AiASAG 077-110 Preview (AI Generated)
Textless | ZIP | 371 pages | 745 MB
Textless | ZIP | 371 pages | 745 MB
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Not only do these players adopt some very deliberate tempos in movements such as “Sitio”, “Mulier, ecce filius tuus”, and “Consummatum est”, but they also include a quartet transcription of the wind-band introduction to Part 2 of the work’s oratorio version (my other preferred way to enjoy it). Strangely enough, though you might think that the last thing we need is yet another slow movement, it all works surprisingly well. Surely it helps that the group has taken care to compare the quartet arrangement with the orchestral original and to include some of the missing subsidiary musical lines otherwise assigned to the orchestra’s wind section, resulting in a slightly richer texture overall.
This is the second issue in the Chandos cycle of Parry's orchestral and choral works in which Matthias Bamert is conducting the London Philharmonic. It is splendid to hear this neglected music so sensitively and enthusiastically interpreted by a non-British conductor. Although two of the works on this disc—the Fifth Symphony and the Elegy for Brahms—have been previously recorded for EMI in 1978 by Boult with the same orchestra (11/87—nla), I have no hesitation in declaring that these are finer performances and interpretations. Boult loved Parry's music, but Bamert finds more passion and mystery in it. Sir Adrian seemed more concerned with its structure, trusting that the emotion would emerge of its own accord, as no doubt it would have done if he had been younger and fitter when he made his recording.