Downfall (2004)
BDRip 1080p | MKV | 1920x1080 | x264 @ 5760 Kbps | 155 min | 6,71 Gb
Audio: German AC3 5.1 @ 448 Kbps | Subtitles: English (embedded in MKV)
Genre: Drama, War
BDRip 1080p | MKV | 1920x1080 | x264 @ 5760 Kbps | 155 min | 6,71 Gb
Audio: German AC3 5.1 @ 448 Kbps | Subtitles: English (embedded in MKV)
Genre: Drama, War
Director: Oliver Hirschbiegel
Starring: Bruno Ganz, Alexandra Maria Lara, Corinna Harfouch, Ulrich Matthes, Juliane Köhler, Heino Ferch
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
IMDB - Top rated movie #125 | 22 wins + Nominated for 1 Oscar
"You have to feel that Hitler was a human being; only then he is a real horror."
The first internationally released German production to feature Hitler as a central figure, "Downfall" (2004) takes place in the dismal gloomy Berlin during April - May 1945 in anticipation of the inevitable German defeat. The film shows the last days of Hitler and those close to him through the eyes of his young secretary, Traudl Junge.
Oliver Hirschbiegel's film has been criticized by some circles as presenting a "too sympathetic" portrait of the Fuhrer. I don't believe anything in the film suggests that its creators sympathize with the Nazi regime and those who had orchestrated it.
Showing Hitler as a human being (amazing performance by Bruno Ganz), a man who loved his dog, was a vegetarian and could display some moments of tenderness did not undermine the overall image of a lonely, domineering, conscienceless, and hateful man who believed that his people, his compatriots, women and children deserve to die because they are no longer deserve to live and because "in a war as such there are no civilians".
Did those who think that that the film "humanized" Hitler forget the most chilling scene in the movie, the one that shows Frau Goebbels crush the ampoules with cyanide between her children's teeth, after they had been dosed with a sleeping draught? She did it not because she was scared of what would happen to them after the war, no, her reason was, "The country without National Socialism and its party is not worth living in". How dangerous Hitler was if he could induce such a blind devotion that could convince a mother of six to murder her children in cold blood.
Bernd Eichinger, the producer and scriptwriter of "Downfall" emphasized, the greatest danger he saw in making a film about Hitler was the temptation to show him as a psychopath or madman: "Hitler possessed an enormous criminal and destructive energy, and he was a barbarian in the most fundamental sense of the term… But I am convinced that he was totally of sound mind until the very end, which is why leadership never slipped from his hands."
The film's director Oliver Hirschbiege says that, in the same way it was evil of Hitler to see Jews as less than human beings - i.e. as "insects" - it would be equally wrong to portray Hitler as a madman, because that would excuse him of culpability: "I think the biggest mistake is to have an image of Hitler as insane - that he was not a human being but a monster. The most important point to realize is that Hitler was not a madman, not a psychopath or someone on drugs, which implies that he wasn't responsible for what he was doing. Of course he was responsible! "For me, (this film is) paying homage to and truly honoring the victims, because we fall short if we explain the Holocaust by stating that they were all out of their minds. They knew what they were doing!"
I believe that the result of their work, the film I saw last night is absolutely unforgettable - honest, powerful and devastating. It is a masterwork of film-making and a very important in its objectivity historical document.
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