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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Things I Don't Want to Know: On Writing

    Posted By: arundhati
    Things I Don't Want to Know: On Writing

    Deborah Levy, "Things I Don't Want to Know: On Writing"
    English | ISBN: 1620405652 | 2014 | 128 pages | EPUB | 180 KB

    To be published simultaneously with Black Vodka, the Man Booker Prize–shortlisted writer's new collection of short stories, a shimmering jewel of a book about writing.
    Blending personal history, gender politics, philosophy, and literary theory into a luminescent treatise on writing, love, and loss, Things I Don't Want to Know is Deborah Levy's witty response to George Orwell's influential essay “Why I Write.” Orwell identified four reasons he was driven to hammer at his typewriter-political purpose, historical impulse, sheer egoism, and aesthetic enthusiasm-and Levy's newest work riffs on these same commitments from a female writer's perspective.
    As she struggles to balance womanhood, motherhood, and her writing career, Levy identifies some of the real-life experiences that have shaped her novels, including her family's emigration from South Africa in the era of apartheid; her teenage years in the UK where she played at being a writer in the company of builders and bus drivers in cheap diners; and her theater-writing days touring Poland in the midst of Eastern Europe's economic crisis, where she observed how a soldier tenderly kissed the women in his life goodbye.
    Spanning continents (Africa and Europe) and decades (we meet the author at seven, fifteen, and fifty), Things I Don't Want to Know brings the reader into a writer's heart.