Howards End (1992)
BDRip 720p | MKV | 1280 x 720 | x264 @ 2560 Kbps | 2h 22mn | 3,44 Gb
Audio: English AC3 5.1 @ 448 Kbps + Commentary track | Subs: English
Genre: Drama, Romance | Director: James Ivory
BDRip 720p | MKV | 1280 x 720 | x264 @ 2560 Kbps | 2h 22mn | 3,44 Gb
Audio: English AC3 5.1 @ 448 Kbps + Commentary track | Subs: English
Genre: Drama, Romance | Director: James Ivory
Encounter of three social classes of England at the beginning of the 20th century: the Victorian capitalists (the Wilcoxes) considering themselves as aristocrats, whose only god is money; the enlightened bourgeois (the Schlegels), humanistic and philanthropic; and the workers (the Basts), fighting to survive. The Schlegel sisters' humanism will be torn apart as they try both to softly knock down the Wilcox's prejudices and to help the Basts.
IMDB - Won 3 Oscars + Another 29 wins
Superb!! Or perhaps you just don't get it and I must admit that on the first viewing, I didn't get it myself.
I'm one of those relative rarities: a straight male that normally enjoys Merchant-Ivory productions. However, I disliked this movie on first viewing (several years ago). In retrospect, I can see that I was not reacting to the movie, but my intense dislike for Anthony Hopkins' character.
I watched it again the other night and was absolutely blown away by it. What a film! Emma Thompson won Best Actress for her performance, and she did her usual terrific job, but frankly I was more impressed by the performance of Helena Bonham Carter. The style of the film is magnificent.
This is a story (like most of E. M. Forster's) about the injustices of class distinctions. However, with a subtlety that I missed on my first viewing, this film is also about karma (what goes around - comes around) and a story of social progress. This film is set in a time when society is coming out of the Victorian age and into the Edwardian. You see contrasts of the past thinking with the progressive thinking all through the movie. A visual metaphor is repeated over and over: the turning of cranks, whether it be on a new-fangled morse code machine, a vintage car, or the wheels of a mighty locomotive. I believe that this represents both karma and progress, forces which Forster sees as unstoppable as the laws of nature.
This is an incredible story, and an incredible piece of film-making.
(Enlargeable)
Audio commentary with critics Wade Major and Lael Lowenstein