Pescado Rabioso - Artaud (1973) EU 180g Pressing - LP/FLAC In 24bit/96kHz
Pescado Rabioso - Artaud
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Remastered By Sony Music
Label: Talent/SE-408, Sony Music/88883797171 | Released: 1973 | This Issue: 2015 | Genre: Latin Jazz-Rock
A1 Todas Las Hojas Son Del Viento
A2 Cementerio Club
A3 Por
A4 Superchería
A5 Las Sed Verdadera
-
B1 Cantata De Puentes Amarillos
B2 Bajan
B3 A Starosta, El Idiota
B4 Las Habladurías Del Mundo
Phonographic Copyright (p) – Sony Music Entertainment Argentina S.A.
Copyright © – Sony Music Entertainment Argentina S.A.
Published By – Sony Music Entertainment Argentina S.A.
Distributed By – Sony Music Entertainment Argentina S.A.
Credits
Cover – Juan O. Gatti*
Electric Guitar, Acoustic Guitar, Vocals, Maracas, Cymbal, Words By, Music By, Design [Cover], Producer – Luis Alberto Spinetta
Engineer – Norberto Orliac
Music By – Pescado Rabioso
Other [Background] – Gito
Notes
Reissue replicating the original packaging and booklet, with Sony Music's new credits added.
180 gram vinyl, remastered from original tapes.
First released in the "La Noche de los Vinilos" event in Buenos Aires, May 21th 2015.
Barcode and Other Identifiers
Barcode: 8 88837 97171 3
Rights Society: SADAIC / BIEM
ASIN: B00X5X5BCG
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Remastered By Sony Music
Label: Talent/SE-408, Sony Music/88883797171 | Released: 1973 | This Issue: 2015 | Genre: Latin Jazz-Rock
A1 Todas Las Hojas Son Del Viento
A2 Cementerio Club
A3 Por
A4 Superchería
A5 Las Sed Verdadera
-
B1 Cantata De Puentes Amarillos
B2 Bajan
B3 A Starosta, El Idiota
B4 Las Habladurías Del Mundo
Phonographic Copyright (p) – Sony Music Entertainment Argentina S.A.
Copyright © – Sony Music Entertainment Argentina S.A.
Published By – Sony Music Entertainment Argentina S.A.
Distributed By – Sony Music Entertainment Argentina S.A.
Credits
Cover – Juan O. Gatti*
Electric Guitar, Acoustic Guitar, Vocals, Maracas, Cymbal, Words By, Music By, Design [Cover], Producer – Luis Alberto Spinetta
Engineer – Norberto Orliac
Music By – Pescado Rabioso
Other [Background] – Gito
Notes
Reissue replicating the original packaging and booklet, with Sony Music's new credits added.
180 gram vinyl, remastered from original tapes.
First released in the "La Noche de los Vinilos" event in Buenos Aires, May 21th 2015.
Barcode and Other Identifiers
Barcode: 8 88837 97171 3
Rights Society: SADAIC / BIEM
ASIN: B00X5X5BCG
Pescado Rabioso - Artaud (1973) EU 180g Pressing - LP/FLAC In 24bit/96kHz
Pescado Rabioso - Artaud (1973) EU 180g Pressing - LP/FLAC In 24bit/96kHz
Pescado Rabioso - Artaud (1973) EU 180g Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2016
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz New!
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: M
About this LP: Thanks to Alejandro (great ripper friend), who sent me this new copy by my request.
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
Although Artaud was officially billed as the third Pescado Rabioso album, the Argentine group had actually broken up by the time it was recorded. It's essentially a solo effort by singer-guitarist-songwriter Luis Alberto Spinetta, with contributions from his brother, drummer Carlos Gustavo Spinetta, bassist Emilio Del Guercio, and drummer Rodolfo García, the latter two of whom had played with Spinetta back in the pre-Pescado Rabioso band Almendra.
If it's something of a progressive/psychedelic record, it has more to do with the juxtaposition of late-'60s and early-'70s styles on display than it has to do with the music itself. On various different tracks, Spinetta offers accomplished, sentimental acoustic-based folk-rock balladry ("Todas las Hojas Son del Viento"); languid jazzy San Francisco-styled mild psych ("Cementerio Club," "Bajan") with quavering guitar; folk-rock with a touch of late-'60s Lennon-McCartney at their most romantic ("La Sed Verdadera"); a piano-backed piece that recalls early Todd Rundgren at his softest ("A Starosta, El Idiota"); and a taut Latin-flavored rocker vaguely reminiscent of early Santana ("Las Habladurias del Mundo"). There's a little weirdness here, but it's limited to just a few spots, like the gradual submersion of "La Sed Verdadera" under ambient restaurant-like white noise and howling wind, and the sudden detour of "A Starosta, El Idiota" into gloomy dissonant piano rumbles, weeping, along with a far-off snatch of the Beatles' "She Loves You" single.Review by Richie Unterberger, allmusic.com
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