The Belgian early music group Vox Luminis has made several wonderful recordings of lesser-known Baroque repertory. They cultivate a distinctive sound with ten or 15 singers (here there are ten) and a small instrumental group, diverging completely from the general Italianate-operatic trend toward brisk tempos, sharp accents, and dramatic conceptions. Here they take on two very familiar works and meet the challenge of creating unique interpretations. Even in the splendid Bach Magnificat in D major, BWV 243 (sample one of the big choruses, perhaps "Fecit potentiam"), they are smooth and even delicate. The sound is all the more impressive in that leader Lionel Meunier does not really conduct; he sings in the choir itself. Yet the carefully burnished sound is extremely coherent. The effect is to deliver a personal aspect even to these highly public works. In this kind of reading there is the necessity for the performers to deliver text intelligibility and for the instrumentalists to deliver balance, and all succeed nicely, as do Alpha Classics' engineers, working in a pair of churches (Belgian for the Handel, Dutch for the Bach). This is a beautifully rendered representation of standard repertory that draws you into entirely new ways of looking at the music.

In the U.S., Gary Numan is remembered as a one-hit-wonder, while back home in his native England, he continued to crank out hit after hit and became a superstar in the process. His icy space-age persona and sound may be forever associated with early-80's British new wave (Flock of Seagulls, early Duran Duran, etc.), but he was the originator, and today seems pretty darned original. Numan was a scholar of the David Bowie Ziggy Stardust-era, and used Bowie's space alien approach as a starting point. While retaining his futuristic lyrics, Gary stripped Ziggy's sound free of the distorted guitar riffing and posturing, and replaced it with clinical synthesizers and a standoffish stage persona. His music also gives off a paranoid vibe at times, as evidenced on the hits "I Die: You Die" and "Are 'Friends' Electric?" But Numan's songs can also sedate you ("Down in the Park"), while other times sneak up on you (the unexpected punk rocker "Bombers"). And of course there's his sole U.S. hit, "Cars," which sounds like a not so distant ancestor to fellow futuristic weirdos Devo.

Trio Sonnerie have chosen five of the 14 sonatas by Buxtehude from the 1690s to demonstrate their considerable fluency and rapport. These are witty and elegant works, finely crafted and requiring the skills of virtuoso players. Monica Huggett and Sarah Cunningham capture their essence with happily chosen and neatly articulated tempos—the vivace movements are effortlessly played—and beautifully transparent textures. Mitzi Meyerson provides a stylish and secure accompaniment, particularly in the G major Largo and the B flat major Vivace (which is, in fact, a chaconne).

The Essential Van Morrison is a two-disc compilation album by Northern Irish singer-songwriter Van Morrison, released on August 28, 2015. It is part of Sony BMG's Essential series of compilation albums and includes tracks from Morrison's solo output, as well as tracks from his days with Them. The tracks consist of some of Morrison's biggest hits and popular album tracks from 1964 as leader of the Northern Irish band Them through his 2009 release Astral Weeks Live at the Hollywood Bowl. The liner notes were contributed by David Fricke.

Formed in 1985 by the bassist and one of the founding members of Genesis, Mike Rutherford, Mike + The Mechanics have gone on to enjoy success the world-over. The mechanics are best known for their hit singles "Silent Running (On Dangerous Ground)", "All I Need Is a Miracle", "Taken In", "Over My Shoulder", and "The Living Years". The Masters Collection delivers an introduction to the bands body of work spanning an illustrious 30 years, and includes tracks from their top 10 2017 album ‘Let Me Fly’.

Francisco Gustavo Sánchez Gómez, known as Paco de Lucía, was a Spanish virtuoso flamenco guitarist, composer and producer. A leading proponent of the new flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to cross over successfully into other genres of music such as classical and jazz. Richard Chapman and Eric Clapton, authors of Guitar: Music, History, Players, describe de Lucía as a "titanic figure in the world of flamenco guitar", and Dennis Koster, author of Guitar Atlas, Flamenco, has referred to de Lucía as "one of history's greatest guitarists". Entre dos aguas is the first compilation album by the Spanish guitarist and composer Paco de Lucía.

Very rare and extremely limited 2018 EU 4CD Box Set (Longbox) collection of Pink Floyd containing the "Meddle" album high resolution remaster plus outtakes, rarities and live material… This Deluxe Edition contains a 12 page booklet with the complete tracklistings and detailed recording information. Limited and numbered edition of 300.

Japanese band Evraak was formed in 2018, consisting of six members with different musical backgrounds with a desire to create music that incorporate their different musical experiences and tastes in music into a cohesive whole. Bands like King Crimson and Yes have been cited in terms of likely influences for their compositions. Besides being an active live unit, Evraak have also hit the recording studio on a regular basis in their first, formative years. They self-released an initial EP, Evraak in 2020, and at the very end of 2021 they self-released their debut album Evraak I. The band was signed to Italian label Wormholedeath Records in the fall of 2022, who reissued their debut album in November 2022.

After an exhaustive five-year litigation battle between the band and their label management, Tool offer up the latest chapter in their musical self-discovery in Lateralus. Make no mistake, this is a prog rock record, reminiscent of King Crimson and Meddle-era Pink Floyd, with a hint of Rush mutated with Tool's signature sonic assault on the ears. Lateralus demands close listening from the first piece onward, as it becomes quickly apparent that this is not going to be an album one can listen to and accept at face value. Complex rhythm changes, haunting vocals, and an onslaught of changes in dynamics make this an album other so-called metal groups could learn from. While some compositions seem out of place, others fit together seamlessly, such as the 23-minute song cycle serving as the climax and resolution of the album…

The Many Faces Of Pink Floyd is a wonderful, truly stunning album… a 3CD labour of love, the likes of which are rarely seen on the market.
CD 1 contains Dark Side Of The Moon (in full) as interpreted by luminaries of the world rock scene (members of King Crimson, Yes, The Doors, Toto and Asia, among others).
CD 2 features ten key tracks of The Wall, two from Wish You Were Here and two psychedelic era classic quartets by musicians such as Keith Emerson, Rick Wakeman, Ian Anderson and British Psychic TV freaks, among many others.
CD 3 meanwhile, is even more spectacular, as it presents material from all the great musicians who participated in the group's record: saxophonist Dick Parry (Money, Us And Them…

This nearly forgotten Brazilian trombonist - a protégé of Airto Moreira and Flora Purim who made a moderate impact in the U.S. in the '70s only to mysteriously give it up and return to Brazil and subsequent obscurity - resurfaces on a CD reissue of a star-studded session from 1974. Producer Airto, who appears frequently on percussion (never mind the camouflaged percussion credits "Kenneth Nash and others; " one shake and you know it's Airto), succeeded in enlisting J.J. Johnson to make the horn arrangements and getting the polyrhythmic drums of Jack DeJohnette to drive the session. Cannonball Adderley makes one of his last appearances on record (he died nine months later), his alto sax burning in an otherwise cluttered stab at Baden Powell's "Canto de Ossanha," and venturing on the outside on "Chants to Burn." The most noteworthy track is Joe Zawinul's "Dr. Honoris Causa," which gets a fascinating Brazilian/jazz/rock arrangement straight out of the mid-'70s…

The third album from the essential Krautrock power trio Guru Guru's early forays is as essential to the avant-rock collector as Faust's Faust Tapes, Can's Tago Mago, and the early experiments of Kraftwerk and Neu! Dating from 1972, it's an unprecedented display of drone-rock on the heavier, psychedelic side of the '70s German underground. Guru Guru's lineup changed periodically, and throughout the '70s, the project took contributions from Conny Plank and Hans-Joachim Roedelius, among others, and were tightly connected with the Kraftwerk off-shoot Harmonium. This album is undoubtedly one of their greater works, alongside UFO and Hinten recorded by the essential trio of Ax Genrich on guitar, Uli Trepte on bass, and leader Mani Neumeier on drums and keyboards.