FFS - FFS (2015) [Deluxe Edition]
FLAC (tracks) 24-bit/96 kHz | Time - 63:06 minutes | 1,36 GB
Studio Master, Official Digital Download | Artwork: Front cover
The witty collaboration between Franz Ferdinand and Sparks… When the seminal Los Angeles duo Sparks and Glasgow-based quartet Franz Ferdinand decided to record together, it was a flawed and potentially disastrous idea, right? Wrong, as ‘FFS’ is one of the strongest albums of either bands’ career. Produced by Grammy-award winning John Congleton (St Vincent, David Byrne) at London’s RAK Studios, the album ‘FFS’ took 15 days to complete. 'Kimono My House'-era Sparks fans will recognize how ‘FFS’ highlights their classic ‘pop rock’ DNA, and Franz Ferdinand fans won’t be dissapointed to hear the band at their peak of their powers as they bring their exhilaratingly unique and witty modern rock sound to the collaboration. Very much a new project, FFS doesn’t truly sound like either band, but a striking and fascinating mutation. So in the right hands, collaborations DO work, and beautifully. The strength of the two bands is bigger than the sum of the parts.
A long time in the making as well as a complete surprise on its arrival, the self-titled debut from FFS – the collaboration between Franz Ferdinand and Sparks – is the work of two great, and distinctive, acts at the top of their game. In fact, FFS works so well because these groups aren't carbon copies of each other. Over the years, Sparks brainy shape-shifting has touched on glam and new wave, two of the styles that were most influential on Franz Ferdinand's suave dance-rock, but that's just the tip of their musical iceberg. What the bands do share – jaunty wit and a flair for indelible choruses – gives FFS plenty of fertile common ground. These songs are inspired, even-handed combinations of all of their strengths, whether Ron and Russell Mael lend a dash of weirdness to Franz Ferdinand's spiky hooks, as on "Call Girl," or the Glaswegian outfit adds some heft to Sparks' flights of fancy on the satirical "Police Encounters" or the hyperactive "So Desu Ne." FFS' strongest moments bring passion to its abundant cleverness. Somewhat perversely and sometimes poignantly, the supergroup is at its best when singing about different kinds of solitude. "Piss Off," the first song Sparks sent Franz Ferdinand back in 2004 after the release of their debut album, is a cheerfully antisocial anthem for those who'd rather be alone. "Collaborations Don't Work"'s self-referential duet turns into a duel, with Alex Kapranos and Russell Mael trading barbs like "I don't need your navel gazing/I don't like your way of phrasing." However, the best showcase for their vocals is the brilliant opening track "Johnny Delusional." At once grandiose and self-deprecating, it's a vivid portrait of unrequited love that combines Kapranos' smooth baritone and Mael's anxious counter tenor like a juxtaposition of fantasy and reality. Similarly, FFS boasts so much personality that character sketches like "Dictator's Son," which tells the story of a despot's offspring who is more into creature comforts than tyranny, also rank among the standouts. A near-perfect blend of Sparks and Franz Ferdinand's skills, FFS is a collaboration that works very well and offers just about everything a fan of either band could want.
Tracklist:
01 - Johnny Delusional
02 - Call Girl
03 - Dictator's Son
04 - Little Guy From The Suburbs
05 - Police Encounters
06 - Save Me From Myself
07 - So Desu Ne
08 - The Man Without A Tan
09 - Things I Won't Get
10 - The Power Couple
11 - Collaborations Don't Work
12 - Piss Off
13 - So Many Bridges
14 - King Of The Song
15 - Look At Me
16 - A Violent Death
Analyzed: FFS / FFS (Deluxe Edition)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR5 -0.25 dB -7.27 dB 3:12 01-Johnny Delusional
DR5 -0.22 dB -6.42 dB 3:21 02-Call Girl
DR5 -0.16 dB -7.58 dB 4:15 03-Dictator's Son
DR7 -0.32 dB -9.73 dB 5:09 04-Little Guy From The Suburbs
DR5 -0.16 dB -6.53 dB 3:11 05-Police Encounters
DR5 -0.16 dB -6.58 dB 3:57 06-Save Me From Myself
DR6 -0.16 dB -8.58 dB 3:52 07-So Desu Ne
DR5 -0.16 dB -6.93 dB 3:29 08-The Man Without A Tan
DR6 -0.16 dB -8.21 dB 3:03 09-Things I Won't Get
DR5 -0.21 dB -7.01 dB 3:02 10-The Power Couple
DR6 -0.16 dB -10.11 dB 6:42 11-Collaborations Don't Work
DR5 -0.16 dB -6.35 dB 3:55 12-Piss Off
DR5 -0.16 dB -7.80 dB 3:16 13-So Many Bridges
DR6 -0.16 dB -10.22 dB 3:06 14-King Of The Song
DR6 -0.16 dB -8.38 dB 5:43 15-Look At Me
DR7 -0.16 dB -9.31 dB 3:51 16-A Violent Death
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 16
Official DR value: DR6
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3005 kbps
Codec: FLAC
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––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR5 -0.25 dB -7.27 dB 3:12 01-Johnny Delusional
DR5 -0.22 dB -6.42 dB 3:21 02-Call Girl
DR5 -0.16 dB -7.58 dB 4:15 03-Dictator's Son
DR7 -0.32 dB -9.73 dB 5:09 04-Little Guy From The Suburbs
DR5 -0.16 dB -6.53 dB 3:11 05-Police Encounters
DR5 -0.16 dB -6.58 dB 3:57 06-Save Me From Myself
DR6 -0.16 dB -8.58 dB 3:52 07-So Desu Ne
DR5 -0.16 dB -6.93 dB 3:29 08-The Man Without A Tan
DR6 -0.16 dB -8.21 dB 3:03 09-Things I Won't Get
DR5 -0.21 dB -7.01 dB 3:02 10-The Power Couple
DR6 -0.16 dB -10.11 dB 6:42 11-Collaborations Don't Work
DR5 -0.16 dB -6.35 dB 3:55 12-Piss Off
DR5 -0.16 dB -7.80 dB 3:16 13-So Many Bridges
DR6 -0.16 dB -10.22 dB 3:06 14-King Of The Song
DR6 -0.16 dB -8.38 dB 5:43 15-Look At Me
DR7 -0.16 dB -9.31 dB 3:51 16-A Violent Death
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 16
Official DR value: DR6
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3005 kbps
Codec: FLAC
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Thanks to the Original customer!