Alexei Lubimov - Carl Philipp Emanuel Bach: Tangere (2017)
FLAC (tracks) 24-bit/44,1 kHz | Artwork: d.booklet, front cover | RAR | 660 Mb
Classical, Keyboard | Label: ECM Records - ECM 2112
FLAC (tracks) 24-bit/44,1 kHz | Artwork: d.booklet, front cover | RAR | 660 Mb
Classical, Keyboard | Label: ECM Records - ECM 2112
Are you ready for extreme 18th century keyboard? The typically sparse packaging graphics of this ECM release may indicate only to German speakers what's contained inside: a "Tangentenflügel" is a tangent piano, a rare keyboard instrument of Mozart's time that used hammers, striking the strings at a tangent, but no dampers. The sound combines qualities of a clavichord (its nearest relative, but the tangent piano is louder), a fortepiano, and a harpsichord.
Occasional recordings using the instrument exist, but this one by Russian keyboardist Alexei Lubimov may be the first one to really show what it can do. Lubimov states that the tangent piano is especially well suited to the music of Carl Philipp Emanuel Bach, with its "affects, diversity of rhetoric, melancholy humor, paradoxical harmonic effects, idiosyncratic rhythms." There's no evidence that these particular pieces were played on a tangent piano, but Bach is known to have had access to one at the court of Frederick the Great, and the results here are nothing short of spectacular. You could start with the Freye Fantasie in F sharp minor Wq 67, where Lubimov lays out most of the instrument's capabilities of dynamic and coloristic contrast. The two keyboard sonatas included are hardly less extreme in their musical language or in the interpretation here. Elsewhere, Lubimov offers some pretty obscure pieces: a two-movement, one-handed piano work, some short pieces called Fantasie or Solfeggio that consist of single little rhetorical gestures and last between 30 seconds and a minute each, two energetic rondos, and a second full-length fantasy for a rousing conclusion. Whether or not this reading is historically "accurate," Lubimov seems to achieve a kind of insight into the mind of this notoriously troublesome composer that no one else has quite managed before, and the end result is often gripping.
James Manheim
Tracklist:
01. Freye Fantasie fis-Moll Wq 67 (11:14)
Sonate II d-Moll Wq 57 (3. Sammlung, 1781)
02. Allegro Moderato (6:20)
03. Cantabile E Mesto (3:17)
04. Allegro (2:32)
05. Rondo II c-Moll Wq 59/4 (5. Sammlung, 1785) (5:15)
06. Fantasie d-Moll Wq 117/12 (0:28)
07. Fantasie G-Dur Wq 117/11 (0:34)
08. Fantasie D-Dur Wq 117/8 (0:32)
09. Fantasie B-Dur Wq 112/8 (1:02)
Clavierstück Für Die Rechte Oder Linke Hand Allein A-Dur Wq 117/1
10. I (1:31)
11. II (1:04)
12. Solfeggio C-Dur Wq 112/10 (0:54)
13. Solfeggio A-Dur Wq 117/4 (0:31)
14. Solfeggio Es-Dur Wq 117/3 (0:48)
15. Solfeggio c-Moll Wq 117/2 (0:54)
16. Solfeggio d-Moll Wq 64/1 (6. Sammlung, 1787) (4:34)
Sonate VI G-Dur Wq 55 (1. Sammlung, 1779)
17. Allegro Moderato (8:16)
18. Andante (3:29)
19. Allegro Di Molto (6:12)
20. Fantasie II C-Dur Wq 59/6 (5. Sammlung) (7:27)
foobar2000 1.3.16 / Dynamic Range Meter 1.1.1
log date: 2017-10-18 20:45:04
––––––––––––––––––––––––––––––––––––––––
Analyzed: Carl Philipp Emanuel Bach / Tangere
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR18 -0.16 dB -25.06 dB 11:19 01-Freye Fantasie fis-Moll, Wq. 67
DR15 -3.96 dB -22.26 dB 6:21 02-Sonate II d-Moll, Wq. 57/4: I. Allegro moderato
DR15 -5.75 dB -26.76 dB 3:18 03-Sonate II d-Moll, Wq. 57/4: II. Cantabile e mesto
DR15 -4.73 dB -23.08 dB 2:38 04-Sonate II d-Moll, Wq. 57/4: III. Allegro
DR15 -3.26 dB -23.36 dB 5:20 05-Rondo II c-Moll, Wq. 59/4
DR12 -3.51 dB -20.97 dB 0:28 06-Fantasie d-Moll, Wq. 117/12
DR12 -3.39 dB -19.98 dB 0:34 07-Fantasie G-Dur, Wq. 117/11
DR15 -4.11 dB -21.17 dB 0:32 08-Fantasie D-Dur, Wq. 117/8
DR14 -6.68 dB -25.03 dB 1:02 09-Fantasie B-Dur, Wq. 112/8
DR12 -15.51 dB -31.94 dB 1:31 10-Clavierstück für die rechte oder linke Hand allein A-Dur, Wq. 117/1: I. Rechte Hand
DR12 -9.58 dB -24.11 dB 1:05 11-Clavierstück für die rechte oder linke Hand allein A-Dur, Wq. 117/1: II. Linke Hand
DR11 -1.76 dB -20.73 dB 0:54 12-Solfeggio C-Dur, Wq. 112/10
DR11 -4.78 dB -20.13 dB 0:31 13-Solfeggio A-Dur, Wq. 117/4
DR13 -11.71 dB -29.34 dB 0:48 14-Solfeggio Es-Dur, Wq. 117/3
DR12 -4.94 dB -20.53 dB 1:00 15-Solfeggio c-Moll, Wq. 117/2
DR14 -2.68 dB -21.97 dB 4:38 16-Rondo II d-Moll, Wq. 61/4
DR19 -0.23 dB -22.91 dB 8:17 17-Sonate VI G-Dur, Wq. 55/6: I. Allegro moderato
DR13 -11.55 dB -28.96 dB 3:30 18-Sonate VI G-Dur, Wq. 55/6: II. Andante
DR17 -0.11 dB -22.08 dB 6:16 19-Sonate VI G-Dur, Wq. 55/6: III. Allegro di molto
DR16 -1.98 dB -24.17 dB 7:27 20-Fantasie II C-Dur, Wq. 59/6
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 20
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1228 kbps
Codec: FLAC
================================================================================
log date: 2017-10-18 20:45:04
––––––––––––––––––––––––––––––––––––––––
Analyzed: Carl Philipp Emanuel Bach / Tangere
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR18 -0.16 dB -25.06 dB 11:19 01-Freye Fantasie fis-Moll, Wq. 67
DR15 -3.96 dB -22.26 dB 6:21 02-Sonate II d-Moll, Wq. 57/4: I. Allegro moderato
DR15 -5.75 dB -26.76 dB 3:18 03-Sonate II d-Moll, Wq. 57/4: II. Cantabile e mesto
DR15 -4.73 dB -23.08 dB 2:38 04-Sonate II d-Moll, Wq. 57/4: III. Allegro
DR15 -3.26 dB -23.36 dB 5:20 05-Rondo II c-Moll, Wq. 59/4
DR12 -3.51 dB -20.97 dB 0:28 06-Fantasie d-Moll, Wq. 117/12
DR12 -3.39 dB -19.98 dB 0:34 07-Fantasie G-Dur, Wq. 117/11
DR15 -4.11 dB -21.17 dB 0:32 08-Fantasie D-Dur, Wq. 117/8
DR14 -6.68 dB -25.03 dB 1:02 09-Fantasie B-Dur, Wq. 112/8
DR12 -15.51 dB -31.94 dB 1:31 10-Clavierstück für die rechte oder linke Hand allein A-Dur, Wq. 117/1: I. Rechte Hand
DR12 -9.58 dB -24.11 dB 1:05 11-Clavierstück für die rechte oder linke Hand allein A-Dur, Wq. 117/1: II. Linke Hand
DR11 -1.76 dB -20.73 dB 0:54 12-Solfeggio C-Dur, Wq. 112/10
DR11 -4.78 dB -20.13 dB 0:31 13-Solfeggio A-Dur, Wq. 117/4
DR13 -11.71 dB -29.34 dB 0:48 14-Solfeggio Es-Dur, Wq. 117/3
DR12 -4.94 dB -20.53 dB 1:00 15-Solfeggio c-Moll, Wq. 117/2
DR14 -2.68 dB -21.97 dB 4:38 16-Rondo II d-Moll, Wq. 61/4
DR19 -0.23 dB -22.91 dB 8:17 17-Sonate VI G-Dur, Wq. 55/6: I. Allegro moderato
DR13 -11.55 dB -28.96 dB 3:30 18-Sonate VI G-Dur, Wq. 55/6: II. Andante
DR17 -0.11 dB -22.08 dB 6:16 19-Sonate VI G-Dur, Wq. 55/6: III. Allegro di molto
DR16 -1.98 dB -24.17 dB 7:27 20-Fantasie II C-Dur, Wq. 59/6
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 20
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1228 kbps
Codec: FLAC
================================================================================