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Dietrich Fischer-Dieskau - Dietrich Fischer-Dieskau- A Centenary Tribute (2025) [Official Digital Download 24/96]
![Dietrich Fischer-Dieskau - Dietrich Fischer-Dieskau- A Centenary Tribute (2025) [Official Digital Download 24/96]](https://pixhost.icu/avaxhome/4b/4bea/4bea371401a4426d84b80c1108c47b05-10115885558158803353.webp)
Dietrich Fischer-Dieskau - Dietrich Fischer-Dieskau- A Centenary Tribute (2025) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 02:25:18 minutes | 1.57 GB
Classical | Studio Master, Official Digital Download
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 02:25:18 minutes | 1.57 GB
Classical | Studio Master, Official Digital Download
SOMM Recordings is proud to mark the centenary of the legendary German baritone Dietrich Fischer-Dieskau (28 May 1925–18 May 2012) by adding to his canonical discography with live recital and concert recordings from the Music Preserved archive. Fischer-Dieskau was at the very height of his powers from 1960–75, and the performances on this album date from that period. A bonus CD contains two interviews conducted by Jon Tolansky—appearing here in their entirety for the first time—the 75th Birthday Interview (2000) and 80th Birthday Interview(2005).
The extraordinarily vast repertoire of Dietrich Fischer-Dieskau over his 45-year career comprised lieder, operas, cantatas, and oratorios. He sang these in German, Italian, French, Russian, English, Hebrew, Hungarian, and Latin, from eras that spanned the Baroque to the latter part of the 20th century. Particularly, it was the controlled power and beauty of his voice, and the dramatic intensity and poetry of his interpretations, that led him to excel in the genre of German lieder. In this form he exerted a virtually unprecedented stylistic and interpretative influence—not only on the musical world of his day, but also on generations of performers to come.
SOMM’s centenary tribute opens with four songs by Ferruccio Busoni, all being works that were written late in the composer’s career. They come from a programme that Fischer-Dieskau gave with Gerald Moore in 1962.
TRACKLIST
1. Dietrich Fischer-Dieskau - Lied des Unmuts, BV 281 (Live)
2. Dietrich Fischer-Dieskau - (1) (Live)
3. Dietrich Fischer-Dieskau - Schlechter Trost, BV 298a (Live)
4. Dietrich Fischer-Dieskau - Lied des Mephistopheles, Op. 49 No. 2, BV 278a (Live)
5. Dietrich Fischer-Dieskau - Auf dem Land (Live)
6. Dietrich Fischer-Dieskau - Beherzigung (Live)
7. Dietrich Fischer-Dieskau - Gleich und gleich (Live)
8. Dietrich Fischer-Dieskau - No. 1, Gefunden (Live)
9. Dietrich Fischer-Dieskau - No. 18, Einsamkeit (Live)
10. Dietrich Fischer-Dieskau - (2) (Live)
11. Dietrich Fischer-Dieskau - No. 11, Ablösung im Sommer (Live)
12. Dietrich Fischer-Dieskau - No. 6, Um schlimme Kinder artig zu machen (Live)
13. Dietrich Fischer-Dieskau - No. 14, Selbstgefühl (Live)
14. Dietrich Fischer-Dieskau - No. 1, Ich atmet' einen linden Duft! (Live)
15. Dietrich Fischer-Dieskau - No. 3, Blicke mir nicht in die Lieder (Live)
16. Dietrich Fischer-Dieskau - No. 5, Um Mitternacht (Live)
17. Dietrich Fischer-Dieskau - No. 1, A közelító tél (Live)
18. Dietrich Fischer-Dieskau - No. 2, Sírni, sírni, sírni (Live)
19. Dietrich Fischer-Dieskau - Kádár Kata, K. 127 (Live)
20. Dietrich Fischer-Dieskau - Earliest Musical Memories
21. Dietrich Fischer-Dieskau - Singing Winterreise as a teenager - Comments on Winterreise (1)
22. Dietrich Fischer-Dieskau - Opera debut as Posa in Verdi’s Don Carlos
23. Dietrich Fischer-Dieskau - Singing Mahler’s Lieder eines fahrenden Gesellen with Wilhelm Furtwängler - Memories of Furtwängler
24. Dietrich Fischer-Dieskau - Comments on singing lieder and opera
25. Dietrich Fischer-Dieskau - Singing the title role in Mozart’s Don Giovanni
26. Dietrich Fischer-Dieskau - Singing the title role in Wagner’s Der fliegende Holländer
27. Dietrich Fischer-Dieskau - Stage direction in opera
28. Dietrich Fischer-Dieskau - Singing Hans Sachs in Wagner’s Die Meistersinger von Nürnberg
29. Dietrich Fischer-Dieskau - Singing title role in Verdi’s Macbeth
30. Dietrich Fischer-Dieskau - Singing Iago in Verdi’s Otello
31. Dietrich Fischer-Dieskau - Singing Mandryka in Strauss’s Arabella
32. Dietrich Fischer-Dieskau - Championing new contemporary music
33. Dietrich Fischer-Dieskau - Singing the title role in Berg’s Wozzeck
34. Dietrich Fischer-Dieskau - Singing the title role in Reimann’s Lear
35. Dietrich Fischer-Dieskau - Singing the title role in Messiaen’s Saint François d’Assise
36. Dietrich Fischer-Dieskau - Conducting career - Recollections of renowned conductors
37. Dietrich Fischer-Dieskau - Singing with Britten
38. Dietrich Fischer-Dieskau - Teaching singing to pupils
39. Dietrich Fischer-Dieskau - Piano Accompanists
40. Dietrich Fischer-Dieskau - Painting (1)
41. Dietrich Fischer-Dieskau - Early days becoming a singer
42. Dietrich Fischer-Dieskau - Singing Winterreise as a teenager - Comments on Winterreise (2)
43. Dietrich Fischer-Dieskau - Grieg songs
44. Dietrich Fischer-Dieskau - Wolf lieder
45. Dietrich Fischer-Dieskau - Young people coming to study with him
46. Dietrich Fischer-Dieskau - Busoni’s Doktor Faust
47. Dietrich Fischer-Dieskau - Wotan and Wagner’s Der Ring des Nibelungen
48. Dietrich Fischer-Dieskau - Singing the role of Wotan with Herbert von Karajan
49. Dietrich Fischer-Dieskau - Singing the title role in Bartók’s Bluebeard’s Castle
50. Dietrich Fischer-Dieskau - Singing Golaud in Debussy’s Pelléas et Mélisande
51. Dietrich Fischer-Dieskau - Singing Hans Sachs in Wagner’s Die Meistersinger von Nürnberg
52. Dietrich Fischer-Dieskau - “Revelge” in Mahler’s Des Knaben Wunderhorn
53. Dietrich Fischer-Dieskau - Painting (2)
foobar2000 1.6.2 / Dynamic Range Meter 1.1.1
log date: 2025-05-19 21:00:48
––––––––––––––––––––––––––––––––––––––––
Analyzed: Dietrich Fischer-Dieskau / Dietrich Fischer-Dieskau: A Centenary Tribute
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR17 -7.26 dB -28.75 dB 0:42 20-Earliest Musical Memories
DR19 -6.70 dB -30.25 dB 3:35 21-Singing Winterreise as a teenager - Comments on Winterreise (1)
DR18 -6.70 dB -30.95 dB 1:21 22-Opera debut as Posa in Verdi’s Don Carlos
DR18 -6.70 dB -29.71 dB 3:41 23-Singing Mahler’s Lieder eines fahrenden Gesellen with Wilhelm Furtwängler - Memories of Furtwängler
DR18 -6.70 dB -29.68 dB 1:27 24-Comments on singing lieder and opera
DR18 -6.70 dB -29.16 dB 3:12 25-Singing the title role in Mozart’s Don Giovanni
DR18 -6.70 dB -30.73 dB 2:00 26-Singing the title role in Wagner’s Der fliegende Holländer
DR18 -6.70 dB -29.60 dB 2:02 27-Stage direction in opera
DR17 -7.70 dB -31.68 dB 1:11 28-Singing Hans Sachs in Wagner’s Die Meistersinger von Nürnberg
DR17 -5.70 dB -26.87 dB 2:29 29-Singing title role in Verdi’s Macbeth
DR15 -5.70 dB -25.67 dB 3:13 30-Singing Iago in Verdi’s Otello
DR17 -5.70 dB -25.90 dB 1:14 31-Singing Mandryka in Strauss’s Arabella
DR19 -7.76 dB -31.50 dB 0:43 32-Championing new contemporary music
DR17 -5.70 dB -27.55 dB 1:55 33-Singing the title role in Berg’s Wozzeck
DR15 -5.70 dB -25.14 dB 1:47 34-Singing the title role in Reimann’s Lear
DR15 -5.70 dB -27.13 dB 0:56 35-Singing the title role in Messiaen’s Saint François d’Assise
DR16 -5.70 dB -27.49 dB 7:56 36-Conducting career - Recollections of renowned conductors
DR17 -5.70 dB -29.44 dB 1:31 37-Singing with Britten
DR16 -5.70 dB -27.65 dB 1:17 38-Teaching singing to pupils
DR15 -6.70 dB -29.32 dB 0:58 39-Piano Accompanists
DR17 -8.29 dB -32.11 dB 0:49 40-Painting (1)
DR17 -7.00 dB -27.98 dB 3:07 41-Early days becoming a singer
DR17 -6.42 dB -27.04 dB 1:27 42-Singing Winterreise as a teenager - Comments on Winterreise (2)
DR15 -6.34 dB -28.62 dB 1:03 43-Grieg songs
DR17 -8.77 dB -28.55 dB 1:44 44-Wolf lieder
DR17 -8.05 dB -28.11 dB 1:38 45-Young people coming to study with him
DR17 -6.69 dB -27.53 dB 3:53 46-Busoni’s Doktor Faust
DR17 -6.43 dB -28.61 dB 3:11 47-Wotan and Wagner’s Der Ring des Nibelungen
DR16 -7.34 dB -28.49 dB 2:33 48-Singing the role of Wotan with Herbert von Karajan
DR17 -5.70 dB -27.24 dB 3:02 49-Singing the title role in Bartók’s Bluebeard’s Castle
DR18 -7.77 dB -31.17 dB 1:10 50-Singing Golaud in Debussy’s Pelléas et Mélisande
DR17 -7.43 dB -28.87 dB 3:19 51-Singing Hans Sachs in Wagner’s Die Meistersinger von Nürnberg
DR20 -8.15 dB -31.81 dB 1:20 52-“Revelge” in Mahler’s Des Knaben Wunderhorn
DR15 -9.49 dB -31.61 dB 1:31 53-Painting (2)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 34
Official DR value: DR17
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 679 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Dietrich Fischer-Dieskau / Dietrich Fischer-Dieskau: A Centenary Tribute
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -5.62 dB -20.82 dB 2:55 01-Lied des Unmuts, BV 281 (Live)
DR10 -6.01 dB -20.75 dB 2:12 02-(1) (Live)
DR13 -8.56 dB -25.80 dB 2:25 03-Schlechter Trost, BV 298a (Live)
DR10 -6.94 dB -20.66 dB 1:42 04-Lied des Mephistopheles, Op. 49 No. 2, BV 278a (Live)
DR11 -0.88 dB -14.19 dB 2:02 05-Auf dem Land (Live)
DR12 -0.78 dB -14.34 dB 1:02 06-Beherzigung (Live)
DR9 -2.34 dB -13.34 dB 2:02 07-Gleich und gleich (Live)
DR9 -1.45 dB -13.03 dB 2:00 08-No. 1, Gefunden (Live)
DR9 -2.54 dB -13.88 dB 3:44 09-No. 18, Einsamkeit (Live)
DR11 -0.70 dB -14.02 dB 2:09 10-(2) (Live)
DR12 -3.42 dB -19.59 dB 1:35 11-No. 11, Ablösung im Sommer (Live)
DR11 -3.02 dB -19.03 dB 1:46 12-No. 6, Um schlimme Kinder artig zu machen (Live)
DR14 -1.21 dB -19.59 dB 2:06 13-No. 14, Selbstgefühl (Live)
DR12 -5.61 dB -22.44 dB 3:14 14-No. 1, Ich atmet' einen linden Duft! (Live)
DR14 -2.82 dB -20.43 dB 1:26 15-No. 3, Blicke mir nicht in die Lieder (Live)
DR13 -0.85 dB -19.02 dB 7:01 16-No. 5, Um Mitternacht (Live)
DR13 -4.30 dB -22.95 dB 11:05 17-No. 1, A közelító tél (Live)
DR11 -3.68 dB -20.33 dB 6:36 18-No. 2, Sírni, sírni, sírni (Live)
DR15 -2.64 dB -22.54 dB 15:14 19-Kádár Kata, K. 127 (Live)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 19
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1900 kbps
Codec: FLAC
================================================================================
log date: 2025-05-19 21:00:48
––––––––––––––––––––––––––––––––––––––––
Analyzed: Dietrich Fischer-Dieskau / Dietrich Fischer-Dieskau: A Centenary Tribute
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR17 -7.26 dB -28.75 dB 0:42 20-Earliest Musical Memories
DR19 -6.70 dB -30.25 dB 3:35 21-Singing Winterreise as a teenager - Comments on Winterreise (1)
DR18 -6.70 dB -30.95 dB 1:21 22-Opera debut as Posa in Verdi’s Don Carlos
DR18 -6.70 dB -29.71 dB 3:41 23-Singing Mahler’s Lieder eines fahrenden Gesellen with Wilhelm Furtwängler - Memories of Furtwängler
DR18 -6.70 dB -29.68 dB 1:27 24-Comments on singing lieder and opera
DR18 -6.70 dB -29.16 dB 3:12 25-Singing the title role in Mozart’s Don Giovanni
DR18 -6.70 dB -30.73 dB 2:00 26-Singing the title role in Wagner’s Der fliegende Holländer
DR18 -6.70 dB -29.60 dB 2:02 27-Stage direction in opera
DR17 -7.70 dB -31.68 dB 1:11 28-Singing Hans Sachs in Wagner’s Die Meistersinger von Nürnberg
DR17 -5.70 dB -26.87 dB 2:29 29-Singing title role in Verdi’s Macbeth
DR15 -5.70 dB -25.67 dB 3:13 30-Singing Iago in Verdi’s Otello
DR17 -5.70 dB -25.90 dB 1:14 31-Singing Mandryka in Strauss’s Arabella
DR19 -7.76 dB -31.50 dB 0:43 32-Championing new contemporary music
DR17 -5.70 dB -27.55 dB 1:55 33-Singing the title role in Berg’s Wozzeck
DR15 -5.70 dB -25.14 dB 1:47 34-Singing the title role in Reimann’s Lear
DR15 -5.70 dB -27.13 dB 0:56 35-Singing the title role in Messiaen’s Saint François d’Assise
DR16 -5.70 dB -27.49 dB 7:56 36-Conducting career - Recollections of renowned conductors
DR17 -5.70 dB -29.44 dB 1:31 37-Singing with Britten
DR16 -5.70 dB -27.65 dB 1:17 38-Teaching singing to pupils
DR15 -6.70 dB -29.32 dB 0:58 39-Piano Accompanists
DR17 -8.29 dB -32.11 dB 0:49 40-Painting (1)
DR17 -7.00 dB -27.98 dB 3:07 41-Early days becoming a singer
DR17 -6.42 dB -27.04 dB 1:27 42-Singing Winterreise as a teenager - Comments on Winterreise (2)
DR15 -6.34 dB -28.62 dB 1:03 43-Grieg songs
DR17 -8.77 dB -28.55 dB 1:44 44-Wolf lieder
DR17 -8.05 dB -28.11 dB 1:38 45-Young people coming to study with him
DR17 -6.69 dB -27.53 dB 3:53 46-Busoni’s Doktor Faust
DR17 -6.43 dB -28.61 dB 3:11 47-Wotan and Wagner’s Der Ring des Nibelungen
DR16 -7.34 dB -28.49 dB 2:33 48-Singing the role of Wotan with Herbert von Karajan
DR17 -5.70 dB -27.24 dB 3:02 49-Singing the title role in Bartók’s Bluebeard’s Castle
DR18 -7.77 dB -31.17 dB 1:10 50-Singing Golaud in Debussy’s Pelléas et Mélisande
DR17 -7.43 dB -28.87 dB 3:19 51-Singing Hans Sachs in Wagner’s Die Meistersinger von Nürnberg
DR20 -8.15 dB -31.81 dB 1:20 52-“Revelge” in Mahler’s Des Knaben Wunderhorn
DR15 -9.49 dB -31.61 dB 1:31 53-Painting (2)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 34
Official DR value: DR17
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 679 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Dietrich Fischer-Dieskau / Dietrich Fischer-Dieskau: A Centenary Tribute
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -5.62 dB -20.82 dB 2:55 01-Lied des Unmuts, BV 281 (Live)
DR10 -6.01 dB -20.75 dB 2:12 02-(1) (Live)
DR13 -8.56 dB -25.80 dB 2:25 03-Schlechter Trost, BV 298a (Live)
DR10 -6.94 dB -20.66 dB 1:42 04-Lied des Mephistopheles, Op. 49 No. 2, BV 278a (Live)
DR11 -0.88 dB -14.19 dB 2:02 05-Auf dem Land (Live)
DR12 -0.78 dB -14.34 dB 1:02 06-Beherzigung (Live)
DR9 -2.34 dB -13.34 dB 2:02 07-Gleich und gleich (Live)
DR9 -1.45 dB -13.03 dB 2:00 08-No. 1, Gefunden (Live)
DR9 -2.54 dB -13.88 dB 3:44 09-No. 18, Einsamkeit (Live)
DR11 -0.70 dB -14.02 dB 2:09 10-(2) (Live)
DR12 -3.42 dB -19.59 dB 1:35 11-No. 11, Ablösung im Sommer (Live)
DR11 -3.02 dB -19.03 dB 1:46 12-No. 6, Um schlimme Kinder artig zu machen (Live)
DR14 -1.21 dB -19.59 dB 2:06 13-No. 14, Selbstgefühl (Live)
DR12 -5.61 dB -22.44 dB 3:14 14-No. 1, Ich atmet' einen linden Duft! (Live)
DR14 -2.82 dB -20.43 dB 1:26 15-No. 3, Blicke mir nicht in die Lieder (Live)
DR13 -0.85 dB -19.02 dB 7:01 16-No. 5, Um Mitternacht (Live)
DR13 -4.30 dB -22.95 dB 11:05 17-No. 1, A közelító tél (Live)
DR11 -3.68 dB -20.33 dB 6:36 18-No. 2, Sírni, sírni, sírni (Live)
DR15 -2.64 dB -22.54 dB 15:14 19-Kádár Kata, K. 127 (Live)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 19
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1900 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer.