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Frumpy ‎- Frumpy 2 (1971) NL Pressing - LP/FLAC In 24bit/96kHz

Posted By: Fran Solo
Frumpy ‎- Frumpy 2 (1971) NL Pressing - LP/FLAC In 24bit/96kHz

Frumpy ‎- Frumpy 2
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Fontana/6434 304 | Released: 1971 | This Issue: 1976 | Genre: Progressive-Rock

A1 Good Winds
A2 How The Gipsy Was Born
-
B1 Take Care Of Illusion
B2 Duty


Phonographic Copyright (p) – Phonogram GmbH
Credits
Producer – Rainer Goltermann
Notes
This release is a special-price reissue of the original 1971 album 'Frumpy 2'.
Title on center labels: ATTENTION FRUMPY 2

℗ 1971 PHONOGRAM GmbH
Printed in Netherlands
Made in Holland
Barcode and Other Identifiers
Matrix / Runout (A-side runout area): 10 AA 320 6434 304 1Y
Matrix / Runout (B-side runout area): 10 AA 320 6434 304 2Y
Label Code: LC 0211
Rights Society: GEMA


Frumpy ‎- Frumpy 2 (1971) NL Pressing - LP/FLAC In 24bit/96kHz

Frumpy ‎- Frumpy 2 (1971) NL Pressing - LP/FLAC In 24bit/96kHz

Frumpy ‎- Frumpy 2 (1971) NL Pressing - LP/FLAC In 24bit/96kHz



This Rip: 2015
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX4: Only Manual (Click per click)
Vinyl Condition: NM
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD

With this second album, Frumpy strikes big and even bigger. Already, the debut album having sold in respectable amounts (partly due to their superb gimmix cover, this fully unfoldable round plastic artwork was even more impressive, but here the music on the wax slice was altogether more satisfying than on their previous effort. One must say that now Frumpy is a quintet , and Key-man JJ Kravetz gets a very helpful hand from newcoming guitarist Rainer Baumann. The sound is much more even and fuller, allows more less repetition and the solos are thankfully shorter.
Only four tracks on here ranging from 7:30 to 12 min+ and a more dramatic feel with Rumpf's impressive (but not always very feminine - in a positive way) vocals, a still dominating organ (Kravetz was not give room that easy) and a lyrical guitar, the whole thing underlined by Carsten Bohn' excellent drumming. In early 70's Germany, Frumpy were close to the top in every musician polls with Kraan. With a relative basic (compared to what's coming up) riff, Good Winds is an annunciation of things to come, but clearly a poor (but relative, giving the quality of the whole album) start to an otherwise excellent album. Sometimes sounding like Uriah Heep (Kravetz's play is similar to Hensley in many ways, but he gets more freedom than Ken), this track is interrupted by a quiet church organ-like atmosphere before building slow crescendo returning to the energetic riffing from the start, but it is damn well taking a lot of meanders. The sometimes Spanish-sounding Gypsy Was Born is a full-blown track, that could be considered an epic if it was slightly longer. With passages sometimes reminding of Beatles's Walrus track, Rumpf's vocals sounding like a primal-screaming Lennon.

Opening the second side, is the shorter Illusions, here Rumpf and the band sounds more like Affinity's only album, meaning that the track has also a bluesier and psychier feel. The c entral section is simply a pure joy. The album closes on a real killer-track, the lenghty Duty, where all five shine on a cloudless day, burning holes through your eardrums and frying your mind with their delightfully energetic prog rock.

Kravetz will then leave the group for obscure reasons, but will be back in time halfway in the recording of their third album which is called BTW and has a double KB attack - Erwin Kania, the leader of now defunct but superb Murphy Blend) and somehow destroying the balance of this album. This was to be their last studio album (a posthumous live release will be released), but part of the group will form the more mainstream Atlantis. As far as this album is concerned, this is Frumpy's peak and in this album, they are not to be outdone by any other powerful band.
Review by Sean Trane, progarchives.com
Welcome to the Dark Side of the Vinyl
Silent spaces haven't been deleted in this rip.

Vinyl / CUE/ FLAC/ High Definition Cover: