The pieces, recorded here, form merely the tip of a fascinating iceberg. When medievist/archivist André Nieuwlaat initially shared his discoveries (much more Dowland lute music) with lutenist Mike Fentross two years ago, he realized immediately their importance. Every composer has his own musical signature. Trusting the experience that Mike Fentross has gained throughout his thirty-year career as a professional lute player, and as Professor of Lute at the Royal Conservatory of The Hague for the last 15 years, he started to make a selection from all the pieces in the pertinent manuscripts. He let himself be guided by musical intuition, by the essence of the pieces, and by constantly asking himself the question: do I recognize Dowland's hand in this? The overall quality of the pieces to choose from was very impressive, and the answer to this question was: Yes, I recognize Dowland in these works, without a shadow of a doubt. His work pays off with this fascinating release.

Jonathan Beard creates music for media and the concert stage. As a composer, his recent projects include scoring the feature film Frank vs. God; serving on the composing teams for video games Star Wars Battlefront and Star Wars Old Republic: Knights Of The Fallen Empire; and guest-composing for ABC's Once Upon A Time. For the stage, Jonathan co-composed the oratorio The Passion Of Anne Frank for the Los Angeles Master Chorale as part of their Voices Within residency, and his original theatre-score for Driving Miss Daisy received an NAACP Theatre Award nomination. He also recently completed the I-Park Foundation Artist Residency for his in-progress electroacoustic opera Cesare, Child Of Night.