Neil Young - After The Gold Rush (1970) US Pressing - LP/FLAC In 24bit/96kHz
Neil Young - After The Gold Rush
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Pressed By Capitol Records Pressing Plant, Winchester
Label: Reprise Records/ RS 6383 | Released: 1970 | Repress: 1978 |Genre: Country-Rock
A1 Tell Me Why 2:54
A2 After The Goldrush 3:45
A3 Only Love Can Break Your Heart 3:05
A4 Southern Man 5:41
A5 Till The Morning Comes 1:17
–
B1 Oh, Lonesome Me 3:47
B2 Don’t Let It Bring You Down 2:56
B3 Birds 2:34
B4 When You Dance I Can Really Love 4:06
B5 I Believe In You 2:24
B6 Crippled Creek Ferry 1:34
Companies, etc.
Copyright © – Warner Bros. Records Inc.
Pressed By – Capitol Records Pressing Plant, Winchester
Credits
Art Direction – Gary Burden
Bass – Billy Talbot, Greg Reeves
Drums – Ralph Molina
Guitar – Danny Whitten, Neil Young
Harmonica, Vibraphone – Neil Young
Management [Direction] – Elliot Roberts, Lookout Management
Photography By – Joel Bernstein
Piano – Jack Nitzsche, Neil Young, Nils Lofgren
Producer – David Briggs, Kendall Pacios, Neil Young
Vocals – Danny Whitten, Neil Young, Nils Lofgren, Ralph Molina, Steve Stills*
Written-By – Don Gibson (tracks: B1), Neil Young (tracks: A1 to A5, B2 to B6)
Notes
Reissue of 2nd version (RE2) with “Warner Communications” rim text on label, new MSK 2283 cat.#.
Includes foldout lyric poster insert.
Barcode and Other Identifiers
Matrix / Runout (Side 1 Etched): RS-1-6383 # 6 RE-2-WW3 –––◁
Matrix / Runout (Side 2 Etched): RS-2-6383 RE-2-WW5 – # 4 –––◁
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Pressed By Capitol Records Pressing Plant, Winchester
Label: Reprise Records/ RS 6383 | Released: 1970 | Repress: 1978 |Genre: Country-Rock
A1 Tell Me Why 2:54
A2 After The Goldrush 3:45
A3 Only Love Can Break Your Heart 3:05
A4 Southern Man 5:41
A5 Till The Morning Comes 1:17
–
B1 Oh, Lonesome Me 3:47
B2 Don’t Let It Bring You Down 2:56
B3 Birds 2:34
B4 When You Dance I Can Really Love 4:06
B5 I Believe In You 2:24
B6 Crippled Creek Ferry 1:34
Companies, etc.
Copyright © – Warner Bros. Records Inc.
Pressed By – Capitol Records Pressing Plant, Winchester
Credits
Art Direction – Gary Burden
Bass – Billy Talbot, Greg Reeves
Drums – Ralph Molina
Guitar – Danny Whitten, Neil Young
Harmonica, Vibraphone – Neil Young
Management [Direction] – Elliot Roberts, Lookout Management
Photography By – Joel Bernstein
Piano – Jack Nitzsche, Neil Young, Nils Lofgren
Producer – David Briggs, Kendall Pacios, Neil Young
Vocals – Danny Whitten, Neil Young, Nils Lofgren, Ralph Molina, Steve Stills*
Written-By – Don Gibson (tracks: B1), Neil Young (tracks: A1 to A5, B2 to B6)
Notes
Reissue of 2nd version (RE2) with “Warner Communications” rim text on label, new MSK 2283 cat.#.
Includes foldout lyric poster insert.
Barcode and Other Identifiers
Matrix / Runout (Side 1 Etched): RS-1-6383 # 6 RE-2-WW3 –––◁
Matrix / Runout (Side 2 Etched): RS-2-6383 RE-2-WW5 – # 4 –––◁
Neil Young - After The Gold Rush (1970) US Pressing - LP/FLAC In 24bit/96kHz
Neil Young - After The Gold Rush (1970) US Pressing - LP/FLAC In 24bit/96kHz
Neil Young - After The Gold Rush (1970) US Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2020
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX6: Only Manual (Click per click)
Never: Fades and Denoise
You can use my cue files as a playlist
This LP: NM- / From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
In the 15 months between the release of Everybody Knows This Is Nowhere and After the Gold Rush, Neil Young issued a series of recordings in different styles that could have prepared his listeners for the differences between the two LPs. His two compositions on the Crosby, Stills, Nash & Young album Déjà Vu, “Helpless” and “Country Girl,” returned him to the folk and country styles he had pursued before delving into the hard rock of Everybody Knows; two other singles, “Sugar Mountain” and “Oh, Lonesome Me,” also emphasized those roots. But “Ohio,” a CSNY single, rocked as hard as anything on the second album. After the Gold Rush was recorded with the aid of Nils Lofgren, a 17-year-old unknown whose piano was a major instrument, turning one of the few real rockers, “Southern Man” (which had unsparing protest lyrics typical of Phil Ochs), into a more stately effort than anything on the previous album and giving a classic tone to the title track, a mystical ballad that featured some of Young’s most imaginative lyrics and became one of his most memorable songs. But much of After the Gold Rush consisted of country-folk love songs, which consolidated the audience Young had earned through his tours and recordings with CSNY; its dark yet hopeful tone matched the tenor of the times in 1970, making it one of the definitive singer/songwriter albums, and it has remained among Young’s major achievements.AllMusic Review by William Ruhlmann
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