Trivium - The Crusade
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 1300mb
Mastered At Sterling Sound By Ted Jensen
Label: Roadrunner Records/RRCAR 80591 | Released: 2006 | Genre: Heavy-Metal
A1 Ignition
A2 Detonation
A3 Entrance Of The Conflagration
-
B1 Anthem (We Are The Fire)
B2 Unrepentant
B3 And Sadness Will Sear
-
C1 Becoming The Dragon
C2 To The Rats
C3 This World Can't Tear Us Apart
C4 Tread The Floods
-
D1 Contempt Breeds Contamination
D2 The Rising
D3 The Crusade
Licensed To – Roadrunner Records
Licensed From – The All Blacks B.V.
Copyright © – The All Blacks B.V.
Phonographic Copyright (p) – The All Blacks B.V.
Manufactured By – Optimal Media Production
Recorded At – Audio Hammer Studios
Recorded At – Morrisound Studios
Mixed At – Miloco Studios
Mixed At – Strongroom
Mastered At – Sterling Sound
Credits
A&R – Monte Conner
Arranged By – Trivium
Art Direction, Design, Artwork – Paul Romano
Bass – Paulo Gregoletto
Drums – Travis Smith
Engineer – Jason Suecof, Mark Lewis (15)
Engineer [Assistant] – Laurence Aldridge
Engineer [Mix Engineer And Pro Tools] – Matt Hyde
Guitar – Corey Beaulieu
Management – Brian Heafy, Justin Arcangel
Mastered By – Ted Jensen
Mixed By – Colin Richardson
Photography By [Band Photo] – Daragh McDonagh
Producer – Jason Suecof, Trivium
Vocals, Guitar – Matthew Kiichi Heafy*
Notes
2x12", Gatefold.
Barcode and Other Identifiers
Barcode: 4024572291266
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 1300mb
Mastered At Sterling Sound By Ted Jensen
Label: Roadrunner Records/RRCAR 80591 | Released: 2006 | Genre: Heavy-Metal
A1 Ignition
A2 Detonation
A3 Entrance Of The Conflagration
-
B1 Anthem (We Are The Fire)
B2 Unrepentant
B3 And Sadness Will Sear
-
C1 Becoming The Dragon
C2 To The Rats
C3 This World Can't Tear Us Apart
C4 Tread The Floods
-
D1 Contempt Breeds Contamination
D2 The Rising
D3 The Crusade
Licensed To – Roadrunner Records
Licensed From – The All Blacks B.V.
Copyright © – The All Blacks B.V.
Phonographic Copyright (p) – The All Blacks B.V.
Manufactured By – Optimal Media Production
Recorded At – Audio Hammer Studios
Recorded At – Morrisound Studios
Mixed At – Miloco Studios
Mixed At – Strongroom
Mastered At – Sterling Sound
Credits
A&R – Monte Conner
Arranged By – Trivium
Art Direction, Design, Artwork – Paul Romano
Bass – Paulo Gregoletto
Drums – Travis Smith
Engineer – Jason Suecof, Mark Lewis (15)
Engineer [Assistant] – Laurence Aldridge
Engineer [Mix Engineer And Pro Tools] – Matt Hyde
Guitar – Corey Beaulieu
Management – Brian Heafy, Justin Arcangel
Mastered By – Ted Jensen
Mixed By – Colin Richardson
Photography By [Band Photo] – Daragh McDonagh
Producer – Jason Suecof, Trivium
Vocals, Guitar – Matthew Kiichi Heafy*
Notes
2x12", Gatefold.
Barcode and Other Identifiers
Barcode: 4024572291266
This Rip: 2016
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz New!
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: M
About this LP Project: With the gentle sponsorship from GanJi (his idea), thank you very much!
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
TRIVIUM blasts back onto the scene with a third effort that is one of the best metal releases of 2006 and quite possibly the heavy music album of the year. "The Crusade" sounds like the record that METALLICA could have made during the height of its early years, and while some may be uncomfortable with frontman Matt Heafy's occasionally too-dead-on James Hetfield impersonation, his sheer energy, bravado and fire, coupled with the band's relentless onslaught of blistering leads, amazingly technical yet memorable riffing, and dizzying rhythms captures not just the best of METALLICA, but MEGADETH, TESTAMENT and a number of other bands from the glory days of speed and thrash.
But TRIVIUM isn't just a throwback: the band has a modern edge throughout their material, adding unexpected flourishes like the softer section in the middle of "Ignition" or even that song's lyrics, which tackle subjects like homophobia and warmongering leaders in a way that Eighties bands might not have touched. Meanwhile, songs like "This World Can't Tear Us Apart" exhibit a commercial edge while retaining the intricate and heavy guitarwork that gives the band its identity.
The best thing about TRIVIUM is the way the band balances its influences and its homages. While old-school speed/thrash is the cornerstone here, there are touches of European prog metal and even the modern and mainstream touches we mentioned earlier. Yet nothing sounds like a blatant ripoff, or a dated tribute, and the band's appeal can easily reach fans for whom its sound might be an entirely new experience. Best of all is the fearlessness and confidence shown throughout the album; unlike so much American hard rock of the last few years, whether it be nu-metal or emo, there is no woe-is-me, Mommy-help-me whining in TRIVIUM's sound. These guys are loudly and proudly doing what they love. Even despite its unnecessarily obvious title, "Anthem (We Are The Fire)" gets the fists pumping.
Some of the best tracks include the opening one-two punch of "Ignition"
and "Detonation", the slow-burning build of "Unrepentant" and "The Rising" and the blazing yet still catchy "Tread The Floods". And for anyone complaining about the quality of modern metal guitarwork, just check out the closing title instrumental. It's a virtual symphony of guitar styles, all meshing together in the kind of epic finale that used to be the hallmark of so many metal albums. This is one "Crusade" that every metal fan will want to join.Review Don Kaye, blabbermouth.net
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