William Ackerman - Past Light
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Mastered By Bernie Grundman
Label: Windham Hill Records/WH-1028 | Released: 1983 | Genre: New-Age
A1 Visiting 6:02
A2 Garden 4:14
A3 Three Observations Of One Ocean 3:30
A4 Pacific II 3:09
A5 Synopsis 5:00
-
B1 Ventana 5:18
B2 Threes 5:01
B3 Synopsis II 4:13
B4 Rain To River 6:19
B5 Night Slip 2:10
Manufactured By – Windham Hill Records
Distributed By – A&M Records, Inc.
Phonographic Copyright (p) – Windham Hill Records
Copyright © – Windham Hill Records
Recorded At – Mobius Music
Recorded At – Different Fur Studios
Mixed At – Different Fur Studios
Pressed By – Pressing Plant
Mastered At – Pressing Plant
Credits
Design – Anne Ackerman Robinson
Engineer [Assistant] – Dale Everingham, Don Mack, Oliver DiCicco
Engineer, Mixed By – Steven Miller
Mastered By – Bernie Grundman
Photography By – John Cooper*
Producer, Design, Composed By, Guitar – William Ackerman
Notes
Matrix and Pressing by at Irvine, CA.
Barcode and Other Identifiers
Matrix / Runout (Side 1): WH-1028 A-RT1.. MasI 17936 (3)
Matrix / Runout (Side 2): WH-1028 B-RT1.. MasI 1793& (3)
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Mastered By Bernie Grundman
Label: Windham Hill Records/WH-1028 | Released: 1983 | Genre: New-Age
A1 Visiting 6:02
A2 Garden 4:14
A3 Three Observations Of One Ocean 3:30
A4 Pacific II 3:09
A5 Synopsis 5:00
-
B1 Ventana 5:18
B2 Threes 5:01
B3 Synopsis II 4:13
B4 Rain To River 6:19
B5 Night Slip 2:10
Manufactured By – Windham Hill Records
Distributed By – A&M Records, Inc.
Phonographic Copyright (p) – Windham Hill Records
Copyright © – Windham Hill Records
Recorded At – Mobius Music
Recorded At – Different Fur Studios
Mixed At – Different Fur Studios
Pressed By – Pressing Plant
Mastered At – Pressing Plant
Credits
Design – Anne Ackerman Robinson
Engineer [Assistant] – Dale Everingham, Don Mack, Oliver DiCicco
Engineer, Mixed By – Steven Miller
Mastered By – Bernie Grundman
Photography By – John Cooper*
Producer, Design, Composed By, Guitar – William Ackerman
Notes
Matrix and Pressing by at Irvine, CA.
Barcode and Other Identifiers
Matrix / Runout (Side 1): WH-1028 A-RT1.. MasI 17936 (3)
Matrix / Runout (Side 2): WH-1028 B-RT1.. MasI 1793& (3)
This Rip: 2014
This LP: NM-/From my personal collection
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE With JICO SAS Stylus (New!)
Amplifier: Sansui 9090DB
ADC: E-MU 0404
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
For his fifth album, Ackerman added new instrumental colors to his guitar work.
Especially notable are Michael Manring's bass playing and the one-track "Garden," featuring The Kronos Quartet. The added instrumentation serves only to accentuate Ackerman's typically inventive playing.Review by William Ruhlmann, allmusic.com
Guitarist William Ackerman was still writing the book on the new age genre when this album came to light in the '80s, back when he operated the Windham Hill record label. You can hear many of the distinct, far-flung elements of the meditative, often-derided music mingling here in a somewhat pre-commercial state: classical, funk, folk, and more. Ackerman's guitar playing is often light as air, but his technique suggests a formidable aesthetic at work, rendering softness with expert, crafty precision. The slurpy electric bass on the opening track, "Visiting," doesn't do the rest of the album justice, especially the intricate, Tangerine Dream-style minimalism of "Synopsis." Of additional interest: the track titled "Garden," a fairly straightforward Utopian nod to "Greensleeves," features Ackerman's neighbors, the San Francisco-based Kronos Quartet. Kronos cellist Joan Jeanrenaud also guests on "Three Observations of the Ocean," a duet.Marc Weidenbaum/Amazon.com
Welcome to the Dark Side of the Vinyl
Silent spaces haven't been deleted in this rip.
Silent spaces haven't been deleted in this rip.
Vinyl / CUE/ FLAC/ High Definition Cover: