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Janis Ian ‎- Between The Lines (1975) US 1st Pressing - LP/FLAC In 24bit/96kHz - NEW 2020 RIP!

Posted By: Fran Solo
Janis Ian ‎- Between The Lines (1975) US 1st Pressing - LP/FLAC In 24bit/96kHz - NEW 2020 RIP!

Janis Ian ‎- Between The Lines
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Mastered At Sterling Sound / Customatrix
Label: Columbia / PC 33394 | Released: 1975 | Genre: Country-Folk


A1 When The Party’s Over 2:57
A2 At Seventeen 4:41
A3 From Me To You 3:19
A4 Bright Lights And Promises 4:17
A5 In The Winter 2:13
A6 Water Colors 4:58

B1 Between The Lines 4:03
B2 The Come On 3:56
B3 Light A Light 2:45
B4 Tea & Sympathy 4:28
B5 Lover’s Lullaby 5:25


Companies, etc.

Recorded At – 914 Sound Studios
Mastered At – Sterling Sound
Mastered At – Customatrix
Pressed By – Columbia Records Pressing Plant, Terre Haute
Manufactured By – Columbia Records
Manufactured By – CBS Inc.
Published By – Mine Music Ltd.
Published By – April Music Inc.
Phonographic Copyright (p) – CBS Inc.
Copyright © – CBS Inc.

Credits

Acoustic Bass – George Duvivier (tracks: B4), Richard Davis (2) (tracks: A1 to A3, B1, B2, B5)
Acoustic Guitar – Al Gorgoni (tracks: A2, B3), David Snider* (tracks: A2, A3), Dickie Frank* (tracks: A1, A3, B5), Janis Ian (tracks: A1 to A3, A6, B2 to B4)
Alto Saxophone – Artie Kaplan (tracks: A4), Romeo Penque (tracks: A4)
Arranged By – Janis Ian (tracks: A4 to A6, B2), Richard Davis (2) (tracks: B2), Ron Frangipane (tracks: B4), Sal DeTroia*
Arranged By [Horns] – Janis Ian (tracks: A2)
Arranged By [String & Horn] – Ron Frangipane (tracks: B1, B5)
Arranged By [Vocals] – Dennis Pereca (tracks: A1)
Bass – Don Payne (tracks: A5, B3), Richard Davis (2) (tracks: A4)
Cello – Beverly Lauridsen, Charles McCracken, George Ricci, Gloria Lanzarone, Jesse Levy, Seymour Barab
Cello, Soloist – George Ricci (tracks: B1, B4)
Clarinet, Soloist – Phil Bodner (tracks: A4)
Contractor – Arthur Kaplan*
Design – John Berg, Paul Perlow
Drums – Barry Lazarowitz (tracks: A1 to A5, B1, B3, B5)
Electric Bass – Don Payne (tracks: B1, B4, B5)
Engineer – Brooks Arthur, Larry Alexander, Russ Payne
Executive-Producer – Herb Gart
Fiddle – Ken Kosak* (tracks: A3), Russell George (tracks: A3)
Flugelhorn – Burt Collins (tracks: A2)
Flute – Phil Bodner, Romeo Penque
French Horn – James Buffington*
Guitar [Nylon] – Al Gorgoni (tracks: A6, B3), Janis Ian (tracks: A2), Sal DeTroia* (tracks: A2, A3, A6, B2, B4, B5)
Keyboards – Janis Ian (tracks: B5)
Lead Guitar – Al Gorgoni (tracks: A1)
Percussion – Barry Lazarowitz, Larry Alexander
Photography By – Peter Cunningham (2)
Piano – Janis Ian (tracks: A4, A6)
Piccolo Flute – Phil Bodner (tracks: B1)
Producer – Brooks Arthur
Score – Janis Ian (tracks: A5, A6), Ron Frangipane (tracks: B4)
Tenor Saxophone – Joe Grimm (tracks: A4), Seldon Powell (tracks: A4)
Trombone – Alan Raph, Bill Watrous, Eddie Bert, Mickey Gravine
Trumpet – Burt Collins, Jimmy Sedlar*, Joe Shepley, Ray Crisara*
Trumpet, Soloist – Joe Shepley (tracks: A5), Ray Crisara* (tracks: A5)
Valve Trombone [Trombonium] – Alan Raph (tracks: A2)
Viola – David Sackson, Manny Vardi*, Eugenie Dengel, George Brown (8), Patty Kopec, Richard Maximoff, Seymour Berman
Violin – Arianne Bronne, David Sackson, Ezra Klinger*, Harold Kohon, Harry Lookofsky, Harry Urbont, Joe Malin, Julius Schacter, Kathy Kionke*, Lewis Cley, Marie Hence, Masako Yanagita, Max Hollander, Ora Shiram*, Peter Dimitriades
Vocals [Second] – Dennis Pereca (tracks: B3)
Written-By – Janis Ian

Notes
℗ © 1975 CBS Inc.

Terre Haute Pressing variant of this Santa Maria press by same catalog #.

Custom inner sleeve contains lyrics/credits/photo
Barcode and Other Identifiers

Matrix / Runout (A Side Label): AL 33394
Matrix / Runout (B Side Label): BL 33394
Matrix / Runout (A Side Etch exc º, Sterling stamps): º T2 PAL-33394-1E STERLING RL
Matrix / Runout (B Side Etch exc º, “A” stamps): º T2 PBL-33394-1E A
Pressing Plant ID (Runouts): T
Rights Society: ASCAP
Price Code: 0698


Janis Ian ‎- Between The Lines (1975) US 1st Pressing - LP/FLAC In 24bit/96kHz - NEW 2020 RIP!

Janis Ian ‎- Between The Lines (1975) US 1st Pressing - LP/FLAC In 24bit/96kHz - NEW 2020 RIP!

Janis Ian ‎- Between The Lines (1975) US 1st Pressing - LP/FLAC In 24bit/96kHz - NEW 2020 RIP!



This Rip: 2020
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX6: Only Manual (Click per click)
This LP: NM- / From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD

This is Janis Ian's second album from her re-emergence in the early to mid-'70s as one of the genre's most inspired and original singer/songwriters.
While this title houses Ian's biggest international hit, the confessional "At Seventeen," the entire effort combines her honest and confessional lyrics with an equally engaging blend of pop/rock and definite jazz and blues. She assembled much of the same ensemble that had worked on her previous long-player, Stars (1975), and much of the material retains the same warmth and intimacy in both her craft as well as the presentation. Unlike the more somber and introverted tracks that dominate Between the Lines (1975), the disc commences with a prime example of Ian's infectious coziness on the light and airy "When the Party's Over." This is one of the title's more straightforward love songs and features an appropriately lilting counter-harmony from Dennis Pereca. More typical are the somewhat dark and oblique "From Me to You," "The Come On," and the despairing title track. Darker still are "In the Winter" and the abject loneliness of "Tea and Sympathy" – both of which feature some engaging arrangements courtesy of famed arranger/conductor Ron Frangipane, whose clients include Melanie and Townes Van Zandt as well as both John Lennon and Yoko Ono. Underlying the heady orchestration and truly at the center of Ian's skill are her emotively powerful yet reserved melodies. This was undoubtedly a factor in "At Seventeen" becoming a Grammy winner as well as a chart-topping single stateside and a Top 20 hit throughout much of Europe as well as more disparate locations such as Israel. The strength of material and public interest garnered by Between the Lines would continue on her next equally powerful long-player, Aftertones (1976). This album is a recommended starting point for potential enthusiasts, as well as a touchstone to be repeatedly revisited.
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