Bob Seger & The Silver Bullet Band - Night Moves (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz
Bob Seger & The Silver Bullet Band - Night Moves
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Mastered By Wally Traugott
Label: Capitol Records/ST-11557 | Released: 1976 | Genre: Classic-Rock
A1 Rock And Rolls Never Forgets 3:50
A2 Night Moves 5:24
A3 The Fire Down Below 4:46
A4 Sunburst 5:10
-
B1 Sunspot Baby 4:35
B2 Mainstreet 3:41
B3 Come To Poppa 3:07
B4 Ship Of Fools 3:21
B5 Mary Lou 2:55
Bass – Chris Campbell (tracks: A1, A2, A3, A4, B5), David Hood (tracks: B1, B2, B3, B4)
Co-producer – Jack Richardson (tracks: A2), Punch (3) (tracks: A1, A3, A4, B5)
Drums – Charlie Allen Martin (tracks: A1, A2, A3, A4, B5), Roger Hawkins (tracks: B1, B2, B3, B4)
Guitar – Drew Abbott (tracks: A1, A2, A3, A4, B4, B5), Jimmy Johnson (4) (tracks: B1, B2, B3, B4), Joe Miquelon (tracks: A2), Pete Carr (tracks: B1, B2, B3, B4)
Piano, Organ – Barry Beckett (tracks: B1, B2, B3, B4), Doug Riley (tracks: A2), Robyn Robbins (tracks: A1, A3, A4, B5)
Producer – Bob Seger, Muscle Shoals Rhythm Section (tracks: B1, B2, B3, B4)
Saxophone – Alto Reed (tracks: A1, A2, A3, A4, B5)
Notes
Recorded at Muscle Shoals Sound Studios, Alabama (B1, B2, B3, B4)
Recorded at Pampa Sound Studios, Detroit, Michigan (A1, A3, A4, B5)
Recorded at Nimbus Nine Studios, Toronto, Canada (A2)
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Mastered By Wally Traugott
Label: Capitol Records/ST-11557 | Released: 1976 | Genre: Classic-Rock
A1 Rock And Rolls Never Forgets 3:50
A2 Night Moves 5:24
A3 The Fire Down Below 4:46
A4 Sunburst 5:10
-
B1 Sunspot Baby 4:35
B2 Mainstreet 3:41
B3 Come To Poppa 3:07
B4 Ship Of Fools 3:21
B5 Mary Lou 2:55
Bass – Chris Campbell (tracks: A1, A2, A3, A4, B5), David Hood (tracks: B1, B2, B3, B4)
Co-producer – Jack Richardson (tracks: A2), Punch (3) (tracks: A1, A3, A4, B5)
Drums – Charlie Allen Martin (tracks: A1, A2, A3, A4, B5), Roger Hawkins (tracks: B1, B2, B3, B4)
Guitar – Drew Abbott (tracks: A1, A2, A3, A4, B4, B5), Jimmy Johnson (4) (tracks: B1, B2, B3, B4), Joe Miquelon (tracks: A2), Pete Carr (tracks: B1, B2, B3, B4)
Piano, Organ – Barry Beckett (tracks: B1, B2, B3, B4), Doug Riley (tracks: A2), Robyn Robbins (tracks: A1, A3, A4, B5)
Producer – Bob Seger, Muscle Shoals Rhythm Section (tracks: B1, B2, B3, B4)
Saxophone – Alto Reed (tracks: A1, A2, A3, A4, B5)
Notes
Recorded at Muscle Shoals Sound Studios, Alabama (B1, B2, B3, B4)
Recorded at Pampa Sound Studios, Detroit, Michigan (A1, A3, A4, B5)
Recorded at Nimbus Nine Studios, Toronto, Canada (A2)
Bob Seger & The Silver Bullet Band - Night Moves (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz
Bob Seger & The Silver Bullet Band - Night Moves (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz
Bob Seger & The Silver Bullet Band - Night Moves (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz
Bob Seger & The Silver Bullet Band - Night Moves (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2014
This LP: EX+ / From my personal collection
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE
Amplifier: Sansui 9090DB
ADC: E-MU 0404
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
Bob Seger recorded the bulk of Night Moves before Live Bullet brought him his first genuine success, so it shouldn't come as a surprise that it's similar in spirit to the introspective Beautiful Loser, even if it rocks harder and longer. Throughout much of the album, he's coming to grips with being on the other side of 30 and still rocking. He floats back in time, turning in high-school memories, remembering when wandering down "Mainstreet" was the highlight of an evening, covering a rockabilly favorite in "Mary Lou." Stylistically, there's not much change since Beautiful Loser, but the difference is that Seger and his Silver Bullet Band – who turn in their first studio album here – sound intense and ferocious, and the songs are subtly varied. Yes, this is all hard rock, but the acoustic ballads reveal the influence of Dylan and Van Morrison, filtered through a Midwestern sensibility, and the rockers reveal more of Seger's personality than ever. Seger may have been this consistent before (on Seven, for example), but the mood had never been as successfully varied, nor had his songwriting been as consistent, intimate, and personal. Thankfully, this was delivered to a mass audience eager for Seger, and it not only became a hit, but one of the universally acknowledged high points of late-'70s rock & roll. And, because of his passion and craft, it remains a thoroughly terrific record years later.allmusic.com
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Vinyl / CUE/ FLAC/ High Definition Cover: