The Strange Door (1951) [w/Commentary]

Noble-born cad Denis (Stapley) has been tricked into a forced stay at the eerie manor of the Sire de Maletroit (Laughton), an evil madman who can't get over the death of his beloved, twenty years after she married his brother (Cavanagh) instead and subsequently passed away during childbirth. Maletroit is determined to have his revenge: the brother has been stowed away in the dungeon for two decades, while he's convinced his disreputable house guest will make a suitably hellish husband for his niece. As luck would have it, the young couple manage to fall in love, and with the help of manservant Voltan (Karloff), they try to make their escape, but not before a final confrontation with Maletroit in the dungeon's crushing deathtrap.

Aside from Karloff being one of my favorite actors with his numerous character portrayals. Charles Laughton can compliment any script he was an outstanding talent. His character in The Strange Door highlights his ability for sophisticated characterization of a truly ruthless and vindictive man, it is outstanding and I am astonished by this films low marks. It gets an 8 from me and I even toyed with rating it higher. And of course there is Karloff I can't say enough about his talents. The Gothic atmosphere all the secret passageways make for a great castle adventure. I purchased this film in a Boris Karloff collection which includes The Tower of London and 4 or 5 other great Karloff films but once again Laughton is by far the great talent in this Gothic horror flick from the early 50s.

Audio Commentary by Film Historians Tom Weaver, David Schecter, and Dr. Robert J. Kiss - this group track is hosted by Tom Weaver, who also moderates and supplies archival information about the film's production and reception, mini-bios of cast members, and descriptions of certain scenes. There are also voice actors who read quotes from interviews that Weaver conducted with director Joseph Pevney and Richard Stapley. Schecter and Kiss provide scene-select commentary but the track is dominated by Weaver, who spot-timed all the remarks. He is well-organized and there are no gaps or pauses.