Quartetto Maurice - 4 + 1 (2019)
FLAC (tracks) 24-bit/96 kHz | Time - 52:25 minutes | 882 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet
FLAC (tracks) 24-bit/96 kHz | Time - 52:25 minutes | 882 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet
Those who have seen the Quartetto Maurice play live have seen this on their faces, in their gestures: the long sweetness and the angry acceleration, the smile and the serenity, the eurhythmy and the euphoria. The latter has often accompanied their wish that everything should change. We know that when we want everything to change, we evoke fire. Flame, Bachelard writes in an essay, is of all the objects that evoke reverie, one of the greatest operators of images: flame forces us to imagine. This is a truth that Fausto Romitelli knew well. Referring precisely to the synthetic work Natura morta con fiamme (1991), for string quartet and electronics, he explicitly refers to an imaginary scale, to an extremity which has a language without words, purely of relations, of which the essential elements are conventional and abstract, implemented by algebraic and combinatory processes. Dedicated to the memory of Fausto Romitelli, the piece by Mauro Lanza, The 1987 Max Headroom Broadcast Incident (2017), for augmented string quartet, reflects precisely on what lies beyond what we always see on the eye forced to watch and the ear forced to listen we could almost say on the reverie that admires interference. Andrea Agostini conceived Legno, sabbia, vetro, cenere (2009-10), for quartet and electronics. The composer formed the idea of using additive and deferred synthesis a technique that the composer is pleased to describe as very old to pursue an ideal he never then abandoned. This was writing electronics with a degree of control over detail and articulation of sound that aspires, one could say, to a very marked musical determinism. Silvia Borzelli searches for a profound explanation with Earwitness (familiar 2) (2017), for string quartet and stereo soundtracks. The earwitness of the title is the person described by Elias Canetti in that strange collection of stories that take their name exactly from the story of that name.
Tracklist:
1. Natura morta con fiamme 09:14
2. The 1987 Max Headroom Broadcast Incident 10:40
3. Legno sabbia vetro cenere 17:33
4. Earwitness (Familiar 2) 14:56
foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2019-01-09 15:05:10
––––––––––––––––––––––––––––––––––––––––
Analyzed: Quartetto Maurice / 4 + 1
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR17 -0.90 dB -23.40 dB 9:15 01-Natura morta con fiamme
DR17 -0.80 dB -21.96 dB 10:41 02-The 1987 Max Headroom Broadcast Incident
DR15 -0.41 dB -20.93 dB 17:33 03-Legno sabbia vetro cenere
DR16 -0.84 dB -22.49 dB 14:59 04-Earwitness (Familiar 2)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 4
Official DR value: DR16
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2182 kbps
Codec: FLAC
================================================================================
log date: 2019-01-09 15:05:10
––––––––––––––––––––––––––––––––––––––––
Analyzed: Quartetto Maurice / 4 + 1
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR17 -0.90 dB -23.40 dB 9:15 01-Natura morta con fiamme
DR17 -0.80 dB -21.96 dB 10:41 02-The 1987 Max Headroom Broadcast Incident
DR15 -0.41 dB -20.93 dB 17:33 03-Legno sabbia vetro cenere
DR16 -0.84 dB -22.49 dB 14:59 04-Earwitness (Familiar 2)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 4
Official DR value: DR16
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2182 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer.