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Kim Hyunji - Sonorités perdues (2025) [Official Digital Download]
![Kim Hyunji - Sonorités perdues (2025) [Official Digital Download]](https://pixhost.icu/avaxhome/a9/a9bf/a9bfcfbb14e44b95a7ce90c1e9476255-13743587921689527773.webp)
Kim Hyunji - Sonorités perdues (2025) [Official Digital Download]
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 01:00:35 minutes | 563 MB
Classical | Studio Master, Official Digital Download
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 01:00:35 minutes | 563 MB
Classical | Studio Master, Official Digital Download
As we discovered ancient pianos, a question gradually emerged: are we not too used to the relatively homogeneous sound of modern pianos, which we hear in all concert halls? Has this standardization, although technically advantageous, not impoverished the expression of the instruments, making them almost uniform and characterless? Pianoforte makers, such as Walter, Stein and Graf, as well as composers such as Beethoven, were engaged in a quest for new sounds, a requirement that shaped the styles and aesthetics of their time. The relationship between the evolution of instruments and the development of a composer's style is indeed not just a simple game of causality: rather, it is a mutual dialogue. Each technical progress opens the way to new expressive possibilities, the factors themselves being inspired by the innovative sound approaches of the composers, creative minds transcending the limits of the instruments of their time.
TRACKLIST
1. Kim Hyunji - I. Allegro molto e con brio
2. Kim Hyunji - II. Adagio molto
3. Kim Hyunji - III. Finale. Prestissimo
4. Kim Hyunji - I. Vivace, ma non troppo – Adagio espressivo
5. Kim Hyunji - II. Prestissimo
6. Kim Hyunji - III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
7. Kim Hyunji - Introduzione col basso del tema. Allegretto vivace – Tema
8. Kim Hyunji - Var. I
9. Kim Hyunji - Var. II
10. Kim Hyunji - Var. III
11. Kim Hyunji - Var. IV
12. Kim Hyunji - Var. V
13. Kim Hyunji - Var. VI – Var. VII (Canone all'ottava)
14. Kim Hyunji - Var. VIII
15. Kim Hyunji - Var. IX
16. Kim Hyunji - Var. X
17. Kim Hyunji - Var. XI-XII
18. Kim Hyunji - Var. XIII
19. Kim Hyunji - Var. XIV (Minore)
20. Kim Hyunji - Var. XV. Largo (Maggiore) - Attacca Coda
21. Kim Hyunji - Finale: Alla fuga. Allegro con brio – Andante con moto
foobar2000 1.6.2 / Dynamic Range Meter 1.1.1
log date: 2025-05-18 12:04:25
––––––––––––––––––––––––––––––––––––––––
Analyzed: Kim Hyunji / Sonorités perdues
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -6.38 dB -25.81 dB 5:36 01-I. Allegro molto e con brio
DR19 -9.52 dB -35.06 dB 7:55 02-II. Adagio molto
DR14 -5.73 dB -26.01 dB 4:30 03-III. Finale. Prestissimo
DR14 -7.36 dB -26.08 dB 3:42 04-I. Vivace, ma non troppo – Adagio espressivo
DR13 -6.14 dB -23.00 dB 2:31 05-II. Prestissimo
DR14 -5.00 dB -25.95 dB 12:09 06-III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
DR14 -1.60 dB -22.97 dB 3:40 07-Introduzione col basso del tema. Allegretto vivace – Tema
DR12 -4.14 dB -20.88 dB 0:40 08-Var. I
DR11 -4.52 dB -19.71 dB 0:53 09-Var. II
DR13 -1.79 dB -19.07 dB 0:43 10-Var. III
DR12 -6.77 dB -23.70 dB 0:41 11-Var. IV
DR11 -10.41 dB -25.88 dB 0:46 12-Var. V
DR13 -2.76 dB -20.35 dB 1:22 13-Var. VI – Var. VII (Canone all'ottava)
DR12 -9.47 dB -25.79 dB 0:45 14-Var. VIII
DR12 -5.85 dB -19.34 dB 0:44 15-Var. IX
DR14 -0.50 dB -22.10 dB 0:49 16-Var. X
DR13 -3.50 dB -22.17 dB 1:28 17-Var. XI-XII
DR13 -2.52 dB -19.52 dB 0:43 18-Var. XIII
DR13 -9.00 dB -27.92 dB 1:16 19-Var. XIV (Minore)
DR15 -4.78 dB -24.92 dB 4:47 20-Var. XV. Largo (Maggiore) - Attacca Coda
DR14 -0.70 dB -19.24 dB 4:55 21-Finale: Alla fuga. Allegro con brio – Andante con moto
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 21
Official DR value: DR13
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1239 kbps
Codec: FLAC
================================================================================
log date: 2025-05-18 12:04:25
––––––––––––––––––––––––––––––––––––––––
Analyzed: Kim Hyunji / Sonorités perdues
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -6.38 dB -25.81 dB 5:36 01-I. Allegro molto e con brio
DR19 -9.52 dB -35.06 dB 7:55 02-II. Adagio molto
DR14 -5.73 dB -26.01 dB 4:30 03-III. Finale. Prestissimo
DR14 -7.36 dB -26.08 dB 3:42 04-I. Vivace, ma non troppo – Adagio espressivo
DR13 -6.14 dB -23.00 dB 2:31 05-II. Prestissimo
DR14 -5.00 dB -25.95 dB 12:09 06-III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
DR14 -1.60 dB -22.97 dB 3:40 07-Introduzione col basso del tema. Allegretto vivace – Tema
DR12 -4.14 dB -20.88 dB 0:40 08-Var. I
DR11 -4.52 dB -19.71 dB 0:53 09-Var. II
DR13 -1.79 dB -19.07 dB 0:43 10-Var. III
DR12 -6.77 dB -23.70 dB 0:41 11-Var. IV
DR11 -10.41 dB -25.88 dB 0:46 12-Var. V
DR13 -2.76 dB -20.35 dB 1:22 13-Var. VI – Var. VII (Canone all'ottava)
DR12 -9.47 dB -25.79 dB 0:45 14-Var. VIII
DR12 -5.85 dB -19.34 dB 0:44 15-Var. IX
DR14 -0.50 dB -22.10 dB 0:49 16-Var. X
DR13 -3.50 dB -22.17 dB 1:28 17-Var. XI-XII
DR13 -2.52 dB -19.52 dB 0:43 18-Var. XIII
DR13 -9.00 dB -27.92 dB 1:16 19-Var. XIV (Minore)
DR15 -4.78 dB -24.92 dB 4:47 20-Var. XV. Largo (Maggiore) - Attacca Coda
DR14 -0.70 dB -19.24 dB 4:55 21-Finale: Alla fuga. Allegro con brio – Andante con moto
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 21
Official DR value: DR13
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1239 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer.