Toronto’s only female private detective in the 1920s takes on the cases the police don’t want or can’t handle. From airplanes and booze running to American G-men, Communists and union busters, Frankie’s fearless sense of adventure gets her into all kinds of trouble, but she always manages to find her way out.

While many couples can trace the real time rise and fall of their relationship back to social media feeds and harried phone calls, Aleksa Palladino and Devon Church have channeled the highs and lows of their storybook courtship into something else entirely: the explosive, discomforting confessionals of Exitmusic. The mercurial project started the year they got married (2004) and allbutimploded during their recent divorce, but not before the duo wrapped its most fully realized collection of beautifully damaged music yet titled The Recognitions.