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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    The Equivalents: A Story of Art, Female Friendship, and Liberation in the 1960s [Audiobook]

    Posted By: tarantoga
    The Equivalents: A Story of Art, Female Friendship, and Liberation in the 1960s [Audiobook]

    Maggie Doherty, Rebecca Lowman (Narrator), "The Equivalents: A Story of Art, Female Friendship, and Liberation in the 1960s"
    English | ASIN: B085K9RMY1 | 2020 | M4B@32 kbps | ~13:03:00 | 187 MB

    The timely, never-before-told story of five brilliant, passionate women who, in the early 1960s, converged at the newly founded Radcliffe Institute for Independent Study and became friends as well as artistic collaborators, and who went on to shape the course of feminism in ways that are still felt today.

    In 1960, Harvard's sister college, Radcliffe, announced the founding of an Institute for Independent Study, a "messy experiment" in women's education that offered paid fellowships to those with a PhD or "the equivalent" in artistic achievement. Five of the women who received fellowships - poets Anne Sexton and Maxine Kumin, painter Barbara Swan, sculptor Mariana Pineda, and writer Tillie Olsen - quickly formed deep bonds with one another that would inspire and sustain their most ambitious work. They called themselves "the Equivalents". Drawing from notebooks, letters, recordings, journals, poetry, and prose, Maggie Doherty weaves a moving narrative of friendship and ambition, art and activism, love and heartbreak, and shows how the institute spoke to the condition of women on the cusp of liberation.

    Cover photographs: Anne Sexton, 1961 by Rollie McKenna Rosalie Thorne McKenna Foundation. Courtesy Center for Creative Photography. Print: National Portrait Gallery, Smithsonian Institution; gift of Rollie McKenna; Women's liberation demonstration Freda Leinwand (detail). Print: Schlesinger Library, Radcliffe Institute, Harvard University

    Edge of cover image: Red, White and Gray, 1971 by Barbara Swan (detail). Used with permission from the Alpha Gallery, Boston.