Pell Mell - Rhapsody
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Venus/VB 76-1 PM a/b | Released: 1975 | Genre: Symphonic-Rock
Rhapsody
A1 Frost Of An Alien Darkness
A2 Wanderer
A3 Can Can
A4 Prelude
-
B1 Desert In Your Mind
B2 The Riot
B3 Paris The Past
Produced For – Breeze Music
Published By – Breeze Music
Recorded At – Dierks Studios
Mixed At – Dierks Studios
Mastered At – SST Brüggemann GmbH
Credits
Bass – Götz Draeger
Design – animäschen wörkshop
Drums – Cornelius "Mitch" Kniesmijer*
Keyboards, Mellotron – Cherry Hochdörfer*
Mastered By – SST (8)
Producer – Cornelius Hudalla
Recorded By, Mixed By – Toby Robinson*
Violin, Keyboards, Electric Guitar, Flute, Vocals – Thomas Schmitt (3)
Vocals – Rudolf Schön (2)
Vocals, Keyboards, Electric Guitar, Acoustic Guitar – Ralph "Flipper" Lippmann*
Notes
Recorded and mixed at Dierks Studios, West Germany, 1975.
All titles published by: Breeze Music Switzerland
Produced for Breeze Music Switzerland
Special thanks to Chico De Los Reyes, Kurt Koch, Joey Albrecht, and Tommy Goldschmidt for being a part of this album, in particular to our managers Cornelius and Marcellus Hudalla, and as well Corinna and Dieter Dierks. Without their help, all this would not have been possible.
Barcode and Other Identifiers
Matrix / Runout (Side A): ST B.R. 0001 / P.M. 76-A SST
Matrix / Runout (Side B): ST B.R. 0001 / P.M. 76-B SST
Rights Society: GEMA
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Venus/VB 76-1 PM a/b | Released: 1975 | Genre: Symphonic-Rock
Rhapsody
A1 Frost Of An Alien Darkness
A2 Wanderer
A3 Can Can
A4 Prelude
-
B1 Desert In Your Mind
B2 The Riot
B3 Paris The Past
Produced For – Breeze Music
Published By – Breeze Music
Recorded At – Dierks Studios
Mixed At – Dierks Studios
Mastered At – SST Brüggemann GmbH
Credits
Bass – Götz Draeger
Design – animäschen wörkshop
Drums – Cornelius "Mitch" Kniesmijer*
Keyboards, Mellotron – Cherry Hochdörfer*
Mastered By – SST (8)
Producer – Cornelius Hudalla
Recorded By, Mixed By – Toby Robinson*
Violin, Keyboards, Electric Guitar, Flute, Vocals – Thomas Schmitt (3)
Vocals – Rudolf Schön (2)
Vocals, Keyboards, Electric Guitar, Acoustic Guitar – Ralph "Flipper" Lippmann*
Notes
Recorded and mixed at Dierks Studios, West Germany, 1975.
All titles published by: Breeze Music Switzerland
Produced for Breeze Music Switzerland
Special thanks to Chico De Los Reyes, Kurt Koch, Joey Albrecht, and Tommy Goldschmidt for being a part of this album, in particular to our managers Cornelius and Marcellus Hudalla, and as well Corinna and Dieter Dierks. Without their help, all this would not have been possible.
Barcode and Other Identifiers
Matrix / Runout (Side A): ST B.R. 0001 / P.M. 76-A SST
Matrix / Runout (Side B): ST B.R. 0001 / P.M. 76-B SST
Rights Society: GEMA
This Rip: 2015
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX3: Only Manual (Click per click)
Vinyl Condition: EX-
This LP: From my personal collection.
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
With "Rhapsody", PELL MELL continued to pay homage to the classics, and followed the trend established by "From the New World" in which simple homage to composers turned into all out rocking affairs with plenty of jamming. Here there is a slight improvement in the sense that the group has smoothed out some of the painful edges from that predecessor. It is true that they lose direction and banish good taste when dealing with something that is already tacky like "Can Can", or original material like "Paris the Past", but "Frost of an Alien" and "Wanderer" are triumphs by any yardstick. Those who enjoy some of the more classically oriented British artists like Emerson, Wakeman, and John Tout-era Renaissance will be tickled by "Prelude". "Desert in Your Mind" hints at the ever lighter aspects that will be fully embraced on "Only a Star", and is highlighted by superb bass, melodic lead guitars and soaring harmonies along with a healthy dollop of strings. "The Riot" shows that their propensity to borrow from the likes of Rachmaninoff, Schmitt and Liszt is not a coverup for lack of songwriting inspiration. Another highly recommended effort by this relatively prolific symphonic outfit.Review by kenethlevine, progarchives.com
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