Eureka (2023)

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Eureka (2023)

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A new film by critically acclaimed Argentinian director Lisandro Alonso portrays a transcendental reverie divided into 4 separate pieces that shifts between time and space. A long awaited comeback from the author who had been silent for nearly 10 years since his last aesthetically crafted - Jauja.

It starts right off the bat with a middle-aged cowboy who is off to find his stolen daughter. As it usually occurs with Alonso, he is not genuinely bothered about present tense on screen. For the first half an hour, it narrates a standard black and white western story of a main hero (Viggo Mortensen) wandering around a Wild West town seeking his daughter. A sophistically portrayed picture conveys and transcends viewers into the cowboys and Indians old fantasy world where drinking and prostitutes fill up pretty much the whole space.

Out of blue story twists and pushes us into a modern life stance where a Latin female lieutenant patrolling night streets of a small U. S. reservation while her niece reunites with her grandfather. With a pelican flap of wings, it slowly but irrevocably flies us into rainforest jungles where locals struggle with life. The action slowly flows through visually aesthetic references to Tarkovsky and silent, almost motionless Bresson shades. It is also worth mentioning how casually Lisandro intertwines the same actors playing different characters and archetypes as the film shifts gears.

Overall, Alonso nearly three-hour-long odyssey is arguably the most exciting and soothing ciné experience of the passing season.

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Eureka (2023)

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