![Ensemble Arte Musica & Francesco Cera - Frescobaldi: Toccate - Capricci - Fiori Musicali (2019) [Official Digital Download]](https://pixhost.icu/avaxhome/ec/fb/0068fbec_medium.jpg)
Ensemble Arte Musica & Francesco Cera - Frescobaldi: Toccate - Capricci - Fiori Musicali (2019) [Official Digital Download]
![Ensemble Arte Musica & Francesco Cera - Frescobaldi: Toccate - Capricci - Fiori Musicali (2019) [Official Digital Download]](https://pixhost.icu/avaxhome/ec/fb/0068fbec.jpg)
Ensemble Arte Musica & Francesco Cera - Frescobaldi: Toccate - Capricci - Fiori Musicali (2019)
FLAC (tracks) 24-bit/48 kHz | Time - 492:02 minutes | 5.05 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet
FLAC (tracks) 24-bit/48 kHz | Time - 492:02 minutes | 5.05 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet
Girolamo Frescobaldi is one of the most extraordinary figures in the history of music for harpsichord and organ, and had an enormous influence on other composers up until Bach. His brilliant toccatas reveal an inner world that fascinates today's listener. Frescobaldi's inspiration was born at the court of Ferrara and reached maturity in Rome, where the composer found himself among the major artists of the time who were actively creating a new artistic language. The 7-CD box set includes the four collections by Frescobaldi which, due to their exceptional innovative strength, have left the greatest mark on the history of music for the keyboard. A pupil of Leonhardt and Tagliavini, Francesco Cera is today recognized as one of the leading specialists in Frescobaldi, whose music he has helped to disseminate through concerts and master classes in Europe and the United States. Part of the music was recorded in the excellent acoustics of the Sala della Vigna in the Delizia di Belriguardo, the summer residence of the Este dukes, where the very young Frescobaldi was often present. Cera has chosen nine priceless instruments, including the Guglielmi organ of 1615 in the church of Santa Maria in Vallicella in Rome, and a copy of the harpsichord by Nicolò Albana, Naples 1584. The art historian Denis Grenier has been entrusted with the task of illustrating seven works of art that testify to the link between the music of Frescobaldi and the art in Rome of his time.
Tracklist:
CD1
Toccate e partite d'intavolatura di cimbalo, Libro primo (Girolamo Frescobaldi)
1 Toccata prima, F 2.01 05:29
2 Partite sopra Follia, F 2.16 04:46
3 Toccata seconda, F 2.02 05:12
4 Corrente prima, F 2.17 00:58
5 Corrente seconda, F 2.18 01:36
6 Corrente terza, F 2.19 01:27
7 Corrente quarta, F 2.20 01:11
8 Toccata terza, F 2.03 04:14
9 Capriccio sopra la Battaglia, F 2.31 02:20
10 Balletto e ciaccona in G Major, F 2.32 01:31
11 Balletto e ciaccona in A Minor, F 2.33 01:26
12 Toccata quarta, F 2.04 04:59
13 Partite sopra Ruggiero, F 2.15 09:53
14 Toccata quinta, F 2.05 05:13
15 Balletto, F 2.21 - Corrente del Balletto, F 2.22 – Passacagli, F 2.23 02:17
16 Partite sopra la Monica, F 2.14 09:02
17 Toccata sesta, F 2.06 06:15
CD2
1 Cento partite sopra passacagli, F 2.29 13:19
2 Toccata settima, F 2.07 05:41
3 Balletto, F 2.26 - Corrente, F 2.27 - Passacagli, F 2.28 04:11
4 Toccata ottava, F 2.08 05:27
5 Capriccio Fra Jacopino sopra l'aria di Ruggiero, F 2.30 03:35
6 Toccata nona, F 2.09 05:58
7 Partite sopra l'aria di Romanesca, F 2.13 14:48
8 Toccata decima, F 2.10 05:14
9 Balletto, F 2.24 - Corrente del Balletto, F 2.25 02:19
10 Toccata undecima, F 2.11 06:21
11 Capriccio pastorale, F 2.34 02:55
12 Toccata duodecima, F 2.12 07:30
CD3
Capricci, libro primo
1 Capriccio I sopra ut, re, mi, fa, sol, la, F 4.01 10:15
2 Capriccio II sopra la, sol, fa, mi, re, ut, F 4.02 08:37
3 Capriccio III sopra il Cucco, F 4.03 06:03
4 Capriccio IV sopra la, sol, fa, re, mi, F 4.04 08:21
5 Capriccio V sopra la Bassa Fiamenga, F 4.05 06:04
6 Capriccio VI sopra la Spagnoletta, F 4.06 07:43
7 Capriccio VIII cromatico con ligature al contrario, F 4.08 05:45
8 Capriccio IX di durezze, F 4.09 03:42
9 Capriccio X sopra un soggetto F 4.10 06:29
10 Capriccio XI con obligo di cantare la quinta parte, F 4.11 08:05
11 Capriccio XII sopra l'aria di Ruggiero, F 4.12 07:35
12 Capriccio VII sopra l'aria "Or che noi rimena", F 4.07 04:37
CD4
Toccate e partite d'intavolatura, Libro secondo
1 Toccata prima, F 3.01 04:20
2 Aria detta la Frescobalda, F 3.32 04:53 AJOUTER AU PANIER ÉCOUTER
3 Canzona prima, F 3.13 04:21
4 Toccata seconda, F 3.02 04:09
5 Canzona seconda, F 3.14 04:28
6 Corrente prima, F 3.33 01:04
7 Corrente seconda, F 3.34 01:27
8 Toccata terza per l'organo da sonarsi all'Elevazione, F 3.03 09:03
9 Canzona terza, F 3.15 05:02
10 Inno della Domenica, F 3.19 04:25
11 Toccata quarta per l'organo da sonarsi all'Elevazione, F 3.04 07:20
12 Canzona quarta, F 3.16 04:09
13 Inno degli Apostoli, F 3.20 05:34
14 Toccata quinta sopra i pedali per l'organo, e senza, F 3.05 05:30
15 Inno Iste confessor, F 3.21 05:15
16 Toccata sesta per l'organo sopra i pedali, e senza, F 3.06 06:06
CD5
1 Toccata settima, F 3.07 04:22
2 Inno Ave Maris Stella, F 3.22 06:55
3 Toccata ottava di durezze e ligature, F 3.08 04:22
4 Aria detta balletto, F 3.26 06:55
5 Gagliarda quarta, F 3.30 01:26
6 Toccata nona, F 3.09 05:05
7 Canzona quinta, F 3.17 02:10
8 Gagliarda seconda, F 3.28 01:04
9 Gagliarda terza, F 3.29 01:33
10 Toccata decima, F 3.10 05:02
11 Corrente quarta, F 3.36 01:08
12 Corrente quinta, F 3.37 01:14
13 Corrente sesta, F 3.38 01:20
14 Toccata undecima, F 3.11 05:31
15 Canzona sesta, F 3.18 02:38
16 Gagliarda prima, F 3.27 01:06
17 Gagliarda quinta, F 3.31 01:16
18 Ancidetemi pur d'Arcadelt passaggiato, 3.12 05:57
CD6
Fiori musicali, Messa della Domenica
1 Toccata avanti la Messa della Domenica, F 12.01 01:49
2 Kyrie, F 12.02-03 – Christe, F 12.04 – Kyrie F 12.08 07:18
3 Christe alio modo F 12.06-08 - Kyrie alio modo F 12.09-13 06:53
4 Canzon dopo l'Epistola, F 12.14 03:09
5 Ricercar dopo il Credo, F 12.15 02:51
6 Toccata cromatica per l'Elevatione, F 12.16 05:44
7 Canzon post il Comune, F 12.17 03:29
Fiori musicali, Messa degli Apostoli
8 Toccata avanti la Messa, F 12.18 02:04
9 Kyrie, F 12.19, F 12.21 - Christe, F 12.23 - Kyrie F 12.24, F 12.26 08:09
10 Kyrie, F 12.20 - Christe, F 12.22 - Kyrie, F.25 03:45
11 Canzon dopo l'Epistola, F 12.27 03:03
12 Toccata avanti il Recercar, F 12.28 01:25
13 Recercar cromatico post il Credo, F 12.29 05:05
14 Altro Recercar, F 12.30 05:02
15 Toccata per l'Elevatione, F 12.31 04:36
16 Recercar con l'obbligo del basso come appare, F 12.32 03:48
17 Canzon quarti toni dopo il Postcomunio, F 12.33 08:38
CD7
Fiori musicali, Messa della Madonna
1 Toccata avanti la Messa della Madonna, F 12.34 01:17
2 Kyrie, F 12.35-36 - Christe, F 12.38 - Kyrie, F 12.39-40 06:07
3 Christe, F 12.37 01:07
4 Canzon dopo l'Epistola, F 12.41 01:48
5 Recercar dopo il Credo, F 12.42 03:17
6 Toccata avanti il Recercar, F 12.43 01:13
7 Recercar con obbligo di cantar la quinta parte senza toccarla, F 12.44 03:50
8 Toccata per l'Elevatione, F 12.45 03:23
9 Capriccio sopra la Girolmeta, F 12.47 04:33
10 Bergamasca, F 12.46 05:34
Toccate e partite d'intavolatura, Libro secondo
11 Magnificat primi toni, F 3.23 06:55
12 Magnificat secundi toni, F 3.24 05:48
13 Magnificat sexti toni, F 3.25 05:49
Personnel:
Francesco Cera, harpsichord, organ
Riccardo Pisani, tenor
Ensemble Arte Musica
foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2019-06-28 15:06:33
––––––––––––––––––––––––––––––––––––––––
Analyzed: Francesco Cera / Frescobaldi: Toccate - Capricci - Fiori Musicali
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.12 dB -17.00 dB 5:29 01-Toccata prima, F 2.01
DR12 0.00 dB -14.21 dB 4:47 02-Partite sopra Follia, F 2.16
DR13 -0.62 dB -17.93 dB 5:12 03-Toccata seconda, F 2.02
DR11 -1.62 dB -15.16 dB 0:59 04-Corrente prima, F 2.17
DR12 -0.19 dB -15.62 dB 1:36 05-Corrente seconda, F 2.18
DR11 -4.56 dB -18.40 dB 1:27 06-Corrente terza, F 2.19
DR12 -1.02 dB -15.40 dB 1:12 07-Corrente quarta, F 2.20
DR12 -3.80 dB -18.97 dB 4:15 08-Toccata terza, F 2.03
DR11 0.00 dB -14.54 dB 2:21 09-Capriccio sopra la Battaglia, F 2.31
DR10 -1.35 dB -15.24 dB 1:32 10-Balletto e ciaccona in G Major, F 2.32
DR11 -4.16 dB -17.94 dB 1:27 11-Balletto e ciaccona in A Minor, F 2.33
DR13 -1.36 dB -17.78 dB 5:00 12-Toccata quarta, F 2.04
DR13 -0.19 dB -17.56 dB 9:54 13-Partite sopra Ruggiero, F 2.15
DR13 -0.63 dB -18.12 dB 5:13 14-Toccata quinta, F 2.05
DR11 -1.15 dB -17.17 dB 2:17 15-Balletto, F 2.21 - Corrente del Balletto, F 2.22 – Passacagli, F 2.23
DR12 -0.08 dB -17.02 dB 9:03 16-Partite sopra la Monica, F 2.14
DR12 -0.60 dB -16.34 dB 6:15 17-Toccata sesta, F 2.06
DR12 0.00 dB -15.71 dB 13:19 18-Cento partite sopra passacagli, F 2.29
DR12 -1.22 dB -17.46 dB 5:41 19-Toccata settima, F 2.07
DR12 -0.44 dB -15.91 dB 4:12 20-Balletto, F 2.26 - Corrente, F 2.27 - Passacagli, F 2.28
DR8 -0.03 dB -11.30 dB 5:27 21-Toccata ottava, F 2.08
DR10 -0.10 dB -13.79 dB 3:36 22-Capriccio Fra Jacopino sopra l'aria di Ruggiero, F 2.30
DR13 -0.62 dB -16.51 dB 5:58 23-Toccata nona, F 2.09
DR14 0.00 dB -17.78 dB 14:49 24-Partite sopra l'aria di Romanesca, F 2.13
DR12 -1.47 dB -17.25 dB 5:14 25-Toccata decima, F 2.10
DR11 -4.08 dB -17.92 dB 2:19 26-Balletto, F 2.24 - Corrente del Balletto, F 2.25
DR13 -3.46 dB -20.34 dB 6:22 27-Toccata undecima, F 2.11
DR9 -1.45 dB -13.60 dB 2:55 28-Capriccio pastorale, F 2.34
DR9 -1.65 dB -13.67 dB 7:31 29-Toccata duodecima, F 2.12
DR11 0.00 dB -13.95 dB 10:15 30-Capriccio I sopra ut, re, mi, fa, sol, la, F 4.01
DR13 -1.36 dB -18.09 dB 8:37 31-Capriccio II sopra la, sol, fa, mi, re, ut, F 4.02
DR11 -0.92 dB -14.54 dB 6:04 32-Capriccio III sopra il Cucco, F 4.03
DR11 0.00 dB -13.54 dB 8:21 33-Capriccio IV sopra la, sol, fa, re, mi, F 4.04
DR12 -0.12 dB -15.37 dB 6:04 34-Capriccio V sopra la Bassa Fiamenga, F 4.05
DR13 0.00 dB -17.81 dB 7:43 35-Capriccio VI sopra la Spagnoletta, F 4.06
DR11 -0.07 dB -14.09 dB 5:45 36-Capriccio VIII cromatico con ligature al contrario, F 4.08
DR12 -6.31 dB -21.26 dB 3:43 37-Capriccio IX di durezze, F 4.09
DR11 -0.31 dB -13.76 dB 6:30 38-Capriccio X sopra un soggetto F 4.10
DR11 0.00 dB -13.16 dB 8:05 39-Capriccio XI con obligo di cantare la quinta parte, F 4.11
DR13 -0.08 dB -16.32 dB 7:36 40-Capriccio XII sopra l'aria di Ruggiero, F 4.12
DR12 0.00 dB -16.48 dB 4:37 41-Capriccio VII sopra l'aria "Or che noi rimena", F 4.07
DR12 -0.26 dB -17.11 dB 4:21 42-Toccata prima, F 3.01
DR13 -0.62 dB -18.65 dB 4:53 43-Aria detta la Frescobalda, F 3.32
DR12 -0.99 dB -17.31 dB 4:21 44-Canzona prima, F 3.13
DR12 -1.83 dB -18.10 dB 4:09 45-Toccata seconda, F 3.02
DR11 -3.44 dB -18.10 dB 4:28 46-Canzona seconda, F 3.14
DR12 -3.21 dB -18.45 dB 1:05 47-Corrente prima, F 3.33
DR12 -0.20 dB -15.93 dB 1:28 48-Corrente seconda, F 3.34
DR10 -3.76 dB -16.53 dB 9:04 49-Toccata terza per l'organo da sonarsi all'Elevazione, F 3.03
DR11 -2.50 dB -16.32 dB 5:02 50-Canzona terza, F 3.15
DR11 -0.98 dB -17.15 dB 4:25 51-Inno della Domenica, F 3.19
DR10 -3.30 dB -17.33 dB 7:20 52-Toccata quarta per l'organo da sonarsi all'Elevazione, F 3.04
DR10 -2.11 dB -16.36 dB 4:09 53-Canzona quarta, F 3.16
DR10 0.00 dB -14.00 dB 5:34 54-Inno degli Apostoli, F 3.20
DR6 0.00 dB -8.40 dB 5:31 55-Toccata quinta sopra i pedali per l'organo, e senza, F 3.05
DR9 0.00 dB -12.82 dB 5:16 56-Inno Iste confessor, F 3.21
DR10 -0.84 dB -13.00 dB 6:07 57-Toccata sesta per l'organo sopra i pedali, e senza, F 3.06
DR11 -1.20 dB -15.81 dB 4:22 58-Toccata settima, F 3.07
DR11 -3.26 dB -18.33 dB 6:56 59-Inno Ave Maris Stella, F 3.22
DR13 -3.65 dB -20.32 dB 4:23 60-Toccata ottava di durezze e ligature, F 3.08
DR12 -2.53 dB -17.79 dB 6:55 61-Aria detta balletto, F 3.26
DR11 -2.61 dB -16.91 dB 1:27 62-Gagliarda quarta, F 3.30
DR13 -0.20 dB -16.28 dB 5:05 63-Toccata nona, F 3.09
DR12 -1.37 dB -16.56 dB 2:11 64-Canzona quinta, F 3.17
DR12 -1.69 dB -18.09 dB 1:04 65-Gagliarda seconda, F 3.28
DR12 -0.30 dB -15.28 dB 1:34 66-Gagliarda terza, F 3.29
DR12 -2.52 dB -18.06 dB 5:02 67-Toccata decima, F 3.10
DR11 -2.27 dB -16.43 dB 1:09 68-Corrente quarta, F 3.36
DR11 -6.44 dB -19.38 dB 1:15 69-Corrente quinta, F 3.37
DR10 -3.31 dB -17.33 dB 1:20 70-Corrente sesta, F 3.38
DR13 -0.25 dB -17.51 dB 5:32 71-Toccata undecima, F 3.11
DR12 -1.43 dB -16.52 dB 2:39 72-Canzona sesta, F 3.18
DR12 -1.56 dB -16.21 dB 1:06 73-Gagliarda prima, F 3.27
DR12 -1.71 dB -15.67 dB 1:17 74-Gagliarda quinta, F 3.31
DR13 -0.97 dB -18.09 dB 5:57 75-Ancidetemi pur d'Arcadelt passaggiato, 3.12
DR6 0.00 dB -8.77 dB 1:49 76-Toccata avanti la Messa della Domenica, F 12.01
DR9 0.00 dB -13.15 dB 7:18 77-Kyrie, F 12.02-03 – Christe, F 12.04 – Kyrie F 12.08
DR9 0.00 dB -12.88 dB 6:54 78-Christe alio modo F 12.06-08 - Kyrie alio modo F 12.09-13
DR10 -4.18 dB -16.85 dB 3:09 79-Canzon dopo l'Epistola, F 12.14
DR8 0.00 dB -11.86 dB 2:51 80-Ricercar dopo il Credo, F 12.15
DR9 -1.09 dB -13.79 dB 5:44 81-Toccata cromatica per l'Elevatione, F 12.16
DR10 -0.88 dB -14.57 dB 3:30 82-Canzon post il Comune, F 12.17
DR10 -0.75 dB -13.75 dB 2:04 83-Toccata avanti la Messa, F 12.18
DR11 -2.20 dB -16.57 dB 8:09 84-Kyrie, F 12.19, F 12.21 - Christe, F 12.23 - Kyrie F 12.24, F 12.26
DR10 -4.29 dB -16.36 dB 3:45 85-Kyrie, F 12.20 - Christe, F 12.22 - Kyrie, F.25
DR10 -1.79 dB -15.19 dB 3:04 86-Canzon dopo l'Epistola, F 12.27
DR9 -1.40 dB -12.84 dB 1:26 87-Toccata avanti il Recercar, F 12.28
DR10 -1.40 dB -14.89 dB 5:05 88-Recercar cromatico post il Credo, F 12.29
DR10 -1.77 dB -15.36 dB 5:03 89-Altro Recercar, F 12.30
DR8 -6.15 dB -17.03 dB 4:37 90-Toccata per l'Elevatione, F 12.31
DR11 -1.20 dB -14.48 dB 3:48 91-Recercar con l'obbligo del basso come appare, F 12.32
DR11 -2.37 dB -16.98 dB 8:39 92-Canzon quarti toni dopo il Postcomunio, F 12.33
DR9 0.00 dB -10.42 dB 1:17 93-Toccata avanti la Messa della Madonna, F 12.34
DR10 -0.08 dB -13.91 dB 6:08 94-Kyrie, F 12.35-36 - Christe, F 12.38 - Kyrie, F 12.39-40
DR8 -0.35 dB -12.49 dB 1:08 95-Christe, F 12.37
DR9 0.00 dB -12.42 dB 1:49 96-Canzon dopo l'Epistola, F 12.41
DR10 0.00 dB -12.65 dB 3:17 97-Recercar dopo il Credo, F 12.42
DR8 0.00 dB -10.54 dB 1:13 98-Toccata avanti il Recercar, F 12.43
DR11 0.00 dB -13.78 dB 3:50 99-Recercar con obbligo di cantar la quinta parte senza toccarla, F 12.44
DR9 -1.49 dB -13.45 dB 3:23 100-Toccata per l'Elevatione, F 12.45
DR10 0.00 dB -13.42 dB 4:34 101-Capriccio sopra la Girolmeta, F 12.47
DR11 -3.18 dB -17.46 dB 5:34 102-Bergamasca, F 12.46
DR10 0.00 dB -14.42 dB 6:56 103-Magnificat primi toni, F 3.23
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 103
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1344 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 12-Magnificat secundi toni, F 3.24
Number of samples: 15356928
Duration: 5:48
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -0.39 dB –- -2.14 dB
Avg RMS: -17.13 dB –- -17.29 dB
DR channel: 11.04 dB –- 11.28 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1335 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 13-Magnificat sexti toni, F 3.25
Number of samples: 15425536
Duration: 5:50
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -1.92 dB –- -1.93 dB
Avg RMS: -17.32 dB –- -17.86 dB
DR channel: 10.73 dB –- 10.74 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1322 kbps
Codec: FLAC
================================================================================
log date: 2019-06-28 15:06:33
––––––––––––––––––––––––––––––––––––––––
Analyzed: Francesco Cera / Frescobaldi: Toccate - Capricci - Fiori Musicali
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.12 dB -17.00 dB 5:29 01-Toccata prima, F 2.01
DR12 0.00 dB -14.21 dB 4:47 02-Partite sopra Follia, F 2.16
DR13 -0.62 dB -17.93 dB 5:12 03-Toccata seconda, F 2.02
DR11 -1.62 dB -15.16 dB 0:59 04-Corrente prima, F 2.17
DR12 -0.19 dB -15.62 dB 1:36 05-Corrente seconda, F 2.18
DR11 -4.56 dB -18.40 dB 1:27 06-Corrente terza, F 2.19
DR12 -1.02 dB -15.40 dB 1:12 07-Corrente quarta, F 2.20
DR12 -3.80 dB -18.97 dB 4:15 08-Toccata terza, F 2.03
DR11 0.00 dB -14.54 dB 2:21 09-Capriccio sopra la Battaglia, F 2.31
DR10 -1.35 dB -15.24 dB 1:32 10-Balletto e ciaccona in G Major, F 2.32
DR11 -4.16 dB -17.94 dB 1:27 11-Balletto e ciaccona in A Minor, F 2.33
DR13 -1.36 dB -17.78 dB 5:00 12-Toccata quarta, F 2.04
DR13 -0.19 dB -17.56 dB 9:54 13-Partite sopra Ruggiero, F 2.15
DR13 -0.63 dB -18.12 dB 5:13 14-Toccata quinta, F 2.05
DR11 -1.15 dB -17.17 dB 2:17 15-Balletto, F 2.21 - Corrente del Balletto, F 2.22 – Passacagli, F 2.23
DR12 -0.08 dB -17.02 dB 9:03 16-Partite sopra la Monica, F 2.14
DR12 -0.60 dB -16.34 dB 6:15 17-Toccata sesta, F 2.06
DR12 0.00 dB -15.71 dB 13:19 18-Cento partite sopra passacagli, F 2.29
DR12 -1.22 dB -17.46 dB 5:41 19-Toccata settima, F 2.07
DR12 -0.44 dB -15.91 dB 4:12 20-Balletto, F 2.26 - Corrente, F 2.27 - Passacagli, F 2.28
DR8 -0.03 dB -11.30 dB 5:27 21-Toccata ottava, F 2.08
DR10 -0.10 dB -13.79 dB 3:36 22-Capriccio Fra Jacopino sopra l'aria di Ruggiero, F 2.30
DR13 -0.62 dB -16.51 dB 5:58 23-Toccata nona, F 2.09
DR14 0.00 dB -17.78 dB 14:49 24-Partite sopra l'aria di Romanesca, F 2.13
DR12 -1.47 dB -17.25 dB 5:14 25-Toccata decima, F 2.10
DR11 -4.08 dB -17.92 dB 2:19 26-Balletto, F 2.24 - Corrente del Balletto, F 2.25
DR13 -3.46 dB -20.34 dB 6:22 27-Toccata undecima, F 2.11
DR9 -1.45 dB -13.60 dB 2:55 28-Capriccio pastorale, F 2.34
DR9 -1.65 dB -13.67 dB 7:31 29-Toccata duodecima, F 2.12
DR11 0.00 dB -13.95 dB 10:15 30-Capriccio I sopra ut, re, mi, fa, sol, la, F 4.01
DR13 -1.36 dB -18.09 dB 8:37 31-Capriccio II sopra la, sol, fa, mi, re, ut, F 4.02
DR11 -0.92 dB -14.54 dB 6:04 32-Capriccio III sopra il Cucco, F 4.03
DR11 0.00 dB -13.54 dB 8:21 33-Capriccio IV sopra la, sol, fa, re, mi, F 4.04
DR12 -0.12 dB -15.37 dB 6:04 34-Capriccio V sopra la Bassa Fiamenga, F 4.05
DR13 0.00 dB -17.81 dB 7:43 35-Capriccio VI sopra la Spagnoletta, F 4.06
DR11 -0.07 dB -14.09 dB 5:45 36-Capriccio VIII cromatico con ligature al contrario, F 4.08
DR12 -6.31 dB -21.26 dB 3:43 37-Capriccio IX di durezze, F 4.09
DR11 -0.31 dB -13.76 dB 6:30 38-Capriccio X sopra un soggetto F 4.10
DR11 0.00 dB -13.16 dB 8:05 39-Capriccio XI con obligo di cantare la quinta parte, F 4.11
DR13 -0.08 dB -16.32 dB 7:36 40-Capriccio XII sopra l'aria di Ruggiero, F 4.12
DR12 0.00 dB -16.48 dB 4:37 41-Capriccio VII sopra l'aria "Or che noi rimena", F 4.07
DR12 -0.26 dB -17.11 dB 4:21 42-Toccata prima, F 3.01
DR13 -0.62 dB -18.65 dB 4:53 43-Aria detta la Frescobalda, F 3.32
DR12 -0.99 dB -17.31 dB 4:21 44-Canzona prima, F 3.13
DR12 -1.83 dB -18.10 dB 4:09 45-Toccata seconda, F 3.02
DR11 -3.44 dB -18.10 dB 4:28 46-Canzona seconda, F 3.14
DR12 -3.21 dB -18.45 dB 1:05 47-Corrente prima, F 3.33
DR12 -0.20 dB -15.93 dB 1:28 48-Corrente seconda, F 3.34
DR10 -3.76 dB -16.53 dB 9:04 49-Toccata terza per l'organo da sonarsi all'Elevazione, F 3.03
DR11 -2.50 dB -16.32 dB 5:02 50-Canzona terza, F 3.15
DR11 -0.98 dB -17.15 dB 4:25 51-Inno della Domenica, F 3.19
DR10 -3.30 dB -17.33 dB 7:20 52-Toccata quarta per l'organo da sonarsi all'Elevazione, F 3.04
DR10 -2.11 dB -16.36 dB 4:09 53-Canzona quarta, F 3.16
DR10 0.00 dB -14.00 dB 5:34 54-Inno degli Apostoli, F 3.20
DR6 0.00 dB -8.40 dB 5:31 55-Toccata quinta sopra i pedali per l'organo, e senza, F 3.05
DR9 0.00 dB -12.82 dB 5:16 56-Inno Iste confessor, F 3.21
DR10 -0.84 dB -13.00 dB 6:07 57-Toccata sesta per l'organo sopra i pedali, e senza, F 3.06
DR11 -1.20 dB -15.81 dB 4:22 58-Toccata settima, F 3.07
DR11 -3.26 dB -18.33 dB 6:56 59-Inno Ave Maris Stella, F 3.22
DR13 -3.65 dB -20.32 dB 4:23 60-Toccata ottava di durezze e ligature, F 3.08
DR12 -2.53 dB -17.79 dB 6:55 61-Aria detta balletto, F 3.26
DR11 -2.61 dB -16.91 dB 1:27 62-Gagliarda quarta, F 3.30
DR13 -0.20 dB -16.28 dB 5:05 63-Toccata nona, F 3.09
DR12 -1.37 dB -16.56 dB 2:11 64-Canzona quinta, F 3.17
DR12 -1.69 dB -18.09 dB 1:04 65-Gagliarda seconda, F 3.28
DR12 -0.30 dB -15.28 dB 1:34 66-Gagliarda terza, F 3.29
DR12 -2.52 dB -18.06 dB 5:02 67-Toccata decima, F 3.10
DR11 -2.27 dB -16.43 dB 1:09 68-Corrente quarta, F 3.36
DR11 -6.44 dB -19.38 dB 1:15 69-Corrente quinta, F 3.37
DR10 -3.31 dB -17.33 dB 1:20 70-Corrente sesta, F 3.38
DR13 -0.25 dB -17.51 dB 5:32 71-Toccata undecima, F 3.11
DR12 -1.43 dB -16.52 dB 2:39 72-Canzona sesta, F 3.18
DR12 -1.56 dB -16.21 dB 1:06 73-Gagliarda prima, F 3.27
DR12 -1.71 dB -15.67 dB 1:17 74-Gagliarda quinta, F 3.31
DR13 -0.97 dB -18.09 dB 5:57 75-Ancidetemi pur d'Arcadelt passaggiato, 3.12
DR6 0.00 dB -8.77 dB 1:49 76-Toccata avanti la Messa della Domenica, F 12.01
DR9 0.00 dB -13.15 dB 7:18 77-Kyrie, F 12.02-03 – Christe, F 12.04 – Kyrie F 12.08
DR9 0.00 dB -12.88 dB 6:54 78-Christe alio modo F 12.06-08 - Kyrie alio modo F 12.09-13
DR10 -4.18 dB -16.85 dB 3:09 79-Canzon dopo l'Epistola, F 12.14
DR8 0.00 dB -11.86 dB 2:51 80-Ricercar dopo il Credo, F 12.15
DR9 -1.09 dB -13.79 dB 5:44 81-Toccata cromatica per l'Elevatione, F 12.16
DR10 -0.88 dB -14.57 dB 3:30 82-Canzon post il Comune, F 12.17
DR10 -0.75 dB -13.75 dB 2:04 83-Toccata avanti la Messa, F 12.18
DR11 -2.20 dB -16.57 dB 8:09 84-Kyrie, F 12.19, F 12.21 - Christe, F 12.23 - Kyrie F 12.24, F 12.26
DR10 -4.29 dB -16.36 dB 3:45 85-Kyrie, F 12.20 - Christe, F 12.22 - Kyrie, F.25
DR10 -1.79 dB -15.19 dB 3:04 86-Canzon dopo l'Epistola, F 12.27
DR9 -1.40 dB -12.84 dB 1:26 87-Toccata avanti il Recercar, F 12.28
DR10 -1.40 dB -14.89 dB 5:05 88-Recercar cromatico post il Credo, F 12.29
DR10 -1.77 dB -15.36 dB 5:03 89-Altro Recercar, F 12.30
DR8 -6.15 dB -17.03 dB 4:37 90-Toccata per l'Elevatione, F 12.31
DR11 -1.20 dB -14.48 dB 3:48 91-Recercar con l'obbligo del basso come appare, F 12.32
DR11 -2.37 dB -16.98 dB 8:39 92-Canzon quarti toni dopo il Postcomunio, F 12.33
DR9 0.00 dB -10.42 dB 1:17 93-Toccata avanti la Messa della Madonna, F 12.34
DR10 -0.08 dB -13.91 dB 6:08 94-Kyrie, F 12.35-36 - Christe, F 12.38 - Kyrie, F 12.39-40
DR8 -0.35 dB -12.49 dB 1:08 95-Christe, F 12.37
DR9 0.00 dB -12.42 dB 1:49 96-Canzon dopo l'Epistola, F 12.41
DR10 0.00 dB -12.65 dB 3:17 97-Recercar dopo il Credo, F 12.42
DR8 0.00 dB -10.54 dB 1:13 98-Toccata avanti il Recercar, F 12.43
DR11 0.00 dB -13.78 dB 3:50 99-Recercar con obbligo di cantar la quinta parte senza toccarla, F 12.44
DR9 -1.49 dB -13.45 dB 3:23 100-Toccata per l'Elevatione, F 12.45
DR10 0.00 dB -13.42 dB 4:34 101-Capriccio sopra la Girolmeta, F 12.47
DR11 -3.18 dB -17.46 dB 5:34 102-Bergamasca, F 12.46
DR10 0.00 dB -14.42 dB 6:56 103-Magnificat primi toni, F 3.23
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 103
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1344 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 12-Magnificat secundi toni, F 3.24
Number of samples: 15356928
Duration: 5:48
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -0.39 dB –- -2.14 dB
Avg RMS: -17.13 dB –- -17.29 dB
DR channel: 11.04 dB –- 11.28 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1335 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 13-Magnificat sexti toni, F 3.25
Number of samples: 15425536
Duration: 5:50
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -1.92 dB –- -1.93 dB
Avg RMS: -17.32 dB –- -17.86 dB
DR channel: 10.73 dB –- 10.74 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1322 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer.