The Tallis Scholars - Sacred Music in the Renaissance Vol. 3 (2010)
FLAC (tracks) 24-bit/44.1 kHz | Time - 312:23 minutes | 2.77 GB
Studio Master, Official Digital Download | Artwork: Digital booklet
FLAC (tracks) 24-bit/44.1 kHz | Time - 312:23 minutes | 2.77 GB
Studio Master, Official Digital Download | Artwork: Digital booklet
The Tallis Scholars finest recordings presented in this the 3rd of three volumes, one for each decade, and each offering over five hours of the award-winning performances that helped establish the sacred vocal music of the Renaissance as one of the great repertoires of western classical music.
I remember the first time I heard the Tallis Scholars: 1980, Allegri's Miserere, the voices perfectly framed in the Chapel of Merton College, Oxford, and the ethereal beauty of Alison Stamp's solo treble soaring into the acoustic - all for £1.99 on a Classics for Pleasure LP. It still sounds so fresh, and a perfect opening for this 30th birthday celebration. Volume 3 brings us the 21st-century Tallis Scholars and the first recording of Gombert's cycle of expressively adventurous Magnificat settings. The Allegri is revisited, and redecorated, and the box ends with Masses by Josquin, their current preoccupation. Recording quality is superb throughout, and presentation is excellent with notes in three languages, and a fourth booklet in each box for texts. The sequencing has been done with real care, and for an overview of Sacred Music in the Renaissance, this could be all you need. Yes, for some the Tallis Scholars are too clean, too objective. Too perfect? That's a problem I wish I had more often. –BBC Music Magazine,Dec'10
TRACKLIST
1 Si bona suscepimus - Verdelot 7:09
2 Magnificat 1 - Primi toni - Gombert 11:41
3 Magnificat 2 - Secundi toni - Gombert 11:19
4 Magnificat 3 - Tertii et octavi toni - Gombert 12:34
5 Magnificat 4 - Quarti toni - Gombert 12:21
6 Magnificat 5 - Quinti toni - Gombert 11:13
7 Magnificat 6 - Sexti et primi toni - Gombert 13:11
8 Magnificat 7 - Septimi toni - Gombert 11:13
9 Magnificat 8 Octavi toni - Gombert 12:56
10 Salve regina I - Browne 13:15
11 Stabat iuxta - Browne 12:24
12 Stabat mater - Browne 15:56
13 O regina mundi clara - Browne 13:55
14 O Maria salvatoris - Browne 15:54
15 Stabat mater - Palestrina 9:52
16 Missa Papae Marcelli - Kyrie - Palestrina 3:53
17 Missa Papae Marcelli - Gloria - Palestrina 5:37
18 Missa Papae Marcelli - Credo - Palestrina 8:57
19 Missa Papae Marcelli - Sanctus & Benedictus - Palestrina 6:27
20 Missa Papae Marcelli - Agnus Dei - Palestrina 6:56
21 Tu es Petrus (6vv) - Palestrina 6:51
22 Miserere - with additional embellishments by Deborah Roberts - Allegri
13:44
23 Missa Malheur me bat - Kyrie - Josquin 3:41
24 Missa Malheur me bat - Gloria - Josquin 5:59
25 Missa Malheur me bat - Credo - Josquin 8:23
26 Missa Malheur me bat - Sanctus & Benedictus - Josquin 10:36
27 Missa Malheur me bat - Agnus Dei - Josquin 11:03
28 Missa Fortuna desperata - Kyrie - Josquin 3:18
29 Missa Fortuna desperata - Gloria - Josquin 7:22
30 Missa Fortuna desperata - Credo - Josquin 9:01
31 Missa Fortuna desperata - Sanctus & Benedictus - Josquin 9:29
32 Missa Fortuna desperata - Agnus Dei - Josquin 6:33
foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2017-05-22 20:42:51
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Tallis Scholars / Sacred Music in the Renaissance, Volume 3
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -6.10 dB -23.60 dB 7:09 01-Si bona suscepimus
DR13 -0.15 dB -19.79 dB 11:41 02-Magnificat 1, Primi toni
DR13 -6.72 dB -24.45 dB 11:20 03-Magnificat 2, Secundi toni
DR13 -3.21 dB -21.20 dB 12:34 04-Magnificat 3, Tertii et octavi toni
DR14 -4.38 dB -23.14 dB 12:22 05-Magnificat 4, Quarti toni
DR14 -1.02 dB -23.23 dB 11:13 06-Magnificat 5, Quinti toni
DR15 -2.87 dB -24.22 dB 13:08 07-Magnificat 6, Sexti et primi toni
DR15 -0.07 dB -20.71 dB 11:09 08-Magnificat 7, Septimi toni
DR14 -0.06 dB -20.85 dB 13:01 09-Magnificat 8 Octavi toni
DR13 -1.00 dB -20.95 dB 13:15 10-Salve regina I
DR12 -7.16 dB -25.69 dB 12:25 11-Stabat iuxta
DR14 -0.08 dB -20.69 dB 15:57 12-Stabat mater
DR13 -3.87 dB -23.25 dB 13:55 13-O regina mundi clara
DR12 -1.61 dB -19.40 dB 15:45 14-O Maria salvatoris
DR13 -2.21 dB -21.82 dB 9:52 15-Stabat mater
DR13 -3.50 dB -22.69 dB 3:54 16-Missa Papae Marcelli, Kyrie
DR12 -3.52 dB -21.69 dB 5:37 17-Missa Papae Marcelli, Gloria
DR14 -1.52 dB -22.50 dB 8:57 18-Missa Papae Marcelli, Credo
DR14 -0.44 dB -22.09 dB 6:28 19-Missa Papae Marcelli, Sanctus & Benedictus
DR13 -0.01 dB -22.21 dB 6:56 20-Missa Papae Marcelli, Agnus Dei
DR13 -0.55 dB -19.75 dB 6:51 21-Tu es Petrus (6vv)
DR13 -4.23 dB -25.89 dB 13:43 22-Miserere, with additional embellishments by Deborah Roberts
DR12 -3.48 dB -23.11 dB 3:42 23-Missa Malheur me bat, Kyrie
DR16 -1.55 dB -23.54 dB 6:00 24-Missa Malheur me bat, Gloria
DR14 -1.50 dB -22.32 dB 8:24 25-Missa Malheur me bat, Credo
DR14 -6.45 dB -25.33 dB 10:37 26-Missa Malheur me bat, Sanctus & Benedictus
DR15 -5.79 dB -26.80 dB 11:03 27-Missa Malheur me bat, Agnus Dei
DR13 -8.68 dB -24.73 dB 3:18 28-Missa Fortuna desperata, Kyrie
DR14 -1.53 dB -23.30 dB 7:23 29-Missa Fortuna desperata, Gloria
DR14 -5.68 dB -24.47 dB 9:01 30-Missa Fortuna desperata, Credo
DR12 -6.17 dB -24.21 dB 9:29 31-Missa Fortuna desperata, Sanctus & Benedictus
DR11 -11.58 dB -27.22 dB 6:32 32-Missa Fortuna desperata, Agnus Dei
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 32
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1239 kbps
Codec: FLAC
================================================================================
log date: 2017-05-22 20:42:51
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Tallis Scholars / Sacred Music in the Renaissance, Volume 3
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -6.10 dB -23.60 dB 7:09 01-Si bona suscepimus
DR13 -0.15 dB -19.79 dB 11:41 02-Magnificat 1, Primi toni
DR13 -6.72 dB -24.45 dB 11:20 03-Magnificat 2, Secundi toni
DR13 -3.21 dB -21.20 dB 12:34 04-Magnificat 3, Tertii et octavi toni
DR14 -4.38 dB -23.14 dB 12:22 05-Magnificat 4, Quarti toni
DR14 -1.02 dB -23.23 dB 11:13 06-Magnificat 5, Quinti toni
DR15 -2.87 dB -24.22 dB 13:08 07-Magnificat 6, Sexti et primi toni
DR15 -0.07 dB -20.71 dB 11:09 08-Magnificat 7, Septimi toni
DR14 -0.06 dB -20.85 dB 13:01 09-Magnificat 8 Octavi toni
DR13 -1.00 dB -20.95 dB 13:15 10-Salve regina I
DR12 -7.16 dB -25.69 dB 12:25 11-Stabat iuxta
DR14 -0.08 dB -20.69 dB 15:57 12-Stabat mater
DR13 -3.87 dB -23.25 dB 13:55 13-O regina mundi clara
DR12 -1.61 dB -19.40 dB 15:45 14-O Maria salvatoris
DR13 -2.21 dB -21.82 dB 9:52 15-Stabat mater
DR13 -3.50 dB -22.69 dB 3:54 16-Missa Papae Marcelli, Kyrie
DR12 -3.52 dB -21.69 dB 5:37 17-Missa Papae Marcelli, Gloria
DR14 -1.52 dB -22.50 dB 8:57 18-Missa Papae Marcelli, Credo
DR14 -0.44 dB -22.09 dB 6:28 19-Missa Papae Marcelli, Sanctus & Benedictus
DR13 -0.01 dB -22.21 dB 6:56 20-Missa Papae Marcelli, Agnus Dei
DR13 -0.55 dB -19.75 dB 6:51 21-Tu es Petrus (6vv)
DR13 -4.23 dB -25.89 dB 13:43 22-Miserere, with additional embellishments by Deborah Roberts
DR12 -3.48 dB -23.11 dB 3:42 23-Missa Malheur me bat, Kyrie
DR16 -1.55 dB -23.54 dB 6:00 24-Missa Malheur me bat, Gloria
DR14 -1.50 dB -22.32 dB 8:24 25-Missa Malheur me bat, Credo
DR14 -6.45 dB -25.33 dB 10:37 26-Missa Malheur me bat, Sanctus & Benedictus
DR15 -5.79 dB -26.80 dB 11:03 27-Missa Malheur me bat, Agnus Dei
DR13 -8.68 dB -24.73 dB 3:18 28-Missa Fortuna desperata, Kyrie
DR14 -1.53 dB -23.30 dB 7:23 29-Missa Fortuna desperata, Gloria
DR14 -5.68 dB -24.47 dB 9:01 30-Missa Fortuna desperata, Credo
DR12 -6.17 dB -24.21 dB 9:29 31-Missa Fortuna desperata, Sanctus & Benedictus
DR11 -11.58 dB -27.22 dB 6:32 32-Missa Fortuna desperata, Agnus Dei
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 32
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1239 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer.