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Steve Eliovson & Collin Walcott ‎- Dawn Dance ‎(1981) DE1st Pressing - LP/FLAC In 24bit/96kHz

Posted By: Fran Solo
Steve Eliovson & Collin Walcott ‎- Dawn Dance ‎(1981) DE1st  Pressing - LP/FLAC In 24bit/96kHz

Steve Eliovson & Collin Walcott
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: ECM Records/ECM 1198 | Released: 1981 | Genre: Acoustic-Fusion

A1 Venice
A2 Earth End
A3 Awakening
A4 Song For The Masters
A5 Wanderer
-
B1 Dawn Dance
B2 Slow Jazz
B3 Africa
B4 Memories
B5 Eternity


Phonographic Copyright (p) – ECM Records GmbH
Recorded At – Tonstudio Bauer
Credits
Acoustic Guitar – Steve Eliovson
Composed By – Walcott* (tracks: A3, A5, B5), Eliovson* (tracks: A1, A2, A4 to B5)
Design – Klaus Detjen
Engineer – Martin Wieland
Percussion – Collin Walcott
Photography By [Cover Photo] – Paul Maxon
Producer – Manfred Eicher
Notes
Recorded January 1981 at Tonstudio Bauer, Ludwigsburg

An ECM Production

℗ 1981 ECM Records GmbH
Printed in W. Germany
Barcode and Other Identifiers
Rights Society: GEMA
Label Code: LC 2516


Steve Eliovson & Collin Walcott ‎- Dawn Dance ‎(1981) DE1st  Pressing - LP/FLAC In 24bit/96kHz

Steve Eliovson & Collin Walcott ‎- Dawn Dance ‎(1981) DE1st  Pressing - LP/FLAC In 24bit/96kHz

Steve Eliovson & Collin Walcott ‎- Dawn Dance ‎(1981) DE1st  Pressing - LP/FLAC In 24bit/96kHz



This Rip: 2016
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz New!
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: NM-
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD

This album is something of a legend in the annals of ECM lore, as it was the only ever recorded by the fantastically talented Steve Eliovson. With only Collin Walcott on percussion to support him, the since unheard-from guitarist carved lasting impressions that can now be thankfully heard on CD. The experience begins in “Venice” (as in California), where the guitar’s tectonic shifts speak with tabla like one continent.

Eliovson’s sonorities are pristine, especially in “Earth End” and in “Slow Jazz,” where the precision of finger placement and the occasional bent note add a soulful turn of the head. The album’s portal is “Awakening,” an underwater communion of gongs that centers us, closing one door and opening another. The title track is buoyed by a glimmering triangle and steady arpeggios from an internal guitar, while the external speaks in tongues with the various percussive accents that flit in and out of its view. “Song For The Masters” and “Wanderer” share likeminded ostinatos, more flexible melodic leads, and the occasional sitar-ish twang. The unambiguously titled “Africa” seems to prance across the landscape on which we opened, the all-steel sound visceral and true. Two gorgeous closers—“Memories” and “Eternity”—whisper their promises like secrets, falling with the autumn leaves into season as yet unnamed.

Sparse anecdotal evidence paints of Eliovson the portrait of a regretful artist, a man who was compelled to sell his worldly possessions (including the instruments of his trade) and return to his native South Africa. Yet we can also take pleasure in knowing that he left this one document, a digitally preserved jewel of quiet magnificence. Better to have been given this single profound journey than a series of false starts.
Review by Tyran Grillo, ecmreviews.com
Welcome to the Dark Side of the Vinyl
Silent spaces haven't been deleted in this rip

Vinyl / CUE/ FLAC/ High Definition Cover: