Tuija Hakkila - Haydn 8 Early Sonatas (2020) [Official Digital Download]
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 02:16:09 minutes | 1,22 GB
Classical | Label: Ondine, Official Digital Download
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 02:16:09 minutes | 1,22 GB
Classical | Label: Ondine, Official Digital Download
The current consensus is that there are about 60 surviving authentic Piano Sonatas by Haydn, while contemporary sources point to as many as 80. The earliest of these probably date from Haydn’s youth in the 1750s; the last one was completed in summer 1795. Some of the lost Sonatas are works that Haydn simply gave away as a young man, and they have never been heard of since. In mid-18th-century Vienna music was mainly distributed in the form of manuscript copies made by copyists. Haydn did not publish his first collection of six Sonatas until 1774. This was immediately reprinted elsewhere in Europe, and in London a version with violin accompaniment arranged by none other than Charles Burney was published. Of the Sonatas selected for this project, Haydn wrote all of these over a period of about 15 years before his 40th birthday. Hakkila has selected an Italian-style instrument for two Sonatas (E major and G minor), a copy of a Gottfried Silbermann fortepiano. J. S. Bach probably owned a Silbermann fortepiano. The hammer mechanism in the instrument resembles that of the early instruments of Italian instrument builders Bartolomeo Cristofori and Giovanni Ferrini. In six Sonatas (G major, A major, A flat major, D major, E minor and C minor) Hakkila uses her own original 1790s instrument, a five-octave Viennese fortepiano similar to the ones built by Anton Walter. The maker of this instrument is unknown, but it is known that it was sold to Finland in the early 19th century by the Bureau de Musique in Leipzig, a company owned by composer Franz Anton Hoffmeister, who was an acquaintance of Haydn’s
TRACKLIST
1. Tuija Hakkila - I. Allegro
2. Tuija Hakkila - II. Menuetto - Trio
3. Tuija Hakkila - III. Adagio
4. Tuija Hakkila - IV. Allegro molto
5. Tuija Hakkila - I. Moderato
6. Tuija Hakkila - II. Menuet - Trio
7. Tuija Hakkila - III. Finale. Presto
8. Tuija Hakkila - I. Andante
9. Tuija Hakkila - II. Menuet - Trio
10. Tuija Hakkila - III. Finale. Allegro molto
11. Tuija Hakkila - I. Adagio
12. Tuija Hakkila - II. Allegro
13. Tuija Hakkila - III. Finale - Tempo di menuet
14. Tuija Hakkila - I. Moderato
15. Tuija Hakkila - II. Allegretto
16. Tuija Hakkila - I. Allegro moderato
17. Tuija Hakkila - II. Adagio
18. Tuija Hakkila - III. Finale. Presto
19. Tuija Hakkila - I. Moderato
20. Tuija Hakkila - II. Andante
21. Tuija Hakkila - III. Finale. Allegro assai
22. Tuija Hakkila - I. Moderato
23. Tuija Hakkila - II. Andante con moto
24. Tuija Hakkila - III. Finale. Allegro
foobar2000 1.3.16 / Dynamic Range Meter 1.1.1
log date: 2020-08-09 10:06:13
––––––––––––––––––––––––––––––––––––––––
Analyzed: Tuija Hakkila / Haydn: 8 Early Sonatas
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.81 dB -19.32 dB 5:58 01-I. Allegro
DR13 -5.92 dB -23.04 dB 4:53 02-II. Menuetto - Trio
DR13 -5.50 dB -24.29 dB 3:31 03-III. Adagio
DR12 -0.12 dB -18.69 dB 2:08 04-IV. Allegro molto
DR13 -6.97 dB -23.44 dB 4:45 05-I. Moderato
DR13 -6.05 dB -23.81 dB 3:23 06-II. Menuet - Trio
DR12 -5.41 dB -21.42 dB 3:29 07-III. Finale. Presto
DR15 -2.91 dB -22.97 dB 5:16 08-I. Andante
DR13 -5.60 dB -23.23 dB 3:33 09-II. Menuet - Trio
DR11 -1.72 dB -17.35 dB 2:08 10-III. Finale. Allegro molto
DR14 -4.13 dB -25.06 dB 4:16 11-I. Adagio
DR14 -2.46 dB -20.11 dB 5:54 12-II. Allegro
DR13 -3.91 dB -21.68 dB 3:31 13-III. Finale - Tempo di menuet
DR15 -5.24 dB -24.42 dB 9:44 14-I. Moderato
DR14 -5.26 dB -23.50 dB 4:30 15-II. Allegretto
DR14 -0.82 dB -20.53 dB 8:12 16-I. Allegro moderato
DR15 -4.87 dB -25.23 dB 10:40 17-II. Adagio
DR12 -0.30 dB -18.41 dB 4:50 18-III. Finale. Presto
DR13 -1.52 dB -19.49 dB 10:33 19-I. Moderato
DR13 -4.21 dB -22.40 dB 7:26 20-II. Andante
DR13 -0.13 dB -18.54 dB 3:48 21-III. Finale. Allegro assai
DR14 -2.90 dB -21.70 dB 11:46 22-I. Moderato
DR12 -6.24 dB -23.84 dB 4:49 23-II. Andante con moto
DR13 -2.19 dB -19.65 dB 7:08 24-III. Finale. Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 24
Official DR value: DR13
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1296 kbps
Codec: FLAC
================================================================================
log date: 2020-08-09 10:06:13
––––––––––––––––––––––––––––––––––––––––
Analyzed: Tuija Hakkila / Haydn: 8 Early Sonatas
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.81 dB -19.32 dB 5:58 01-I. Allegro
DR13 -5.92 dB -23.04 dB 4:53 02-II. Menuetto - Trio
DR13 -5.50 dB -24.29 dB 3:31 03-III. Adagio
DR12 -0.12 dB -18.69 dB 2:08 04-IV. Allegro molto
DR13 -6.97 dB -23.44 dB 4:45 05-I. Moderato
DR13 -6.05 dB -23.81 dB 3:23 06-II. Menuet - Trio
DR12 -5.41 dB -21.42 dB 3:29 07-III. Finale. Presto
DR15 -2.91 dB -22.97 dB 5:16 08-I. Andante
DR13 -5.60 dB -23.23 dB 3:33 09-II. Menuet - Trio
DR11 -1.72 dB -17.35 dB 2:08 10-III. Finale. Allegro molto
DR14 -4.13 dB -25.06 dB 4:16 11-I. Adagio
DR14 -2.46 dB -20.11 dB 5:54 12-II. Allegro
DR13 -3.91 dB -21.68 dB 3:31 13-III. Finale - Tempo di menuet
DR15 -5.24 dB -24.42 dB 9:44 14-I. Moderato
DR14 -5.26 dB -23.50 dB 4:30 15-II. Allegretto
DR14 -0.82 dB -20.53 dB 8:12 16-I. Allegro moderato
DR15 -4.87 dB -25.23 dB 10:40 17-II. Adagio
DR12 -0.30 dB -18.41 dB 4:50 18-III. Finale. Presto
DR13 -1.52 dB -19.49 dB 10:33 19-I. Moderato
DR13 -4.21 dB -22.40 dB 7:26 20-II. Andante
DR13 -0.13 dB -18.54 dB 3:48 21-III. Finale. Allegro assai
DR14 -2.90 dB -21.70 dB 11:46 22-I. Moderato
DR12 -6.24 dB -23.84 dB 4:49 23-II. Andante con moto
DR13 -2.19 dB -19.65 dB 7:08 24-III. Finale. Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 24
Official DR value: DR13
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1296 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer.