The theatre world is a familiar setting for the films of Rivette. In Va savoir, the characters, all quick-witted, well-read and cultured types, revolve around each other in a delightful potpourri of theatre, romance and theft. In the end, everything lands on its feet and they all get the partner they deserve, but before then, long filmer Rivette takes two and a half hours to dwell lightly on the vicissitudes around the six protagonists. Camille is an actress with an Italian company that is in Paris to perform a play by Pirandello, Come tu mi vuoi.

Kurdish childhood friends Hussein and Alan direct and produce a film about the genocide of Kurdish people in Iraq, the Anfal campaign in 1988. They learn that, to achieve veracity by the means of cinema and to face their own identity, it's worth putting everything on the line - even their own life.

Set in the early 1950's, during the Stalin's Personality Cult. The story opens in a provincial town. Tomek's father, a former member of the Home Army is arrested so the mother is left with the task of raising two kids alone. The neighbor upstairs commits suicide when her husband is also arrested and transported to the prison camp. It's winter so the kids keep their hands warm at school by hand-beating themselves.

Set in a barren, futuristic Tokyo of highways and wastelands, a rowdy group of punk bands and their fans gather to protest slow, boring, Japanese living.

Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.