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Touré Kunda ‎- Live Paris-Ziguinchor (1984) FR 1st Pressing - 2 LP/FLAC In 24bit/96kHz

Posted By: Fran Solo
Touré Kunda ‎- Live Paris-Ziguinchor (1984) FR 1st Pressing - 2 LP/FLAC In 24bit/96kHz

Toure Kunda ‎- Live Paris-Ziguinchor
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 1600mb
Label: Celluloid / CEL6710-11 | Released: 1984 | Genre: African Roots-Reggae

Side 1
1 Sol Mal 2:15
2 Baounane 6:29
3 Martyrs 5:58
Side 2
1 Sidi Yella 5:40
2 Africa Lelly 7:36
3 Kambe 6:36
Side 3
1 Sambala 9:00
2 Courrier 5:25
3 Casa Di Mansa 7:46
Side 4
1 Salya 6:40
2 Utamada 4:16
3 E’mma 8:00


Backing Vocals – Seynabou Diop
Bass – Roger Chyco Dru
Co-producer – Wally Bodiang
Drums – Michel Abihssira
Executive Producer – Oliver Hollard, Societé Touré Kunda
Flute – Loy Ehrlich
Guitar, Synthesizer – Jean-Claude Bonaventure
Keyboards – Loy Ehrlich
Mixed By – Claude Sahakian, Hervé Marignac
Producer, Mixed By – Touré Kunda
Saxophone – Ben Bellinga*, Michel Belliez
Vocals – Ismaila*, Ousmane*, Sixu Tidiane
Notes
Recorded in December 1983 and January 1984 during an African Tour of the group Touré Kunda, with the precious participation of Mr. Abdou Diouf, President of the Republic of Senegal, and Gorgui Sene and the Senegalese Government.


Touré Kunda ‎- Live Paris-Ziguinchor (1984) FR 1st Pressing - 2 LP/FLAC In 24bit/96kHz

Touré Kunda ‎- Live Paris-Ziguinchor (1984) FR 1st Pressing - 2 LP/FLAC In 24bit/96kHz

Touré Kunda ‎- Live Paris-Ziguinchor (1984) FR 1st Pressing - 2 LP/FLAC In 24bit/96kHz



This Rip: 2013
This LP: EX++ / With the gentle sponsorship of polux, merci beaucoup!
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE
Amplifier: Sansui 9090DB
ADC: E-MU 0404
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD

This live recording captures the great Senegalese band around the time of their finest recordings (Amadou-Tilo and Casamance au Clair de Lune) and offers some wonderful performances of their greatest hits, including “Salya” and “Emma.” Their accompanying musicians are out in full force, though with the exception of the occasional cheesy synthesizer fill, they’re largely reined in, providing the appropriately surging backdrop to the group’s scintillating vocal harmonies and driving West African percussion. Through rhythmic repetition, they were able to develop hypnotic and captivating pieces that were sometimes based on something as mundane as the introduction of bandmembers, a feature that occurs no less than three times over the course of this album but can go almost unnoticed in context. “Emma” is given perhaps its definitive performance here; the keening, poignant vocal line is rendered with heartbreaking directness and the loping rhythm provides just enough melancholic nostalgia. The recording quality is excellent throughout and the band is both as tight as necessary and as loose as one would want them to be. It’s a fine introduction to the group as it blends both their roots-oriented approach and their more overtly pop incarnations. Recommended.
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