Daniel Tong & Robin Michael - Beethoven: Complete Works for Cello and Piano (2020)
FLAC (tracks) 24-bit/96 kHz | Time - 147:49 minutes | 2.42 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet
FLAC (tracks) 24-bit/96 kHz | Time - 147:49 minutes | 2.42 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet
Cello and piano duo Robin Michael and Daniel Tong return to Resonus with this dazzling collection of the complete works for cello and piano of Ludwig van Beethoven. Written across his productive life, they contain much that is considered pioneering and innovative within the genre.
The five sonatas and three sets of variations form a considerable contribution to the cello and piano repertoire, from the formative early Op. 5 sonatas composed as a young man, to the much later Op. 102 sonatas, penned following his infamous hearing loss. Rarely heard on disc performed on period instruments, Michael and Tong record these celebrated works using a cello after Matteo Goffriller from 1695 and a fortepiano after Anton Walter from c.1805.
Tracklist:
01. Sonata No. 1 in F Major, Op. 5, No. 1: I. Adagio sostenuto (2:35)
02. Sonata No. 1 in F Major, Op. 5, No. 1: II. Allegro (14:54)
03. Sonata No. 1 in F Major, Op. 5, No. 1: III. Rondo (7:16)
04. 12 Variations on 'See the Conquering Hero Comes', WoO 45: I. Theme (0:43)
05. 12 Variations on 'See the Conquering Hero Comes', WoO 45: II. Varation I (0:41)
06. 12 Variations on 'See the Conquering Hero Comes', WoO 45: III. Variation II (0:41)
07. 12 Variations on 'See the Conquering Hero Comes', WoO 45: IV. Variation III (0:45)
08. 12 Variations on 'See the Conquering Hero Comes', WoO 45: V. Variation IV (0:56)
09. 12 Variations on 'See the Conquering Hero Comes', WoO 45: VI. Variation V (0:51)
10. 12 Variations on 'See the Conquering Hero Comes', WoO 45: VII. Variation VI (0:41)
11. 12 Variations on 'See the Conquering Hero Comes', WoO 45: VIII. Variation VII (0:42)
12. 12 Variations on 'See the Conquering Hero Comes', WoO 45: IX. Variation VIII (0:46)
13. 12 Variations on 'See the Conquering Hero Comes', WoO 45: X. Variation IX (0:49)
14. 12 Variations on 'See the Conquering Hero Comes', WoO 45: XI. Variation X (0:44)
15. 12 Variations on 'See the Conquering Hero Comes', WoO 45: XII. Variation XI (3:12)
16. 12 Variations on 'See the Conquering Hero Comes', WoO 45: XIII. Variation XII (1:10)
17. Sonata No. 2 in G Minor, Op. 5, No. 2: I. Adagio sostenuto e espressivo (5:02)
18. Sonata No. 2 in G Minor, Op. 5, No. 2: II. Allegro molto più tosto presto (14:41)
19. Sonata No. 2 in G Minor, Op. 5, No. 2: III. Rondo (8:55)
20. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: I. Theme (0:30)
21. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: II. Varation I (0:39)
22. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: III. Variation II (0:30)
23. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: IV. Variation III (0:30)
24. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: V. Variation IV (0:39)
25. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: VI. Variation V (0:30)
26. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: VII. Variation VI (0:27)
27. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: VIII. Variation VII (0:42)
28. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: IX. Variation VIII (0:29)
29. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: X. Variation IX (0:39)
30. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: XI. Variation X (1:17)
31. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: XII. Variation XI (1:08)
32. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: XIII. Variation XII (2:01)
33. Sonata No. 3 in A Major, Op. 69: I. Allegro ma non tanto (13:14)
34. Sonata No. 3 in A Major, Op. 69: II. Scherzo (5:18)
35. Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile - Allegro vivace (8:33)
36. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: I. Theme (0:46)
37. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: II. Varation I (0:41)
38. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: III. Variation II (0:44)
39. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: IV. Variation III (1:00)
40. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: V. Variation IV (1:28)
41. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: VI. Variation V (0:37)
42. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: VII. Variation VI (2:19)
43. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: VIII. Variation VII (2:00)
44. Sonata No. 4 in C Major, Op. 102, No. 1: I. Andante (2:34)
45. Sonata No. 4 in C Major, Op. 102, No. 1: II. Allegro vivace (5:11)
46. Sonata No. 4 in C Major, Op. 102, No. 1: III. Adagio - Tempo d'Andante - Allegro vivace (7:14)
47. Sonata No. 5 in D Major, Op. 102, No. 2: I. Allegro con brio (6:53)
48. Sonata No. 5 in D Major, Op. 102, No. 2: II. Adagio con molto sentimento d'affetto (8:33)
49. Sonata No. 5 in D Major, Op. 102, No. 2: III. Allegro (4:54)
Personnel:
Robin Michael (cello)
Daniel Tong (fortepiano)
foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2020-01-29 12:56:01
––––––––––––––––––––––––––––––––––––––––
Analyzed: Daniel Tong & Robin Michael / Beethoven: Complete Works for Cello and Piano
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.44 dB -24.04 dB 2:35 01-Sonata No. 1 in F Major, Op. 5, No. 1: I. Adagio sostenuto
DR14 -1.66 dB -22.75 dB 14:54 02-Sonata No. 1 in F Major, Op. 5, No. 1: II. Allegro
DR15 -3.69 dB -23.63 dB 7:16 03-Sonata No. 1 in F Major, Op. 5, No. 1: III. Rondo
DR12 -9.70 dB -26.35 dB 0:43 04-12 Variations on 'See the Conquering Hero Comes', WoO 45: I. Theme
DR10 -11.02 dB -28.47 dB 0:41 05-12 Variations on 'See the Conquering Hero Comes', WoO 45: II. Varation I
DR11 -11.16 dB -25.98 dB 0:41 06-12 Variations on 'See the Conquering Hero Comes', WoO 45: III. Variation II
DR14 -6.37 dB -26.35 dB 0:45 07-12 Variations on 'See the Conquering Hero Comes', WoO 45: IV. Variation III
DR11 -9.33 dB -26.17 dB 0:56 08-12 Variations on 'See the Conquering Hero Comes', WoO 45: V. Variation IV
DR12 -11.17 dB -29.92 dB 0:51 09-12 Variations on 'See the Conquering Hero Comes', WoO 45: VI. Variation V
DR11 -12.55 dB -26.71 dB 0:41 10-12 Variations on 'See the Conquering Hero Comes', WoO 45: VII. Variation VI
DR11 -10.10 dB -26.57 dB 0:42 11-12 Variations on 'See the Conquering Hero Comes', WoO 45: VIII. Variation VII
DR11 -6.94 dB -22.47 dB 0:46 12-12 Variations on 'See the Conquering Hero Comes', WoO 45: IX. Variation VIII
DR12 -12.22 dB -32.27 dB 0:49 13-12 Variations on 'See the Conquering Hero Comes', WoO 45: X. Variation IX
DR11 -6.25 dB -20.89 dB 0:44 14-12 Variations on 'See the Conquering Hero Comes', WoO 45: XI. Variation X
DR12 -14.43 dB -32.01 dB 3:12 15-12 Variations on 'See the Conquering Hero Comes', WoO 45: XII. Variation XI
DR12 -7.38 dB -25.81 dB 1:10 16-12 Variations on 'See the Conquering Hero Comes', WoO 45: XIII. Variation XII
DR14 -6.49 dB -26.02 dB 5:02 17-Sonata No. 2 in G Minor, Op. 5, No. 2: I. Adagio sostenuto e espressivo
DR14 -2.79 dB -22.34 dB 14:41 18-Sonata No. 2 in G Minor, Op. 5, No. 2: II. Allegro molto più tosto presto
DR14 -4.31 dB -23.91 dB 8:55 19-Sonata No. 2 in G Minor, Op. 5, No. 2: III. Rondo
DR12 -12.85 dB -27.99 dB 0:30 20-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: I. Theme
DR14 -16.97 dB -34.55 dB 0:39 21-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: II. Varation I
DR10 -12.33 dB -26.12 dB 0:30 22-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: III. Variation II
DR11 -9.21 dB -25.41 dB 0:30 23-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: IV. Variation III
DR11 -13.03 dB -28.71 dB 0:39 24-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: V. Variation IV
DR13 -10.43 dB -25.08 dB 0:30 25-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: VI. Variation V
DR11 -9.00 dB -25.98 dB 0:27 26-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: VII. Variation VI
DR12 -15.38 dB -32.53 dB 0:42 27-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: VIII. Variation VII
DR13 -7.22 dB -24.64 dB 0:29 28-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: IX. Variation VIII
DR10 -10.66 dB -28.77 dB 0:39 29-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: X. Variation IX
DR12 -12.07 dB -32.00 dB 1:17 30-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: XI. Variation X
DR13 -11.72 dB -31.35 dB 1:08 31-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: XII. Variation XI
DR12 -8.55 dB -25.79 dB 2:01 32-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: XIII. Variation XII
DR15 -1.53 dB -24.15 dB 13:14 33-Sonata No. 3 in A Major, Op. 69: I. Allegro ma non tanto
DR14 -2.61 dB -22.94 dB 5:18 34-Sonata No. 3 in A Major, Op. 69: II. Scherzo
DR16 -0.79 dB -23.93 dB 8:33 35-Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile - Allegro vivace
DR10 -12.60 dB -27.30 dB 0:46 36-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: I. Theme
DR12 -10.92 dB -26.79 dB 0:41 37-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: II. Varation I
DR12 -10.69 dB -27.25 dB 0:44 38-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: III. Variation II
DR12 -9.06 dB -27.14 dB 1:00 39-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: IV. Variation III
DR11 -11.89 dB -29.29 dB 1:28 40-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: V. Variation IV
DR11 -10.25 dB -25.60 dB 0:37 41-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: VI. Variation V
DR12 -14.60 dB -30.75 dB 2:19 42-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: VII. Variation VI
DR14 -7.02 dB -25.13 dB 2:00 43-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: VIII. Variation VII
DR12 -13.13 dB -31.22 dB 2:34 44-Sonata No. 4 in C Major, Op. 102, No. 1: I. Andante
DR13 -4.28 dB -23.23 dB 5:11 45-Sonata No. 4 in C Major, Op. 102, No. 1: II. Allegro vivace
DR14 -4.58 dB -25.65 dB 7:14 46-Sonata No. 4 in C Major, Op. 102, No. 1: III. Adagio - Tempo d'Andante - Allegro vivace
DR14 -6.21 dB -24.53 dB 6:53 47-Sonata No. 5 in D Major, Op. 102, No. 2: I. Allegro con brio
DR13 -10.54 dB -30.85 dB 8:33 48-Sonata No. 5 in D Major, Op. 102, No. 2: II. Adagio con molto sentimento d'affetto
DR13 -6.22 dB -23.77 dB 4:54 49-Sonata No. 5 in D Major, Op. 102, No. 2: III. Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 49
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2368 kbps
Codec: FLAC
================================================================================
log date: 2020-01-29 12:56:01
––––––––––––––––––––––––––––––––––––––––
Analyzed: Daniel Tong & Robin Michael / Beethoven: Complete Works for Cello and Piano
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.44 dB -24.04 dB 2:35 01-Sonata No. 1 in F Major, Op. 5, No. 1: I. Adagio sostenuto
DR14 -1.66 dB -22.75 dB 14:54 02-Sonata No. 1 in F Major, Op. 5, No. 1: II. Allegro
DR15 -3.69 dB -23.63 dB 7:16 03-Sonata No. 1 in F Major, Op. 5, No. 1: III. Rondo
DR12 -9.70 dB -26.35 dB 0:43 04-12 Variations on 'See the Conquering Hero Comes', WoO 45: I. Theme
DR10 -11.02 dB -28.47 dB 0:41 05-12 Variations on 'See the Conquering Hero Comes', WoO 45: II. Varation I
DR11 -11.16 dB -25.98 dB 0:41 06-12 Variations on 'See the Conquering Hero Comes', WoO 45: III. Variation II
DR14 -6.37 dB -26.35 dB 0:45 07-12 Variations on 'See the Conquering Hero Comes', WoO 45: IV. Variation III
DR11 -9.33 dB -26.17 dB 0:56 08-12 Variations on 'See the Conquering Hero Comes', WoO 45: V. Variation IV
DR12 -11.17 dB -29.92 dB 0:51 09-12 Variations on 'See the Conquering Hero Comes', WoO 45: VI. Variation V
DR11 -12.55 dB -26.71 dB 0:41 10-12 Variations on 'See the Conquering Hero Comes', WoO 45: VII. Variation VI
DR11 -10.10 dB -26.57 dB 0:42 11-12 Variations on 'See the Conquering Hero Comes', WoO 45: VIII. Variation VII
DR11 -6.94 dB -22.47 dB 0:46 12-12 Variations on 'See the Conquering Hero Comes', WoO 45: IX. Variation VIII
DR12 -12.22 dB -32.27 dB 0:49 13-12 Variations on 'See the Conquering Hero Comes', WoO 45: X. Variation IX
DR11 -6.25 dB -20.89 dB 0:44 14-12 Variations on 'See the Conquering Hero Comes', WoO 45: XI. Variation X
DR12 -14.43 dB -32.01 dB 3:12 15-12 Variations on 'See the Conquering Hero Comes', WoO 45: XII. Variation XI
DR12 -7.38 dB -25.81 dB 1:10 16-12 Variations on 'See the Conquering Hero Comes', WoO 45: XIII. Variation XII
DR14 -6.49 dB -26.02 dB 5:02 17-Sonata No. 2 in G Minor, Op. 5, No. 2: I. Adagio sostenuto e espressivo
DR14 -2.79 dB -22.34 dB 14:41 18-Sonata No. 2 in G Minor, Op. 5, No. 2: II. Allegro molto più tosto presto
DR14 -4.31 dB -23.91 dB 8:55 19-Sonata No. 2 in G Minor, Op. 5, No. 2: III. Rondo
DR12 -12.85 dB -27.99 dB 0:30 20-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: I. Theme
DR14 -16.97 dB -34.55 dB 0:39 21-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: II. Varation I
DR10 -12.33 dB -26.12 dB 0:30 22-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: III. Variation II
DR11 -9.21 dB -25.41 dB 0:30 23-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: IV. Variation III
DR11 -13.03 dB -28.71 dB 0:39 24-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: V. Variation IV
DR13 -10.43 dB -25.08 dB 0:30 25-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: VI. Variation V
DR11 -9.00 dB -25.98 dB 0:27 26-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: VII. Variation VI
DR12 -15.38 dB -32.53 dB 0:42 27-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: VIII. Variation VII
DR13 -7.22 dB -24.64 dB 0:29 28-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: IX. Variation VIII
DR10 -10.66 dB -28.77 dB 0:39 29-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: X. Variation IX
DR12 -12.07 dB -32.00 dB 1:17 30-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: XI. Variation X
DR13 -11.72 dB -31.35 dB 1:08 31-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: XII. Variation XI
DR12 -8.55 dB -25.79 dB 2:01 32-12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: XIII. Variation XII
DR15 -1.53 dB -24.15 dB 13:14 33-Sonata No. 3 in A Major, Op. 69: I. Allegro ma non tanto
DR14 -2.61 dB -22.94 dB 5:18 34-Sonata No. 3 in A Major, Op. 69: II. Scherzo
DR16 -0.79 dB -23.93 dB 8:33 35-Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile - Allegro vivace
DR10 -12.60 dB -27.30 dB 0:46 36-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: I. Theme
DR12 -10.92 dB -26.79 dB 0:41 37-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: II. Varation I
DR12 -10.69 dB -27.25 dB 0:44 38-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: III. Variation II
DR12 -9.06 dB -27.14 dB 1:00 39-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: IV. Variation III
DR11 -11.89 dB -29.29 dB 1:28 40-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: V. Variation IV
DR11 -10.25 dB -25.60 dB 0:37 41-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: VI. Variation V
DR12 -14.60 dB -30.75 dB 2:19 42-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: VII. Variation VI
DR14 -7.02 dB -25.13 dB 2:00 43-7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: VIII. Variation VII
DR12 -13.13 dB -31.22 dB 2:34 44-Sonata No. 4 in C Major, Op. 102, No. 1: I. Andante
DR13 -4.28 dB -23.23 dB 5:11 45-Sonata No. 4 in C Major, Op. 102, No. 1: II. Allegro vivace
DR14 -4.58 dB -25.65 dB 7:14 46-Sonata No. 4 in C Major, Op. 102, No. 1: III. Adagio - Tempo d'Andante - Allegro vivace
DR14 -6.21 dB -24.53 dB 6:53 47-Sonata No. 5 in D Major, Op. 102, No. 2: I. Allegro con brio
DR13 -10.54 dB -30.85 dB 8:33 48-Sonata No. 5 in D Major, Op. 102, No. 2: II. Adagio con molto sentimento d'affetto
DR13 -6.22 dB -23.77 dB 4:54 49-Sonata No. 5 in D Major, Op. 102, No. 2: III. Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 49
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2368 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer.