Colours - Colours
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Label: Dot Records / DLP 25854 | Released: 1968 | Genre: Psychedelic-Rock
A1 Bad Day At Black Rock, Baby 3:06
A2 Love Heals 2:38
A3 Helping You Out 2:57
A4 Where Is She 2:24
A5 Rather Be Me 3:35
A6 I’m Leaving 2:45
–
B1 Brother Lou’s Love Colony 3:56
B2 I Think Of Her (She’s On My Mind) 2:10
B3 Lovin’ 1:38
B4 Cataleptic 3:06
B5 Don’t You Realize 1:52
Companies, etc.
Published By – Hastings Music Corp.
Published By – Speed Music (2)
Manufactured By – RCA Records Pressing Plant, Indianapolis
Credits
Arranged By [Strings & Horns] – Dave Roberts (3)
Art Direction – Christopher Whorf
Bass – Carl Radle
Design, Photography By – George Whiteman
Drums – Chuck Blackwell
Engineer – Brian Ross-Myring, Pete Romano*, Phil Macy
Guitar – Jack Dalton
Lead Guitar – Rob Edwards (2)
Liner Notes – Jon Borgzinner
Photography By [Liner Photo] – Grant Photography
Piano – Gary Montgomery
Producer – Danny Moore*, Richard Delvy
Written-By – Gary Montgomery, Jack Dalton
Notes
Released on a black Dot label with the boxed Dot logo at 12 o’clock, including a ”Paramount logo.
First cat.nr. on label, second on cover
Barcode and Other Identifiers
Matrix / Runout (Side A Etched, except “1”,”V”,”I” stamped): LPS 76667 1A 1 V I
Matrix / Runout (Side B Etched, except “I”,”A”,1″ stamped): LPS 76668 1A I A1
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Label: Dot Records / DLP 25854 | Released: 1968 | Genre: Psychedelic-Rock
A1 Bad Day At Black Rock, Baby 3:06
A2 Love Heals 2:38
A3 Helping You Out 2:57
A4 Where Is She 2:24
A5 Rather Be Me 3:35
A6 I’m Leaving 2:45
–
B1 Brother Lou’s Love Colony 3:56
B2 I Think Of Her (She’s On My Mind) 2:10
B3 Lovin’ 1:38
B4 Cataleptic 3:06
B5 Don’t You Realize 1:52
Companies, etc.
Published By – Hastings Music Corp.
Published By – Speed Music (2)
Manufactured By – RCA Records Pressing Plant, Indianapolis
Credits
Arranged By [Strings & Horns] – Dave Roberts (3)
Art Direction – Christopher Whorf
Bass – Carl Radle
Design, Photography By – George Whiteman
Drums – Chuck Blackwell
Engineer – Brian Ross-Myring, Pete Romano*, Phil Macy
Guitar – Jack Dalton
Lead Guitar – Rob Edwards (2)
Liner Notes – Jon Borgzinner
Photography By [Liner Photo] – Grant Photography
Piano – Gary Montgomery
Producer – Danny Moore*, Richard Delvy
Written-By – Gary Montgomery, Jack Dalton
Notes
Released on a black Dot label with the boxed Dot logo at 12 o’clock, including a ”Paramount logo.
First cat.nr. on label, second on cover
Barcode and Other Identifiers
Matrix / Runout (Side A Etched, except “1”,”V”,”I” stamped): LPS 76667 1A 1 V I
Matrix / Runout (Side B Etched, except “I”,”A”,1″ stamped): LPS 76668 1A I A1
This Rip: 2020
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX6: Only Manual (Click per click)
This LP: NM- / From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
Colours spelled their name in an English fashion, but were in fact from good old Los Angeles, CA. The explanation for this can be found in their British, Beatles inspired psych sound, including heavily layered and lush orchestration, which was unique for a U.S. band of the day.
The group formed in 1967 and included Jack Dalton (guitar), Gary Montgomery (piano), Chuck Blackwell (drums), Rob Edwards (lead guitar) and Carl Radle (bass). They signed to Dot Records and released their first 45 later that year, which includes the awesome ‘Brother Lou’s Love Colony’ b/w ‘Lovin”.
In 1968, they issued their debut, self titled LP which definitely has its moments in the outstanding ‘Love Heals’, ‘Rather Be Me’, and of course, the loony “Brother Lou”, which was later covered by the Moon. In 1969, they issued a follow up LP titled ‘Atmosphere’, but only Dalton and Montgomery are credited on the record. One highlight off this album is the light and breezy ‘You’re High’.
After the band broke up in late 1969, Radle went on to play in Delaney & Bonnie and, shortly afterward, Derek & the Dominoes, as well as with J.J. Cale and Eric Clapton. Chuck Blackwell also achieved some renown in the early 70s by playing with Leon Russell, Joe Cocker, Taj Mahal, Freddie King, and other artists.By Vernon Joynson, psychedelicized.com
Welcome to the Dark Side of the Vinyl
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