music Corp.
Published By – Kicking Bear Music
Published By – Jazzbird Music
Phonographic Copyright (p) – Asylum Records
Phonographic Copyright (p) – Elektra/Asylum/Nonesuch Records
Copyright © – Elektra/Asylum/Nonesuch Records
Credits
Art Direction, Design – Boyd Elder, Glen Christensen
Artwork [Cover], Typography [Lettering] – El Bwyd de Valentine M.F.S.
Management [Direction] – Irv Azoff*
Photography By [Cover] – Tom Kelly Jr.*
Producer [For Interglobal] – Glyn Johns (tracks: A1, A2, A5, B2, B4, B5)
Producer [For Pandora] – Bill Szymczyk (tracks: A3, A4, B1, B3)
Typography [Additional Lettering] – Henry Diltz
Written-By – B. Leadon* (tracks: A2), D. Henley* (tracks: A2, A3, A5 to B3, B5), G. Frey* (tracks: A1, A3, A5 to B3, B5), J. Browne* (tracks: A1), J. D. Souther* (tracks: B5), R. Meisner* (tracks: B3)
Notes
℗ 1976 Asylum Records (center labels)
℗ & © 1976 Elektra/Asylum/Nonesuch Records (rear sleeve)
PRC Pressing with similar center labels to this Columbia press by same catalog #.
Published By:
A1 – W. B. Music Corp.
A4, B4 – Jazzbird Music/W. B. Music Corp.
All others W. B. Music Corp./Kicking Bear Music
Barcode and Other Identifiers
Matrix / Runout (A Side Label): 7E-1052-A
Matrix / Runout (B Side Label): 7E-1052-B
Matrix / Runout (A Side Etch): 7E-1052-A-9RE PRC – 111 “HAPPY NEW YEAR, GLYN— PRC
Matrix / Runout (B Side Etch): 7E 1052-B-22-PRC-1-111 —WITH LOVE FROM BILL. JB PRC
Matrix / Runout (A Side Etch, Variance): 7E-1052-A-9RE 1-11 PRC LBS “HAPPY NEW YEAR, GLYN— PRC
Matrix / Runout (B Side Etch, Variance): 7E 1052-B-21 RE PRC —WITH LOVE FROM BILL” LBS -1-1 PRC
Pressing Plant ID (A/B Side Labels): PRC
Rights Society: ASCAP
Price Code: 0698
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Pressed By PRC Recording Company
Label: Atlantic/SD 19118 | Released: 1976 | Genre: Country-Rock
A1 Take It Easy 3:29
A2 Witchy Woman 4:10
A3 Lyin’ Eyes 6:21
A4 Already Gone 4:13
A5 Desperado 3:33
–
B1 One Of These Nights 4:51
B2 Tequila Sunrise 2:52
B3 Take It To The Limit 4:48
B4 Peaceful, Easy Feeling 4:16
B5 Best Of My Love 4:35
Companies, etc.
Produced For – Interglobal Records
Produced For – Pandora Productions Ltd.
Pressed By – PRC Recording Company, Richmond, IN
Manufactured By – Elektra/Asylum/Nonesuch Records
Published By – WB Music Corp.
Published By – Kicking Bear Music
Published By – Jazzbird Music
Phonographic Copyright (p) – Asylum Records
Phonographic Copyright (p) – Elektra/Asylum/Nonesuch Records
Copyright © – Elektra/Asylum/Nonesuch Records
Credits
Art Direction, Design – Boyd Elder, Glen Christensen
Artwork [Cover], Typography [Lettering] – El Bwyd de Valentine M.F.S.
Management [Direction] – Irv Azoff*
Photography By [Cover] – Tom Kelly Jr.*
Producer [For Interglobal] – Glyn Johns (tracks: A1, A2, A5, B2, B4, B5)
Producer [For Pandora] – Bill Szymczyk (tracks: A3, A4, B1, B3)
Typography [Additional Lettering] – Henry Diltz
Written-By – B. Leadon* (tracks: A2), D. Henley* (tracks: A2, A3, A5 to B3, B5), G. Frey* (tracks: A1, A3, A5 to B3, B5), J. Browne* (tracks: A1), J. D. Souther* (tracks: B5), R. Meisner* (tracks: B3)
Notes
℗ 1976 Asylum Records (center labels)
℗ & © 1976 Elektra/Asylum/Nonesuch Records (rear sleeve)
PRC Pressing with similar center labels to this Columbia press by same catalog #.
Published By:
A1 – W. B. Music Corp.
A4, B4 – Jazzbird Music/W. B. Music Corp.
All others W. B. Music Corp./Kicking Bear Music
Barcode and Other Identifiers
Matrix / Runout (A Side Label): 7E-1052-A
Matrix / Runout (B Side Label): 7E-1052-B
Matrix / Runout (A Side Etch): 7E-1052-A-9RE PRC – 111 “HAPPY NEW YEAR, GLYN— PRC
Matrix / Runout (B Side Etch): 7E 1052-B-22-PRC-1-111 —WITH LOVE FROM BILL. JB PRC
Matrix / Runout (A Side Etch, Variance): 7E-1052-A-9RE 1-11 PRC LBS “HAPPY NEW YEAR, GLYN— PRC
Matrix / Runout (B Side Etch, Variance): 7E 1052-B-21 RE PRC —WITH LOVE FROM BILL” LBS -1-1 PRC
Pressing Plant ID (A/B Side Labels): PRC
Rights Society: ASCAP
Price Code: 0698
This Rip: 2018
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX6: Only Manual (Click per click)
Vinyl Condition: EX+
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
On their first four albums, the Eagles were at pains to demonstrate that they were a group of at least near-equals, each getting a share of the songwriting credits and lead vocals.
But this compilation drawn from those albums, comprising the group’s nine Top 40 hits plus “Desperado,” demonstrates that this evenhandedness did not extend to singles — as far as those go, the Eagles belong to Glenn Frey and Don Henley. The tunes are melodic, and the arrangements — full of strummed acoustic guitars over a rock rhythm section often playing a shuffle beat, topped by tenor-dominated harmonies — are immediately engaging. There is also a lyrical consistency to the songs, which often concern romantic uncertainties in an atmosphere soaked in intoxicants. The narrators of the songs usually seem exhausted, if not satiated, and the loping rhythms are appropriate to these impressions. All of which means that, unlike the albums from which they come, these songs make up a collection consistent in mood and identity, which may help explain why Their Greatest Hits (1971-1975) works so much better than the band’s previous discs and practically makes them redundant. No wonder it was such a big hit out of the box, topping the charts and becoming the first album ever certified platinum. Still, there must be more to it, since the album wasn’t just a big hit, but one of the biggest ever, becoming one of the very few discs to cross the threshold of 20 million copies and competing for the title of best-selling album of all time. There may be no explaining that, really, except to note that this was the pervasive music of the first half of the 1970s, and somehow it never went away.Review by William Ruhlmann, allmusic.com
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