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Shadowfax - Shadowdance (1983) Original US Pressing - LP/FLAC In 24bit/96kHz

Posted By: Fran Solo
Shadowfax - Shadowdance (1983) Original US Pressing - LP/FLAC In 24bit/96kHz

Shadowfax - Shadowdance
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Mastered By Jack Hunt
Label: Windham Hill Records/WH-1029 | Released: 1983 | Genre: Jazz-Fusion


A1 New Electric India 5:12
A2 Watercourse Way 5:06
A3 Ghost Bird 5:04
A4 Shadowdance 5:20
-
B1 Brown Rice / Karmapa Chenno 4:18
B2 Distant Voices 3:46
B3 A Song For My Brother 9:04


Recorded At – Fiddler Studio
Credits
Bass – Phil Maggini
Design – Anne Ackerman Robinson
Drums, Percussion, Marimba [Kelon] – Stuart Nevitt
Engineer [Assistant] – Andy D'Addario*, Mike Gilbert*
Engineer [Recording & Mix] – Harry Andronis
Guitar [6 & 12 String] – G.E. Stinson
Lyricon, Saxophone [Tenor], Flute – Chuck Greenberg
Mastered By – Jack Hunt
Photography – Carol Sincora, John Benetti, John F. Cooper
Piano, Synthesizer – Jared Stewart
Producer – Chuck Greenberg
Violin, Violin [Baritone] – Jamii Szmadzinski
Notes
Recorded and mixed at Group IV Audio, Hollywood, CA. Additional recording at Fiddler Studio, Hollywood, CA.


Shadowfax - Shadowdance (1983) Original US Pressing - LP/FLAC In 24bit/96kHz

Shadowfax - Shadowdance (1983) Original US Pressing - LP/FLAC In 24bit/96kHz

Shadowfax - Shadowdance (1983) Original US Pressing - LP/FLAC In 24bit/96kHz



This Rip: 2015
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE With JICO SAS Stylus (New!)
Amplifier: Sansui 9090DB
ADC: E-MU 0404
DeClick with iZotope RX3 & ClickRepair: Only Manual
This LP: From my personal collection
Vinyl Condition: NM
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD

Shadowdance confidently strides into the Windham Hill catalog with the showstopping New Electric India, electric guitar and thundering bass resounding. This is a slightly different approach than the bands eponymous label debut which was specifically composed to work within Windham Hill’s established acoustic sound. After the success of the first, the band was clearly given a little more freedom to follow their live sound than they dared on their original Windham Hill release. While Shadowfax has incredible depth texture and flow, Shadowdance brings dynamics and drive to the band’s gorgeous melodic sensibility.

From the opening note of New Electric India through the closing hum of the track Shadowdance, every note carries you through a churning river of sound depositing you at the end both thrilled and relaxed. Indeed, maybe the water analogy comes easily because Shadowdance has been used at the plankton exhibit at the Monterey Bay Aquarium for the last 20 years.

Side Two carries the torch with the Don Cherry-penned track Brown Rice – a standout from the live performances, and closes with the more conventional fusion track A Song for My Brother, a fan favorite.

The sound quality is again extraordinary. Ackerman once again looked to Mobile Fidelity for the mastering and RTI for the pressings. Playing the album on my current vinyl rig was a shocker: the recording is so dynamic and detailed. I’m sure that in part that’s because this album is seared into my memory from countless plays on a Maxell cassette. In 1984-85, I was an exchange student to Yugoslavia, specifically Serbia, and due to space restrictions I could only bring 10 cassettes for my year there. Shadowfax/Shadowdance was the one Windham Hill tape I brought. Truly, for me, this was a “Desert Island Disk.”

Unfortunately, Stuart Nevitt, Chuck Greenberg and Bruce Malament have all passed away.
windhaming.com
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