2 5-jigen no Ririsa - 06 (720p
MKV | 1280x720 | 日本語 | H264 | AAC | 24 min 1 s | 490 MiB
Subtitles: English
MKV | 1280x720 | 日本語 | H264 | AAC | 24 min 1 s | 490 MiB
Subtitles: English
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This long sought-after release celebrates the 50th anniversary of Woodstock, by giving fans a front-row seat to relive CCR’s stirring, hour-long set as it was performed that historic night in August of 1969. Kicking off with “Born on the Bayou,” the album features the band’s biggest singles of the day, plus selections off their first three LPs, including “Commotion,” “Ninety-Nine and a Half (Won’t Do)” and “Bootleg.” Full of creative energy, John, Tom, Stu, and Doug delve deep into their music, playing extended improvisations of “I Put a Spell on You,” “Keep on Chooglin’” and “Suzie Q.”
On this 1986 debut, Steve Earle burst on the scene as a fully formed songwriting master, synthesizing effortlessly the finest parts of country-folk troubadours like Townes Van Zandt and the anthemic, working-class rock of Bruce Springsteen. "Someday," a country-rock masterpiece about a kid stuck pumping gas in a dead-end town, remains the perfect realization of this style, and with the exception of the slight and silly "Little Rock 'N' Roller," most everything else here (especially "Hillbilly Highway" and the heartbreaking ballad "My Old Friend the Blues") comes awfully close. The 2002 reissue, overseen by Earle and original producer Tony Brown, offers fresh remastering, new liner notes by Earle, and a bonus live version of Springsteen's "State Trooper."
A more succinct and straightforward anthology of the Housemartins than 1988's Now That's What I Call Quite Good!, 2004's The Best of the Housemartins is a 14-track overview that sticks to the basics. While it does not contain the significant BBC sessions, B-sides, and album cuts featured on Quite Good!, it does feature superior sound and all the material (such as "Happy Hour," "Sheep," "The People Who Grinned Themselves to Death," and their cover of the Isley Brothers' "Caravan of Love") that casual fans truly need. Most of the band's biggest fans will tell you, of course, that the two studio albums are absolutely necessary.
Bonnie Tyler's most recent studio album is a mixed bag of tricks – it contains mostly new songs (including her latest international hit, "Louise," in both French and English versions), as well as new recordings of some classics – namely "Total Eclipse of the Heart" and "It's a Heartache." The result is an uneven listen and it definitely falls shy of Tyler's Columbia Records or BMG International periods. Unfortunately, the addition of "Total Eclipse" and "It's a Heartache" merely serves to point out that Tyler's work used to be much more powerful and much more daring.