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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    The Post-Racial Limits of Memorialization

    Posted By: Tamaar
    The Post-Racial Limits of Memorialization

    The Post-Racial Limits of Memorialization
    by alfred frankowski
    English | EPUB | 7.3 MB


    The Post-Racial Limits of Memorialization: Toward a Political Sense of Mourning attempts to show how post-racial discourse, in general, and post-racial memory, specifically, operates as a context through which the memorialization of anti-black violence and the production of new forms of this violence are connected. Alfred Frankowski argues that aside from being symbolically meaningful, the post-racial context requires that memorialization of anti-black violence in the past produces memory as a type of forgetting. By challenging many of tenants of the critical turn in political philosophy and aesthetics, he argues against a politics of reconciliation and for a political sense of mourning that amplifies the universality of violence embedded in our contemporary sensibility. He argues for a sense of mourning that requires that we deepen our understanding of how remembrance and resistance to oppression remain linked and necessitates a fluid and active reconfiguration relative to the context in which this oppression exists.