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Clematis - Legrenzi: Sonate & Balletti (2016) [Official Digital Download 24/88]
![Clematis - Legrenzi: Sonate & Balletti (2016) [Official Digital Download 24/88]](https://pixhost.icu/avaxhome/6a/e0/0046e06a.jpg)
Clematis - Legrenzi: Sonate & Balletti (2016)
FLAC (tracks) 24-bit/88.2 kHz | Time - 77:16 minutes | 872 MB
Studio Master, Official Digital Download | Artwork: Digital booklet
FLAC (tracks) 24-bit/88.2 kHz | Time - 77:16 minutes | 872 MB
Studio Master, Official Digital Download | Artwork: Digital booklet
After Carlo Farina and the Vitalis, Clematis continues its exploration of the Italian Baroque instrumental repertoire with Giovanni Legrenzi. The Sonatas taken from the collections he published in Venice between 1655 and 1673 feature highly diverse forms ranging from the trio sonata up to larger forms for 4, 5, or 6 parts and even double choir. His final collection of instrumental music, Balletti e Correnti, published in 1691, offers us a very different view of instrumental music in which certain French influences cannot be denied. Here, Clematis gives us the first complete anthology of his instrumental works. The variety of forms and forces ensures this disc with a fine diversity of styles from sonatas still close in spirit to those of Biagio Marini up to those for four violins foreshadowing the generation of Vivaldi. Recorded in two different locations, this anthology lets us discover these compositions in the sonority either of the church with its choir organ or, more intimate, the chamber.
TRACKLIST
Giovanni Legrenzi (1626-1690)
La cetra, Op. 10
1 Sonata prima a 4 violini 05:28
2 Sonata terza a 2 violoni 05:33
Balletti e correnti a 5, Op. 16
3 Balleto primo (Allemanda) 02:03
4 Corrente terza 01:50
Sonate da chiesa e da camera a 3, Op. 4
5 La Pezzoli a 3 04:01
Sonate a 2-3, Op. 2
6 La Foscari a 2 02:50
Sonate da chiesa e da camera a 3, Op. 4
7 La Forni a 3 02:57
Sonate a 2, 3, 5, & 6, Op. 8
8 La Marinona a 5 03:11
Sonate a 2-3, Op. 2
9 La Frangipana a due violini 03:51
Sonate a 2, 3, 5, & 6, Op. 8
10 La Basadonna a 6 03:08
11 La Cremona a 5 04:03
12 LObizza a 2 03:57
La cetra, Op. 10
13 Sonata seconda a 4 04:37
Sonate da chiesa e da camera a 3, Op. 4
14 Balletto quarto 01:19
15 Corrente terza 01:29
16 Sarabanda prima 02:03
17 Alemanda terza -La Piloni- 01:09
Sonate a 2-3, Op. 2
18 La Zabarella a 3 03:09
Sonate a 2, 3, 5, & 6, Op. 8
19 La Squarzona a 5 03:18
Sonate a 2-3, Op. 2
20 La Cornara a due violini 02:55
Balletti e correnti a 5, Op. 16
21 Balletto secondo 00:57
22 Corrente nona (Ciaconna) 02:46
La cetra, Op. 10
23 Sonata quarta a 2 04:52
24 Sonata sesta a quattro viole da gamba o come piace 05:58
foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2017-07-04 17:38:21
––––––––––––––––––––––––––––––––––––––––
Analyzed: Clematis / Legrenzi: Sonate & Balletti
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 0.00 dB -15.51 dB 5:28 01-La cetra, Op. 10: Sonata prima a 4 violini (b. c.: positive organ, theorbo, fagotto)
DR13 -1.44 dB -18.70 dB 5:33 02-La cetra, Op. 10: Sonata terza a 2 violoni (b. c.: harpsichord, harp, guitar, bass viol)
DR12 0.00 dB -14.71 dB 2:03 03-Balletti e correnti a 5, Op. 16: Balleto primo (Allemanda)
DR11 -1.12 dB -15.72 dB 1:50 04-Balletti e correnti a 5, Op. 16: Corrente terza: 2 violins, viola, viola da spalla (b. c.: harpsichord, organ, theorbo, guitar, cello)
DR11 -0.65 dB -14.88 dB 4:01 05-Sonate da chiesa e da camera a 3, Op. 4: La Pezzoli a 3: 2 violins, viola da spalla (b. c.: great organ)
DR10 -0.50 dB -14.24 dB 2:50 06-Sonate a 2-3, Op. 2: La Foscari a 2: violin, bassoon (b. c.: great organ)
DR12 0.00 dB -16.03 dB 2:57 07-Sonate da chiesa e da camera a 3, Op. 4: La Forni a 3: 2 violins, violone (b. c.: positive organ)
DR11 -1.32 dB -17.11 dB 3:11 08-Sonate a 2, 3, 5, & 6, Op. 8: La Marinona a 5: 2 violins, viola, bass viol, violone (b. c.: harp, theorbo, harpsichord)
DR12 -0.44 dB -16.40 dB 3:51 09-Sonate a 2-3, Op. 2: La Frangipana a due violini (b. c.: harpsichord, guitar, harp)
DR12 0.00 dB -15.49 dB 3:08 10-Sonate a 2, 3, 5, & 6, Op. 8: La Basadonna a 6: 2 violins, viola, 2 bass viols, violone (b. c.: harpsichord, theorbo)
DR11 -0.16 dB -13.80 dB 4:03 11-Sonate a 2, 3, 5, & 6, Op. 8: La Cremona a 5: 4 violins, violoncello (b. c.: positive organ, theorbo)
DR12 0.00 dB -14.95 dB 3:57 12-Sonate a 2, 3, 5, & 6, Op. 8: L’Obizza a 2: violin, bass viol (b. c.: harpsichord, guitar, violone)
DR12 0.00 dB -15.41 dB 4:37 13-La cetra, Op. 10: Sonata seconda a 4: 2 violins, viola, bass viol (b. c.: harp, theorbo, violone)
DR12 -0.03 dB -16.67 dB 1:19 14-Sonate da chiesa e da camera a 3, Op. 4: Balletto quarto
DR12 0.00 dB -16.58 dB 1:29 15-Sonate da chiesa e da camera a 3, Op. 4: Corrente terza
DR11 -2.34 dB -16.34 dB 2:03 16-Sonate da chiesa e da camera a 3, Op. 4: Sarabanda prima
DR11 -2.11 dB -16.41 dB 1:09 17-Sonate da chiesa e da camera a 3, Op. 4: Alemanda terza "La Piloni": 2 violins, b. c. (harpsichord, bass viol, guitar)
DR11 0.00 dB -14.18 dB 3:09 18-Sonate a 2-3, Op. 2: La Zabarella a 3: 2 violins, b. c. (harpsichord, bass viol, guitar)
DR11 -0.31 dB -14.86 dB 3:18 19-Sonate a 2, 3, 5, & 6, Op. 8: La Squarzona a 5: 4 violins, fagotto (b. c.: great organ)
DR10 -1.91 dB -14.91 dB 2:55 20-Sonate a 2-3, Op. 2: La Cornara a due violini: 2 violins, b. c. (great organ)
DR12 -1.91 dB -16.86 dB 0:57 21-Balletti e correnti a 5, Op. 16: Balletto secondo
DR12 -1.85 dB -16.54 dB 2:46 22-Balletti e correnti a 5, Op. 16: Corrente nona (Ciaconna): 2 violins, viola, viola da spalla (b. c.: harpsichord, positive organ, theorbo, guitar, cello)
DR11 -3.22 dB -17.64 dB 4:52 23-La cetra, Op. 10: Sonata quarta a 2: violin, viola da spalla (b. c.: cello, positive organ, theorbo)
DR12 -1.27 dB -16.58 dB 5:58 24-La cetra, Op. 10: Sonata sesta a quattro viole da gamba o come piace: violin, viola, 2 viola da gamba (b. c.: theorbo)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 24
Official DR value: DR12
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1556 kbps
Codec: FLAC
================================================================================
log date: 2017-07-04 17:38:21
––––––––––––––––––––––––––––––––––––––––
Analyzed: Clematis / Legrenzi: Sonate & Balletti
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 0.00 dB -15.51 dB 5:28 01-La cetra, Op. 10: Sonata prima a 4 violini (b. c.: positive organ, theorbo, fagotto)
DR13 -1.44 dB -18.70 dB 5:33 02-La cetra, Op. 10: Sonata terza a 2 violoni (b. c.: harpsichord, harp, guitar, bass viol)
DR12 0.00 dB -14.71 dB 2:03 03-Balletti e correnti a 5, Op. 16: Balleto primo (Allemanda)
DR11 -1.12 dB -15.72 dB 1:50 04-Balletti e correnti a 5, Op. 16: Corrente terza: 2 violins, viola, viola da spalla (b. c.: harpsichord, organ, theorbo, guitar, cello)
DR11 -0.65 dB -14.88 dB 4:01 05-Sonate da chiesa e da camera a 3, Op. 4: La Pezzoli a 3: 2 violins, viola da spalla (b. c.: great organ)
DR10 -0.50 dB -14.24 dB 2:50 06-Sonate a 2-3, Op. 2: La Foscari a 2: violin, bassoon (b. c.: great organ)
DR12 0.00 dB -16.03 dB 2:57 07-Sonate da chiesa e da camera a 3, Op. 4: La Forni a 3: 2 violins, violone (b. c.: positive organ)
DR11 -1.32 dB -17.11 dB 3:11 08-Sonate a 2, 3, 5, & 6, Op. 8: La Marinona a 5: 2 violins, viola, bass viol, violone (b. c.: harp, theorbo, harpsichord)
DR12 -0.44 dB -16.40 dB 3:51 09-Sonate a 2-3, Op. 2: La Frangipana a due violini (b. c.: harpsichord, guitar, harp)
DR12 0.00 dB -15.49 dB 3:08 10-Sonate a 2, 3, 5, & 6, Op. 8: La Basadonna a 6: 2 violins, viola, 2 bass viols, violone (b. c.: harpsichord, theorbo)
DR11 -0.16 dB -13.80 dB 4:03 11-Sonate a 2, 3, 5, & 6, Op. 8: La Cremona a 5: 4 violins, violoncello (b. c.: positive organ, theorbo)
DR12 0.00 dB -14.95 dB 3:57 12-Sonate a 2, 3, 5, & 6, Op. 8: L’Obizza a 2: violin, bass viol (b. c.: harpsichord, guitar, violone)
DR12 0.00 dB -15.41 dB 4:37 13-La cetra, Op. 10: Sonata seconda a 4: 2 violins, viola, bass viol (b. c.: harp, theorbo, violone)
DR12 -0.03 dB -16.67 dB 1:19 14-Sonate da chiesa e da camera a 3, Op. 4: Balletto quarto
DR12 0.00 dB -16.58 dB 1:29 15-Sonate da chiesa e da camera a 3, Op. 4: Corrente terza
DR11 -2.34 dB -16.34 dB 2:03 16-Sonate da chiesa e da camera a 3, Op. 4: Sarabanda prima
DR11 -2.11 dB -16.41 dB 1:09 17-Sonate da chiesa e da camera a 3, Op. 4: Alemanda terza "La Piloni": 2 violins, b. c. (harpsichord, bass viol, guitar)
DR11 0.00 dB -14.18 dB 3:09 18-Sonate a 2-3, Op. 2: La Zabarella a 3: 2 violins, b. c. (harpsichord, bass viol, guitar)
DR11 -0.31 dB -14.86 dB 3:18 19-Sonate a 2, 3, 5, & 6, Op. 8: La Squarzona a 5: 4 violins, fagotto (b. c.: great organ)
DR10 -1.91 dB -14.91 dB 2:55 20-Sonate a 2-3, Op. 2: La Cornara a due violini: 2 violins, b. c. (great organ)
DR12 -1.91 dB -16.86 dB 0:57 21-Balletti e correnti a 5, Op. 16: Balletto secondo
DR12 -1.85 dB -16.54 dB 2:46 22-Balletti e correnti a 5, Op. 16: Corrente nona (Ciaconna): 2 violins, viola, viola da spalla (b. c.: harpsichord, positive organ, theorbo, guitar, cello)
DR11 -3.22 dB -17.64 dB 4:52 23-La cetra, Op. 10: Sonata quarta a 2: violin, viola da spalla (b. c.: cello, positive organ, theorbo)
DR12 -1.27 dB -16.58 dB 5:58 24-La cetra, Op. 10: Sonata sesta a quattro viole da gamba o come piace: violin, viola, 2 viola da gamba (b. c.: theorbo)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 24
Official DR value: DR12
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1556 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer.