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Lessing Greither Backes - Joseph Haydn / Trio-Divertimenti ‎(1977) DE 1st Pressing - LP/FLAC In 24bit/96kHz

Posted By: Fran Solo
Lessing Greither Backes - Joseph Haydn / Trio-Divertimenti ‎(1977) DE 1st Pressing - LP/FLAC In 24bit/96kHz

Lessing, Greither, Backes - Joseph Haydn / Trio-Divertimenti Für Baryton, Viola Und Bass
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Label: Kammermusikalische Kostbarkeiten / F 6665.9 | Released: 1977 | Genre: Classical

Divertimento (Baryton-Trio) Nr. 42 In D-Dur
A1 Cantabile
A2 Allegro
A3 Menuett
Divertimento (Baryton-Trio) Nr. 46 In A-Dur
A4 Moderato
A5 Menuett
A6 Finale Allegro

Divertimento (Baryton-Trio) Nr. 82 In C-Dur
B1 Adagio
B2 Allegro
B3 Menuet (Allegretto)
Divertimento (Baryton-Trio) Nr. 106 In D-Dur
B4 Moderato (Variationen)
B5 Menuett
B6 Finale: Presto Assai


Credits
Photo (Cover Art) J. Karath, Budapest
Director, Viola – Aloys Greither
Baryton – Alfred Lessing
Violoncello – Hermann Backes
Ensemble – Kammermusikalische Kostbarkeiten
Liner Notes – A. Greither

Notes
F 6665.973
White labels


Lessing Greither Backes - Joseph Haydn / Trio-Divertimenti ‎(1977) DE 1st Pressing - LP/FLAC In 24bit/96kHz

Lessing Greither Backes - Joseph Haydn / Trio-Divertimenti ‎(1977) DE 1st Pressing - LP/FLAC In 24bit/96kHz

Lessing Greither Backes - Joseph Haydn / Trio-Divertimenti ‎(1977) DE 1st Pressing - LP/FLAC In 24bit/96kHz



This Rip: 2020
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX6: Only Manual (Click per click)
Never: Fades and Denoise

You can use my cue files as a playlist
This LP: NM- / With the gentle sponsorship from Educated_Joe (His suggest), thank you very much!
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD

The baryton is almost exclusively associated with Joseph Haydn. It was a much older instrument, though. Its origins go back as far as the early 17th century. In his liner-notes Jérôme Lejeune states that the descriptions of the instrument in its early stages widely differ and often have not that much in common with the baryton as we know it from Haydn’s time. In the 18th century it was especially popular in southern Germany and Austria. Because Haydn’s output for the baryton is so large, not that much is known about other composers’ works for the instrument. What is known is that at least Johann Joseph Fux and Attilio Ariosti wrote arias with an obbligato part for the baryton.
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