Peter Gabriel - Peter Gabriel IV (1982) UK 1st Pressing - LP/FLAC In 24bit/96kHz
Peter Gabriel - Peter Gabriel IV
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Mastered At The Town House
Label: Charisma/PG 4 | Released: 1982 | Genre: Pop-Rock
Side A
1. The Rhythm Of The Heat
2. San Jacinto
3. I Have The Touch
4. The Family And The Fishing Net
Side B
1. Shock The Monkey
2. Lay Your Hands On Me
3. Wallflower
4. Kiss Of Life
Companies, etc.
Marketed By – Charisma Records Ltd.
Distributed By – Phonogram Ltd.
Manufactured By – Phonogram Ltd.
Phonographic Copyright (p) – Charisma Records Ltd.
Copyright © – Charisma Records Ltd.
Pressed By – PRS Ltd.
Published By – Peter Gabriel Ltd.
Published By – Cliofine Ltd.
Recorded By – Mobile One
Mixed At – Crescent Studios
Remixed At – Sarm Studios
Edited At – Advision Studios
Mastered At – The Town House
Lacquer Cut At – The Town House
Credits
Artwork [Based On Video Images] – David Gardner (2), Malcolm Poynter, Peter Gabriel
Edited By [Digital, Advision Studios, Thanks To] – Mike King
Effects [Digital Delays & Reverberation] – Mark Crabtree, Stuart Nevison
Engineer [Assistant] – Neil Perry
Engineer [Mobile One] – Andy Rose, Tim Wybrow
Management – Gail Force
Photography By [And Gluing] – dj (11)
Producer – Peter Gabriel
Producer [Electronic Production And Processing] – Fast*
Producer, Engineer – David Lord
Remix [Assistant, Shock The Monkey] – Danny Heaps
Remix [Shock The Monkey] – Julian Mendelsohn
Typography [Typesetting] – Ron Hart
Written By, Producer [Electronic Production And Processing] – Gabriel*
Notes
This album is sometimes referred to as "4" or, in the US, as "Security"
Peter Gabriel is listed a "B Vox" on all tracks although he sings what would normally be considered to be the lead vocal.
℗ & © 1982 Charisma Records Ltd
Barcode and Other Identifiers
Matrix / Runout (Side A runout, stamped variant 1): PG4 A▽3 420 1 3 TOWNHOUSE
Matrix / Runout (Side B runout, stamped variant 1): PG4 B▽3 420 1 4 TOWNHOUSE
Matrix / Runout (Side A runout, stamped variant 2): PG 4 A//1▽420 H 1 11 TOWNHOUSE 1
Matrix / Runout (Side B runout, stamped variant 2): PG 4 B//1▽420 H 1 11 TOWNHOUSE 6
Matrix / Runout (Side A runout, stamped variant 3): PG4 A▽3 420 1 1 1 TOWNHOUSE
Matrix / Runout (Side B runout, stamped variant 3): PG4 B▽3 420 11 4 TOWNHOUSE
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Mastered At The Town House
Label: Charisma/PG 4 | Released: 1982 | Genre: Pop-Rock
Side A
1. The Rhythm Of The Heat
2. San Jacinto
3. I Have The Touch
4. The Family And The Fishing Net
Side B
1. Shock The Monkey
2. Lay Your Hands On Me
3. Wallflower
4. Kiss Of Life
Companies, etc.
Marketed By – Charisma Records Ltd.
Distributed By – Phonogram Ltd.
Manufactured By – Phonogram Ltd.
Phonographic Copyright (p) – Charisma Records Ltd.
Copyright © – Charisma Records Ltd.
Pressed By – PRS Ltd.
Published By – Peter Gabriel Ltd.
Published By – Cliofine Ltd.
Recorded By – Mobile One
Mixed At – Crescent Studios
Remixed At – Sarm Studios
Edited At – Advision Studios
Mastered At – The Town House
Lacquer Cut At – The Town House
Credits
Artwork [Based On Video Images] – David Gardner (2), Malcolm Poynter, Peter Gabriel
Edited By [Digital, Advision Studios, Thanks To] – Mike King
Effects [Digital Delays & Reverberation] – Mark Crabtree, Stuart Nevison
Engineer [Assistant] – Neil Perry
Engineer [Mobile One] – Andy Rose, Tim Wybrow
Management – Gail Force
Photography By [And Gluing] – dj (11)
Producer – Peter Gabriel
Producer [Electronic Production And Processing] – Fast*
Producer, Engineer – David Lord
Remix [Assistant, Shock The Monkey] – Danny Heaps
Remix [Shock The Monkey] – Julian Mendelsohn
Typography [Typesetting] – Ron Hart
Written By, Producer [Electronic Production And Processing] – Gabriel*
Notes
This album is sometimes referred to as "4" or, in the US, as "Security"
Peter Gabriel is listed a "B Vox" on all tracks although he sings what would normally be considered to be the lead vocal.
℗ & © 1982 Charisma Records Ltd
Barcode and Other Identifiers
Matrix / Runout (Side A runout, stamped variant 1): PG4 A▽3 420 1 3 TOWNHOUSE
Matrix / Runout (Side B runout, stamped variant 1): PG4 B▽3 420 1 4 TOWNHOUSE
Matrix / Runout (Side A runout, stamped variant 2): PG 4 A//1▽420 H 1 11 TOWNHOUSE 1
Matrix / Runout (Side B runout, stamped variant 2): PG 4 B//1▽420 H 1 11 TOWNHOUSE 6
Matrix / Runout (Side A runout, stamped variant 3): PG4 A▽3 420 1 1 1 TOWNHOUSE
Matrix / Runout (Side B runout, stamped variant 3): PG4 B▽3 420 11 4 TOWNHOUSE
Peter Gabriel - Peter Gabriel IV (1982) UK 1st Pressing - LP/FLAC In 24bit/96kHz
Peter Gabriel - Peter Gabriel IV (1982) UK 1st Pressing - LP/FLAC In 24bit/96kHz
Peter Gabriel - Peter Gabriel IV (1982) UK 1st Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2013
This LP: NM-/From my personal collection
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE
Amplifier: Sansui 9090DB
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
Peter GABRIEL dug deeper to find the animal within, exploring two very different paths in the process that led to a sort of future primitivism on "Security".
Not only is the music ahead of its time, but somehow it manages to be ahead of GABRIEL's own vision. As intelligent and ambitious as these songs are, GABRIEL fails to bring most of them into focus, and you get the sense that the singer only had a vague idea of what the final product might sound like. At least that's the impression left on me by works like "The Family And The Fishing Net", "I Have The Touch" and "Wallflower". This suspicion was confirmed in part when GABRIEL released a far superior version of "I Have The Touch" a few years later that finally balanced the song's disjointed giddiness with its worldbeat sensibilities. That balance is already evident on the wonderful "Shock The Monkey" (with a video that made plain the album's theme of a modern man lost in a primal world), far and away Security's most immediately accessible track. The rest of the record takes time to sink in, from the subtle but stirring "Lay Your Hands On Me" to the spellbinding "San Jacinto".
"Security" is well worth the effort, as the arrangements are so rich in subtle detail that nuances are discovered with each sitting, eventually revealing the power and unlocking the obscured majesty of songs like "The Rhythm of the Heat" and "San Jacinto". And yet it's not the stunning achievement of his last album, here suffocating under too many layers, but a necessary step toward the cooly confident So. In a real sense, "Biko" and "Wallflower" and "Red Rain" are the same image articulated by an evolving artist (and listeners may favor one period or style of composition over another as their tastes dictate). I've always been impressed with the record, and over the years continue to go digging in it for hidden treasures, but it's never been the rewarding experience of the works around it. Note that the original elpee featured a sticker with the title "Security" that, when removed, rendered the album again untitled.
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