A Musical Safari (2015) is a collaborative album by legendary jazz trumpeter Dizzy Gillespie and renowned Argentine composer and pianist Lalo Schifrin. This album is a fusion of jazz and Latin influences, blending Gillespie's vibrant and dynamic trumpet playing with Schifrin's sophisticated and multi-faceted musical compositions. The album offers a thrilling journey through African, Latin, and jazz rhythms, creating an immersive listening experience that explores diverse musical landscapes. This collaboration is significant because both artists brought their unique cultural backgrounds and musical expertise to the project. Dizzy Gillespie, one of the founders of bebop and a key figure in the development of modern jazz, was known for incorporating Latin rhythms into his music, particularly with his famous album Afro-Cuban Jazz Suite. Lalo Schifrin, on the other hand, was a master of film scores, jazz, and classical music, known for his ability to blend intricate melodies with rich orchestration. Together, they created an album that fuses the vibrant, complex rhythms of Afro-Cuban music and jazz with Schifrin's classical-influenced arrangements.

Yasukuni Terashima Presents Jazz Bar 2021 (2021) is a compilation album curated by renowned Japanese jazz musician Yasukuni Terashima. This album reflects his deep passion for jazz, featuring a selection of diverse and engaging jazz tracks from both established and emerging artists in the jazz scene. The compilation is part of a series curated by Terashima, offering a curated listening experience for those who appreciate the nuanced flavors and rich history of jazz. It provides an opportunity to explore a mix of classic jazz as well as contemporary styles, showcasing the variety and dynamism within the genre. The tracks on the album offer a sophisticated backdrop to a night at a jazz bar, capturing the ambiance and mood of a live jazz performance in a relaxed, intimate setting.

Wire exhibit little inclination to look back - rather they remain resolutely focused on producing music which is smart, vital and defiantly modern. Mind Hive is the group’s first newly recorded material since 2017’s Silver/Lead. That album garnered rave reviews and career best sales. Yet, if Silver/Lead set the bar pretty high, Mind Hive seems to have no problem vaulting over it.

New recording for the acclaimed cellist Suren Bagratuni and pianist Hrant Bagrazyan incudes Brahms’ complete Cello Sonatas and Violin Sonata Op. 78 transcribed for cello by the composer.

The collection includes piano works composed over the past 30 years from "Piano Media" (1972) to "Piano Poem" (2003), selected by composer Toshi Ichiyanagi himself, a master pianist who has earned the composer's great trust. Ami Fujiwara performs with deep understanding and empathy various types of music, from difficult pieces that push the pianist to his or her technical limits to pieces that focus on issues of expression, such as poetry readings. Please listen to these contemporary masterpieces by a virtuoso pianist who has earned the composer's great trust.

Yesterday Song (2014) is an album by Terje Bjørklund, a Norwegian jazz pianist and composer. The album is known for its intimate, reflective mood and showcases Bjørklund’s skillful piano playing, blending elements of jazz, classical music, and contemporary improvisation. The compositions are thoughtful, melodic, and expressive, with an emphasis on emotional depth and delicate soundscapes. Terje Bjørklund is celebrated for his ability to blend jazz improvisation with more structured, classical influences, often using the piano as a means to create rich textures and atmospheres. Yesterday Song is a testament to his lyrical style, and the album focuses on subtle, evocative melodies that invite the listener into a reflective and emotional space.

Un Jour Si Blanc (2010) is an album by French jazz pianist François Couturier, known for his delicate and expressive style, combining influences from jazz, classical music, and contemporary improvisation. The album is a deeply introspective and atmospheric work, showcasing Couturier’s unique approach to piano performance, which blends melody, texture, and emotion. The title of the album, Un Jour Si Blanc, translates to "A Day So White" in English, evoking a sense of purity, quietness, and reflection. The album features a blend of original compositions and improvisational passages that explore themes of memory, longing, and beauty, with a focus on creating a tranquil yet profound listening experience.

Reloaded (2006) by Depart is an album that blends elements of rock, progressive metal, and alternative music. Depart is a band known for their dynamic sound that often incorporates both melodic and heavier aspects, while still maintaining a certain depth and musical sophistication. Reloaded is a reflection of the band's ability to meld genres and create a fresh take on classic sounds.

Rock Star Bench Press (2009) is an album by Mike Dillon's Go-Go Jungle, a project led by vibraphonist and percussionist Mike Dillon. The album is a vibrant and eclectic blend of genres, combining elements of rock, jazz, funk, avant-garde, and experimental music. Mike Dillon is known for his versatile musical style and ability to cross genres, and this album showcases his creative approach to blending genres with high-energy performances. Mike Dillon's Go-Go Jungle features a band that pushes musical boundaries while still maintaining a groove-heavy, rhythmic foundation that is common in much of Dillon's work. The band’s sound is unpredictable, yet engaging, combining funky rhythms, improvised jazz elements, and rock influences in a way that appeals to fans of experimental rock and progressive jazz.

Through Time (2023) is an album by Stillskin, a band that is known for their unique blend of alternative rock and progressive rock. The band initially gained attention in the mid-90s for their hit single “Inside,” which brought them mainstream success. Over time, Stillskin has continued to evolve their sound, mixing elements of melodic rock, alternative, and prog in a style that is both reflective and modern.

A Question of Time (1995) is the debut album by Two Are One, a band that is known for their melodic rock and progressive rock style. The album blends neo-progressive rock influences with more accessible symphonic rock elements, offering a mix of emotional depth and intricate musical arrangements. Two Are One’s sound combines melodic sensibilities with complex song structures, drawing inspiration from bands like Genesis, Marillion, and IQ, while also integrating elements of art rock and symphonic rock. The band’s debut album, A Question of Time, features dynamic songwriting, including atmospheric synths, melodic guitar solos, and reflective lyrics.

Never Too Late (1993) is an album by the German progressive rock band Nostalgia. Formed in the early 1990s, Nostalgia’s music combines elements of neo-progressive rock, symphonic rock, and art rock, blending rich instrumental passages with emotional, melodically-driven vocals. The band's sound often draws comparisons to classic 70s progressive rock bands like Genesis, Yes, and Camel, as well as the neo-progressive movement that was flourishing in the 1980s and 1990s, represented by bands like Marillion and IQ. Released in 1993, Never Too Late marks a distinctive entry in the neo-progressive rock scene. The album features a blend of atmospheric keyboards, guitar solos, and complex song structures, which were common in the genre during this time. The album’s themes often explore emotional reflection, hope, and self-discovery, with lyrics that add to the immersive experience of the music.

Jubal (2000) is an album by the progressive rock band Tantalus, known for their intricate compositions and blending of various rock genres. Tantalus, a band that formed in the late 90s, is often associated with progressive rock and neo-progressive rock, drawing influences from classic progressive acts like Genesis, Yes, and King Crimson, while also incorporating elements of modern rock and art rock. Jubal is the band's first full-length release and showcases their ability to craft complex arrangements and sophisticated musical structures. The album is named after the biblical figure Jubal, who is said to have been the inventor of music, which fits with the album’s ambitious and layered musical style.

Hold Your Fire (1992) is the third studio album by the American rock band Firehouse, known for their blend of hard rock, glam metal, and arena rock. The album follows their successful self-titled debut (1990) and their second album, Firehouse 2 (1991). While the band had gained recognition for their catchy melodies and polished hard rock sound, Hold Your Fire continued to develop their style, incorporating elements of arena rock and ballads that would define their sound in the early '90s. The band is known for their melodic hard rock, driven by strong hooks, powerful vocals, and crisp guitar work, and Hold Your Fire is no exception. This album features a mix of upbeat rock anthems and power ballads, which were staples of the glam and hard rock genres during the late 80s and early 90s.

In Heaven (1997) is an album by the experimental electronic music duo People Like Us, known for their innovative approach to sound collage, plunderphonics, and experimental music. The project was created by Vicki Bennett, the primary force behind the duo, who is renowned for her use of found sounds, samples, and audio manipulation to create complex and often surreal soundscapes. People Like Us is noted for its ability to blend avant-garde techniques with elements of pop culture, psychedelia, noise, and humor. In Heaven is a striking example of how Bennett uses her skills in sound manipulation to explore themes of identity, culture, and the nature of sound itself.