Jerusalem Quartet & Hila Baggio - The Yiddish Cabaret (2019)
FLAC (tracks) 24-bit/96 kHz | Time - 59:44 minutes | 1.02 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet
FLAC (tracks) 24-bit/96 kHz | Time - 59:44 minutes | 1.02 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet
Starting in June 2018, we are very excited to share a new project, which has been in the works for 2 years. "Yiddish" is an exploration of the rich world of Jewish popular music in Poland between the two world wars, and the substantial influence this music had in Europe, and subsequently in the US after the war. Jewish humor and self-irony is ever present in the songs that made up jewish cabarets such as "Azazel" in Warsaw in the early 20th century. We believe that this was the greatest influence for the what we now associate with Cabaret, namely the Berlin cabaret scene in the 1920s.
With the help of the National library in Jerusalem, which holds a vast archive of jewish music and jewish songs, and the head librarian Gila Flam, who's knowledge of yiddish song is quite amazing, we rummaged through a huge selection of Yiddish songs and after a long process selected five. We then approached Leonid Desyatnikov, who's work we have been following for many years, and were so delighted when he agreed to take these songs and transform them into a new composition for singer and string quartet. To perform these songs, we will team up with Israeli soprano Hila Baggio, who is not only a superb vocalist, but also a wonderful actress and performer. After seeing her in a performance of Schönberg's "Pierot Lunair" we were convinced she was the right person for this project. The songs will be sung in Yiddish.
Together with these five songs we picked Erwin Schulhoff's "Five Pieces for String Quartet" and Erich Korngold's second string quartet. Schulhoff was a jewish composer who thrived in the period between the wars. While his music is undoubtedly serious and full of depth, he incorporates light, humorous and popular musical styles into his music. The Five Pieces are a String Quartet depiction of an evening out at a cabaret, kind of a 1920s suite of dances including a wonky waltz, a Tango, and a Tarantella. We picked this piece to show how the cabaret genre infiltrated "serious" music in the way we find a courante or gigue in Bach's suites or the Menuet in Schubert's. Schulhoff was one of the Jewish composers condemned by the Nazi in the 1930s as degenerate, and was ultimately sent to Theresienstadt and murdered.
Erich Korngold's biography is by now quite known. He was considered the great hope of classical music in Vienna in the early 1900s. A true wunderkind, who seemed able to continue the great arc of viennese composers, he composed sonatas, an opera, and a string quartet while still in his teens. The rise of Fascism, like many others, brought him to Hollywood, where he became the foremost film score composer of his time. His collaboration with fellow immigrants such as Jascha Heifetz, gave us fantastic classical compositions such as his Violin concerto, often heard on concert stages today. Korngold's second string quartet was composed in the United States, but is deeply rooted in Central European traditions.
We picked this piece because it represents the dissemination of jewish culture into the American film industry. Many of the professionals in the vast polish jewish film industry immigrated to the US and became the backbone of the emerging film industry in Hollywood. Korngold was an important member of this community.
Tracklist:
1. Streichquartett No. 2 in E-Flat Major, Op. 26: I. Allegro (06:27)
2. Streichquartett No. 2 in E-Flat Major, Op. 26: II. Intermezzo. Allegretto con moto (04:01)
3. Streichquartett No. 2 in E-Flat Major, Op. 26: III. Larghetto. Lento (07:43)
4. Streichquartett No. 2 in E-Flat Major, Op. 26: IV. Waltz (Finale). Tempo di Valse (06:04)
5. Five Pieces for String Quartet: I. Alla Valse viennese (allegro) (01:58)
6. Five Pieces for String Quartet: II. Alla Serenata (allegretto con moto) (03:37)
7. Five Pieces for String Quartet: III. Alla Czeca (molto allegro) (01:42)
8. Five Pieces for String Quartet: IV. Alla Tango milonga (andante) (04:29)
9. Five Pieces for String Quartet: V. Alla Tarantella (prestissimo con fuoco) (02:49)
10. Yiddish: 1. Varshe (03:48)
11. Yiddish: 2. In a hoyz vu men veynt un men lakht (05:45)
12. Yiddish: 3. Ikh ganve in der nakht (02:31)
13. Yiddish: 4. Yosl un Sore-Dvoshe (04:14)
14. Yiddish: 5. Ikh vel shoyn mer nit ganvenen (04:36)
Personnel:
Hila Baggio, soprano
Jerusalem Quartet
foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2019-05-17 14:54:27
––––––––––––––––––––––––––––––––––––––––
Analyzed: Hila Baggio / The Yiddish Cabaret (1-5)
Jerusalem Quartet / The Yiddish Cabaret (6-14)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -0.70 dB -22.62 dB 3:49 10-Yiddish: 1. Varshe
DR18 -0.88 dB -25.48 dB 5:45 11-Yiddish: 2. In a hoyz vu men veynt un men lakht
DR18 -0.97 dB -24.97 dB 2:31 12-Yiddish: 3. Ikh ganve in der nakht
DR16 -1.68 dB -22.56 dB 4:14 13-Yiddish: 4. Yosl un Sore-Dvoshe
DR17 -0.50 dB -23.18 dB 4:36 14-Yiddish: 5. Ikh vel shoyn mer nit ganvenen
DR15 -4.89 dB -26.14 dB 6:27 01-Streichquartett No. 2 in E-Flat Major, Op. 26: I. Allegro
DR17 -4.72 dB -25.95 dB 4:02 02-Streichquartett No. 2 in E-Flat Major, Op. 26: II. Intermezzo. Allegretto con moto
DR14 -7.25 dB -28.46 dB 7:43 03-Streichquartett No. 2 in E-Flat Major, Op. 26: III. Larghetto. Lento
DR16 -3.72 dB -24.13 dB 6:04 04-Streichquartett No. 2 in E-Flat Major, Op. 26: IV. Waltz (Finale). Tempo di Valse
DR14 -2.05 dB -23.68 dB 1:58 05-Five Pieces for String Quartet: I. Alla Valse viennese (allegro)
DR13 -5.56 dB -25.47 dB 3:38 06-Five Pieces for String Quartet: II. Alla Serenata (allegretto con moto)
DR13 -6.00 dB -23.13 dB 1:43 07-Five Pieces for String Quartet: III. Alla Czeca (molto allegro)
DR13 -7.90 dB -26.58 dB 4:29 08-Five Pieces for String Quartet: IV. Alla Tango milonga (andante)
DR14 -5.52 dB -23.08 dB 2:49 09-Five Pieces for String Quartet: V. Alla Tarantella (prestissimo con fuoco)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 14
Official DR value: DR15
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2485 kbps
Codec: FLAC
================================================================================
log date: 2019-05-17 14:54:27
––––––––––––––––––––––––––––––––––––––––
Analyzed: Hila Baggio / The Yiddish Cabaret (1-5)
Jerusalem Quartet / The Yiddish Cabaret (6-14)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -0.70 dB -22.62 dB 3:49 10-Yiddish: 1. Varshe
DR18 -0.88 dB -25.48 dB 5:45 11-Yiddish: 2. In a hoyz vu men veynt un men lakht
DR18 -0.97 dB -24.97 dB 2:31 12-Yiddish: 3. Ikh ganve in der nakht
DR16 -1.68 dB -22.56 dB 4:14 13-Yiddish: 4. Yosl un Sore-Dvoshe
DR17 -0.50 dB -23.18 dB 4:36 14-Yiddish: 5. Ikh vel shoyn mer nit ganvenen
DR15 -4.89 dB -26.14 dB 6:27 01-Streichquartett No. 2 in E-Flat Major, Op. 26: I. Allegro
DR17 -4.72 dB -25.95 dB 4:02 02-Streichquartett No. 2 in E-Flat Major, Op. 26: II. Intermezzo. Allegretto con moto
DR14 -7.25 dB -28.46 dB 7:43 03-Streichquartett No. 2 in E-Flat Major, Op. 26: III. Larghetto. Lento
DR16 -3.72 dB -24.13 dB 6:04 04-Streichquartett No. 2 in E-Flat Major, Op. 26: IV. Waltz (Finale). Tempo di Valse
DR14 -2.05 dB -23.68 dB 1:58 05-Five Pieces for String Quartet: I. Alla Valse viennese (allegro)
DR13 -5.56 dB -25.47 dB 3:38 06-Five Pieces for String Quartet: II. Alla Serenata (allegretto con moto)
DR13 -6.00 dB -23.13 dB 1:43 07-Five Pieces for String Quartet: III. Alla Czeca (molto allegro)
DR13 -7.90 dB -26.58 dB 4:29 08-Five Pieces for String Quartet: IV. Alla Tango milonga (andante)
DR14 -5.52 dB -23.08 dB 2:49 09-Five Pieces for String Quartet: V. Alla Tarantella (prestissimo con fuoco)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 14
Official DR value: DR15
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2485 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer.