Bill Evans - Another Time: The Hilversum Concert (2017)
DSD128 (.dsf) 1 bit/5,6 MHz | Time - 47:50 minutes | 2,16 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 47:50 minutes | 896 MB
Studio Master, Official Digital Download | Artwork: Digital booklet
„Another Time: The Hilversum Concert“ is a rare, never-before-issued recording of the legendary Bill Evans trio featuring Eddie Gomez on bass and Jack DeJohnette on drums, captured live at the Netherlands Radio Union Studios in Hilversum on June 22, 1968. This is only the third known recording in existence of this particular trio, who only performed together as a trio for a six month period in 1968, and was originally recorded and broadcast on the radio program Jazz in Actie by Dutch producer Joop de Roo. For the audiophile, this is possibly the best sounding live recording of Bill Evans found to date, captured with the then state of the art equipment of the NRU, and kept in pristine condition over the years.
Bill Evans Another Time: The Hilversum Concert, a spectacular never-before-heard live recording by the Bill Evans Trio featuring bassist Eddie Gomez and drummer Jack DeJohnette recorded in Hilversum, Holland, by the Netherlands Radio Union (NRU) in the summer of 1968. Another Time is Resonance's first follow-up release to the widely celebrated Bill Evans Trio album, Some Other Time: The Lost Session from the Black Forest. Resonance is pleased once again to release this entirely new Bill Evans discovery in full cooperation with the Bill Evans Estate and Eddie Gomez and Jack DeJohnette and Universal Music Group, the parent company of Verve Records, the label Evans was signed to in 1968.
Bill Evans Another Time: The Hilversum Concert, recorded on June 22, 1968, just two days after Some Other Time, provides a fitting counterpoint to that remarkable album. Interestingly, these two recordings were made one day on either side of the summer solstice and they each seem to embody attributes of their respective seasons. Where Some Other Time, recorded at the legendary MPS studios in Villingen, Germany, is imbued with an introspective, vernal beauty, Another Time was recorded as a live concert, and is a recording remarkable not only for the three musicians' ebullience, freedom and summer-infused heat; but notable also for its exceptional recording quality utilizing the then state of the art recording techniques of the NRU. Producer Zev Feldman and Executive Producer, George Klabin, regard Another Time as the best-sounding Bill Evans album on Resonance; perhaps one of Evans's best sounding live recordings ever.
The history of this release is somewhat unusual; more unusual than is the case with most of Resonance's other releases. Our story begins in October of 2016, when Feldman received an email from Marc Myers, founder of the JazzWax.com blog. The email said Myers had received a note from a Dutch reader who said he had heard a previously unknown Bill Evans concert recording made in the Netherlands. Myers put Feldman together with the reader. Upon receiving the recording from the reader, Feldman listened closely to it with George Klabin and knew right away this was something special. Feldman proceeded to reach out to one of his "boots on the ground," the well-known Dutch jazz writer, Bert Vuijsje, to investigate further. Based on Vuijsje's, and his colleague Frank Jochemsens (jazz journalist and producer on various Dutch jazz productions) intelligence, Feldman felt compelled to travel to the Netherlands and meet with Bert and Frank to move things along.
Feldman and the team immediately set to work to fast track this project starting, as usual, with obtaining all necessary rights; something we do with all the recordings we issue. Fortunately, we were quickly able to consummate deals with all of the parties holding rights in the recordings. However, we were thrown a curve when, unbeknownst to us, another company also had the music and had plans to issue it, but who had not obtained the rights from the rights-holders. Of course, they could not have obtained those rights because Resonance already had them. Nevertheless, we at Resonance felt the urgency to release this recording, a high-resolution transfer from the original tape, as soon as possible before any unauthorized illicit release could see the light of day and cause confusion in the marketplace.
Feldman and the team immediately set to work to fast track this project starting, as usual, with obtaining all necessary rights; something we do with all the recordings we issue. Fortunately, we were quickly able to consummate deals with all of the parties holding rights in the recordings. However, we were thrown a curve when, unbeknownst to us, another company also had the music and had plans to issue it, but who had not obtained the rights from the rights-holders. Of course, they could not have obtained those rights because Resonance already had them. Nevertheless, we at Resonance felt the urgency to release this recording, a high-resolution transfer from the original tape, as soon as possible before any unauthorized illicit release could see the light of day and cause confusion in the marketplace.
Tracklist:
01 - You're Gonna Hear from Me
02 - Very Early
03 - Who Can I Turn To?
04 - Alfie
05 - Embraceable You
06 - Emily
07 - Nardis
08 - Turn Out the Stars
09 - Five
Recorded on June 22, 1968 at Netherlands Radio Union (NRU) Vara Studio 8 in Hilversum, Netherlands.
2xHD was created by producer/studio owner André Perry and audiophile sound engineer René Laflamme.
Musicians:
Bill Evans - piano
Eddie Gomez - bass
Jack DeJohnette - drums
About 2xHD Fusion process:
In the constant evolution of its proprietary mastering process, 2xHD has progressed to a new phase called 2xHD FUSION, integrating the finest analog, with state-of-the-art digital technology.
The mastering chain consists of a selection of high-end vacuum tube equipment. For the recordings on this album, the original ¼” 15 ips CCIR master tapes were played on a Nagra-T tape recorder, modified with high-end tube playback electronics, wired from the playback head directly to a Telefunken EF806 tube, using OCC silver cable. The Nagra T, with its four direct drive motors, two pinch rollers and a tape tension head, has one of the best transports ever made. A custom-built carbon fiber head block and a head damping electronic system permit 2xHD FUSION to obtain a better resolution and 3D imaging.
The resulting signal is then transformed into high resolution formats by recording it in DSD 11.2 kHz using a Merging Technologies’ Horus A to D converter. All analog and digital cables that are used are state of the art. The 2xHD FUSION mastering system is powered by a super capacitor power supply, using a new technology that lowers the digital noise found in the lowest level of the spectrum. A vacuum tube NAGRA HDdac (DSD) is used as a reference digital playback converter in order to A and B with the original analog master tape, permitting the fusion of the warmth of analog with the refinement of digital.
Analyzed: Bill Evans / Another Time - The Hilversum Concert
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -8.27 dB -24.00 dB 4:40 01-You're Gonna Hear from Me
DR13 -6.47 dB -25.27 dB 5:24 02-Very Early
DR12 -6.58 dB -26.55 dB 5:46 03-Who Can I Turn To?
DR13 -9.97 dB -27.41 dB 5:40 04-Alfie
DR16 -7.05 dB -29.10 dB 5:18 05-Embraceable You
DR13 -8.26 dB -25.03 dB 4:33 06-Emily
DR14 -6.04 dB -25.01 dB 8:52 07-Nardis
DR14 -6.02 dB -25.81 dB 4:52 08-Turn Out the Stars
DR16 -7.16 dB -26.39 dB 2:46 09-Five
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 9
Official DR value: DR14
Samplerate: 5644800 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 1
Bitrate: 11290 kbps
Codec: DSD128
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––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -8.27 dB -24.00 dB 4:40 01-You're Gonna Hear from Me
DR13 -6.47 dB -25.27 dB 5:24 02-Very Early
DR12 -6.58 dB -26.55 dB 5:46 03-Who Can I Turn To?
DR13 -9.97 dB -27.41 dB 5:40 04-Alfie
DR16 -7.05 dB -29.10 dB 5:18 05-Embraceable You
DR13 -8.26 dB -25.03 dB 4:33 06-Emily
DR14 -6.04 dB -25.01 dB 8:52 07-Nardis
DR14 -6.02 dB -25.81 dB 4:52 08-Turn Out the Stars
DR16 -7.16 dB -26.39 dB 2:46 09-Five
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 9
Official DR value: DR14
Samplerate: 5644800 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 1
Bitrate: 11290 kbps
Codec: DSD128
================================================================================
Thanks to the Original customer!